For Me and My Gal

1942 "She's a Yankee Doodle Girlie!"
7| 1h44m| NR| en| More Info
Released: 21 October 1942 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.

Genre

Music, Romance, War

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Director

Busby Berkeley

Production Companies

Metro-Goldwyn-Mayer

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For Me and My Gal Audience Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
TinsHeadline Touches You
VividSimon Simply Perfect
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
kz917-1 I was expecting much more with the combination of Gene Kelly and Judy Garland. Certainly both of their singing and dancing was phenomenal. But the story at one point takes weird twists and turns. They attempted and succeeded in fitting as many vaudevillian singing and dancing numbers in to the picture as possible with no regard to whether or not it made sense. Worth the rental if you are a Kelly or Garland fan.
mark.waltz With only three film appearances together, Gene Kelly and Judy Garland became a team with enough dynamite to blow memories of Judy and Mickey out of the barn. Fresh from Broadway, Gene never looked back as he took Hollywood by storm, and within a few years, was rivaling another dancer named Astaire who came back from a brief retirement to give Mr. Kelly, if I may, a run for his money. Here, Gene and Judy get a war story, timely for the time, even if the war they were fighting was the first World War, not the then current second one. They are members of separate vaudeville acts who come together as one, he replacing her old partner George Murphy (not a bad hoofer himself), and as fast as you can scramble to find a big yellow tulip, they are in love. But when their chance to hit the big time through the Palace in New York comes along, Gene is drafted, and his old selfish nature erupts which makes him not only unpatriotic but his own worst enemy.Like "This is the Army!", this takes the audience out to view the entertainers on the front, sometimes in dangerous areas of combat, and after realizing the mistake he made, Kelly is desperate not only to fight but to make his girl proud and win her back. But will he find her on the French trenches? Can Judy belt? Can Gene tap? Will Leo roar? Along the way, there's Judy and Gene "Ballin' the Jack", turnin' out the title song and briefly singing the rousing "When You Wore a Tulip" which had a hit recording where the two addressed each other by their real names. "I wore a big red rose!", to which Judy replies "A big fat rose", a memorable duet truncated for the movie much to this Judy fan's disappointment. Judy also gives a fantastic rendition of "After You've Gone", one of the best torch numbers of her career, showing all the emotion she would later empower with "A Star is Born". Gene's selfish character may have made certain audience members "boo" during the war, and it does seem as if he'll never turn over a new leaf or wake up and smell the chock full o' nuts. But MGM had "patriotism" on its mind in 1942, and there is no way it could let a leading man (especially a new one they intended to make a big star) remain "yeller". That old task masker Busby Berkley is once again at the helm of a Judy picture, and if he was taxing her as dramatized in her many biographies, it never shows. The chemistry between Judy and Gene is top dog and any indication of her teenage "Nobody's Baby" glamourless girl is totally gone. She's a star all the way from here, and Gene would rejoin her for two more musical ventures of varying themes where the memory of their first venture proved to be much more than a fluke.
Casablanca3784 Judy Garland was just twenty years old when this movie was shot. Just twenty. I enjoyed it immensely because I feel that she was the greatest performer in the history of American show business.Sure, there have been great singers. Yes there have been great dancers and yes there have been great actors but no one besides Judy had all three talents so tightly rolled up into one. I found the storyline quite interesting even though Gene Kelly was the heel of heels but when you see and hear him and Judy in duets...man...that's what makes the world go 'round. How odd. Here we have a picture shot in 1942, 70 years ago and it's better than anything on the screen today. No, it's not a masterpiece but rather terrific wholesome family enjoyment and I highly recommend it to anyone who's disgusted with the stuff now being shown. It's simply top flight entertainment. Incidentally, the musical selections in this film are REAL MUSIC instead of the rock schlock now being heard. I borrowed a bit from Wikipedia to give you the details of that film's songs. * "Oh, You Beautiful Doll", music by Nat D. Ayer, lyrics by A. Seymour Brown, additional lyrics by Roger Edens performed by George Murphy, Judy Garland and others.* "For Me and My Gal", music and lyrics by George W. Meyer, Edgar Leslie and E. Ray Goetz, performed by Gene Kelly and Judy Garland* "When You Wore a Tulip and I Wore a Big Red Rose", music by Percy Wenrich, lyrics by Jack Mahoney, performed by Kelly and Garland* "After You've Gone", music by Turner Layton, lyrics by Henry Creamer, sung by Judy Garland.* "Ballin' the Jack", music by Chris Smith, lyrics by Jim Burris, sung and danced by Kelly and Garland.* The film also contains portions of a number of songs popular during World War I, including "By the Beautiful Sea", "There's a Long, Long Trail", "How Ya Gonna Keep 'Em Down on the Farm (After They've Seen Paree)", "Where Do We Go from Here, Boys", "It's a Long Way to Tipperary", "Goodbye Broadway, Hello France", "(There are) Smiles (That Make Us Happy)", "Oh Frenchy", "When Johnny Comes Marching Home Again" and "Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile".* Two additional songs were intended to be included: "Spell of the Waltz", which was to be performed by Marta Eggerth and a male chorus and "Three Cheers for the Yanks", written by Ralph Blane and Hugh Martin. THAT'S CLASS, people. REAL HONEST-TO-GOODNESS CLASS.
baddman316 what a thrilling movie from beginning to end. Even though this was meant to be more of a musical movie, i felt it more of a romantic drama adventure between two great actors. some of my favorite parts of course had to be the main characters dancing in the coffee shop and the dancing clown at the beginning of one of the first show. of course the storyline couldn't of been written better throwing a big twist towards the end of the movie. It gets very moving and makes you wonder if they are going to get back together or not. But you could def. tell there was still unfinished love between the two main characters. "Springtime" is probably a favorite line of mine that stood out.