Hamlet

1964
8.2| 2h20m| NA| en| More Info
Released: 07 July 1964 Released
Producted By: Lenfilm
Country:
Budget: 0
Revenue: 0
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Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Genre

Drama

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Director

Grigori Kozintsev

Production Companies

Lenfilm

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Hamlet Audience Reviews

Phonearl Good start, but then it gets ruined
Dorathen Better Late Then Never
Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
chengiz The subtitles on this one are terrible. Shakespeare's actual words come up about half the time; the rest of the dialogue is untranslated. If you know the story, it's at best a waste of time: the entire *adaptation* aspect is lost, and even so *you* are filling in half the story. If you dont know the story, it's probably impossible to follow. The adaptation may be brilliant but it's a form of masochism to watch for a non Russian speaker.
Armand impressive. strange. monumental. subtle. wall of music, nuanced performances, Shakespeare play heart and Slav soul. it is an adaptation but in a strange manner. because out of words and images, out of Smoktunovski performance it is small light of mystery. that is its virtue. that sparkle like descending in heart of a world of shadows and ash. and the actors, the real actors, are Sostakovici music,the Russian language, the profound feeling front to a masterpiece. it is pure delight. with cinnamon flavor and salt taste. like an ice flower. or like looniest song.it is a dark large desert in night. and, in same measure, sand rope of existence like ladder to fundamental answer about art of unforgettable search of yourself. and Elisabethan costumes completed by Mikhail Nazvanov as Claudius - alter ego for a Henry VIII Philipp II of Spain or Anastasia Vertinskaya as Ophelia - prey of spider web - veil.
blubb06 I recommend this to everyone with a taste for dramatic, striking imagery. This is undoubtedly the most beautiful black-and-white picture I've seen so far. The inevitable subtitles are not that distracting if you're familiar with the basic story (I'm not a Shakespeare buff, so I may have missed some finer points, like a political message). The acting is superb, but never upstages the camera - this is a filmmakers vision, not an expanded stage play. The drama is heightened by Dmitri Shostakovich's dark, menacing score over the backdrop of rolling waves. A visual and acoustic treat.
machadocoelho I have first seen Kozintsev's Hamlet back in 1963 and saw it again yesterday, as part of my job as music critic in a São Paulo newspaper, for the commemoration of Shostakovich's centennial -- he is the author of the soundtrack. The film has not aged, it is still one of the most beautiful adaptations of Shakespeare tragedy, Smoktunovsky's acting is thrilling and Shostakovich's soundtrack is marvelous. His irony reveals itself in the way he accompanies the scene at the graveyard: Hamlet's bittersweet dialog with the gravedigger (what an actor!) and his sad monologue about frailty having in his hand's Yorick's skull. A great film!