Government Girl

1943 "3 girls to a bed! 10 girls to a date! 20 girls to a steak! Where... the men are ONE to TEN a gal's GOTTA be good! No wonder no man is safe after dark!"
5.6| 1h33m| NR| en| More Info
Released: 05 November 1943 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

An aviation engineer and a government secretary are thrown together by the war effort.

Genre

Comedy, Romance

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Government Girl (1943) is currently not available on any services.

Director

Dudley Nichols

Production Companies

RKO Radio Pictures

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Government Girl Audience Reviews

Colibel Terrible acting, screenplay and direction.
Acensbart Excellent but underrated film
Rpgcatech Disapointment
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
csteidler Sonny Tufts, high energy but unorthodox management type, has just arrived in Washington to step up airplane production. Olivia de Havilland, the "government girl" assigned to assist him, quickly realizes that the biggest part of her job is showing Tufts just how D.C. works. The plot isn't much but it's the kind of material that ought to make a great comedy—part satire, part romance, lots of patriotism and snappy dialog....Unfortunately, this picture mixes in bits of all of those elements but never quite manages to put any of them over the top. Olivia de Havilland is fine as the title character and it's fun to watch her play broad comedy. There's a great shot of her sitting behind her desk, shoes off, feet up, smoking a cigarette and reading a book. She looks good and it's fun seeing her in modern dress. (Sure, she made plenty of "modern" movies but many of her most famous roles were period pieces. Here she dresses like neither Melanie Wilkes nor Maid Marian, and she looks comfortable.) However, it just seems like there isn't enough for her actually to do: one of the recurring gags in the film is de Havilland racing across the office then racing back to her desk, having forgotten to put on her shoes. That's kind of funny but no matter how cutely performed it's just not hilarious. Ann Shirley is rather lively as de Havilland's friend. Shirley and soldier James Dunn are just married, but they can't seem to find a place to live, or even get a little privacy before Dunn's leave is over. They exchange some corny dialog (Shirley: Oh, wouldn't it be awful if ya got killed before our honeymoon? Dunn: For me it'd be just as bad after!) and are generally cute if silly. Overall, this is of those well-meaning pictures that's pleasant enough but just a bit dull.
bkoganbing In the Citadel Film Series book on The Films of Olivia DeHavilland, her winding up in Government Girl was a great illustration of how the contract players were treated at the studios. Just like baseball players in those days before the reserved clause was abolished.As we all know Olivia had worked with David O. Selznick before and she was excited when Jack Warner who just could not see her as anything but arm candy for Errol Flynn and other of his heroic leading men optioned her off to Selznick again. Maybe she would get a part as good as Melanie Hamilton.But Selznick called off whatever film he was going to do with her and took his option and sent DeHavilland packing to RKO where she was put in this minor league comedy Government Girl. She did the film, hating every minute of it and resolved once and for all to challenge the studio system and its control of its players. Just like Curt Flood later challenging the reserved clause in baseball.Although she overacts outrageously in a part that someone like Jean Arthur might have been better in, DeHavilland does well in this comedy about wartime Washington, DC. My aunt was such a Government Girl during those World War II and she met her husband who was a 4-F in those years because of a history of tuberculosis. I'd like to think they had such hijinks during those years.America was truly mobilized then and people like Sonny Tufts who were business executives were called in and gladly served on the home-front, organizing the nation's industrial and agricultural might. He appropriates her hotel room using his big-shot status on a night when Olivia was helping friend and Anne Shirley try to get in some quality honeymooning with her bridegroom James Dunn. And then of course Olivia who knows the Washington power scene inside and out finds out she's going to be Tufts's secretary. But I don't think I need tell you more.Oddly enough DeHavilland is romanced by Tufts, Jess Barker who later married Susan Hayward and Paul Stewart. Barker is a slimy young man on the make working for a Senate Investigating Committee having to do with keeping the graft at a minimum in the war effort. Senator Harry Davenport employs him for reasons not altogether clear. In real life I doubt Senator Harry Truman employed anyone like Barker. Through his own naiveté Tufts winds up in a jackpot before the Davenport Committee. And it takes a Government Girl like Olivia DeHavilland to bail him out.For her legion of fans this was not Olivia's finest hour and a half on screen.
icblue02 For over a decade, I have been favorably impressed by the work of Olivia de Havilland. That said, I had no high hopes for this film; I wanted to watch this film just to say I had, and to see de Havilland in a comedic role. I was pleasantly surprised, and I found myself rather taken in by the humor. Having seen Miss de Havilland in her Academy Award winning performances and many other dramatic roles, I was impressed by her comedic timing, facial expressions, and sharp sarcasm, which is also very prominent in her portrayal of Amy Lind in THE STRAWBERRY BLONDE. I by no means consider this film one of Hollywood's best, but it isn't all that bad and is definitely worth a watch - particularly if you want to see de Havilland in a different kind of role.
otter I used to think that Olivia DeHavilland could do no wrong. I'd only seen her in good films, where she was usually perfect. Remember her incredible performances in "Gone With The Wind", "Robin Hood", "The Heiress", "Captain Blood", and even in "Hush, Hush, Sweet Charlotte"?Little did I know the kind of scenery-chewing she's capable of when left without a script or a leading man!This could never have been anything but a formulaic yawner, a didactically patriotic wartime comedy about a dynamic Young Bureaucrat and His Girl Friday would have been deadly even if they had cast Tracy and Hepburn. But in the hands this bad it becomes almost worth watching!