Smartorhypo Highly Overrated But Still Good

Spoonatects Am i the only one who thinks........Average?

AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Snark Out Boy This Is Spinal Tap (1984) is generally regarded as the quintessential rock 'n' roll mockumentary—a hilarious look at the inept trials and tribulations of a heavy metal band. On the opposite end of the spectrum is Hard Core Logo (1996), a no frills balls-to-wall look at a fictitious punk rock band. Where Tap is a funny satire, Logo has a much darker undercurrent that gives it an unpredictable edge.Retired for some years, legendary Canadian punk rock band, Hard Core Logo reunites for a one-off benefit concert for their mentor, Bucky Haight who supposedly had both legs amputated after being shot by a crazy fan. The gig goes so well that the band's charismatic lead singer, Joe Dick convinces everyone to go on a mini-tour across Western Canada with a documentary crew tagging along for the ride. It takes no time at all for all the old gripes and grudges to resurface, most significantly, the fact that lead guitarist, Billy Talent is close to signing on with Jenifur, an MTV-friendly band that has made it to the cover of Spin magazine. This doesn't sit to well with Joe who comes from the old school of punk rock that refuses to sell-out to major labels or appear in glossy corporate magazines. As the tour progresses, the friction between the band members becomes more palpable until it achieves a critical mass.Hard Core Logo is the third film in Bruce McDonald's informal rock 'n' roll road movie trilogy that started with Roadkill and Highway 61. While something of a minor sensation in Canada, McDonald's films have been largely ignored in the United States, due mostly to lack of proper distribution. This changed somewhat with Logo when Quentin Tarantino saw it a film festival and liked it so much that he bought the US distribution rights under his Rolling Thunder vanity label.There is a certain raw vibe that permeates Logo and this is perfect for its rough around the edges subject matter. The unrefined attitude is due in large part to the presence of Hugh Dillon as Joe Dick. Not a professional actor but rather lead singer of the Canadian blues punk bank, The Headstones, Dillon's lack of formal training gives his performance a certain unpredictability that is perfect for his character. He obviously drew a lot on his own real life experiences of being in a band and this makes everything he says and does that much more believable.The interplay between the rest of the band is also very well done. Callum Keith Rennie plays the gifted, low key guitarist who has clearly surpassed his bandmates, Bernie Coulson is the crazy drummer who seems clueless but knows what to do when it counts, and finally John Pyper-Ferguson is the terminally burnt out bass player whose road diary provides the film's voice-over narration. The way these guys joke and argue with each other—like adults who refuse to grow-up—is so good that it feels like they've really been in a band together for many years.Filmmaker Bruce McDonald keeps this all together with his solid direction. He has an excellent sense of pacing—the movie never gets boring—and he instinctively knows that the essence of any good rock 'n' roll movie is, as he puts it, "extremely loud music and cool shots." Cinematographer Danny Nowak uses the shaky, hand-held camera-work that documentaries are known for and he also shoots the band in cool slow motion shots that emphasizes their iconic status.Along with the aforementioned Spinal Tap and Cameron Crowe's Almost Famous, Hard Core Logo is one of the best fictitious rock 'n' roll movies ever made. It has a genuine appreciation for music and an acute knowledge of the conventions and clichés of the genre. Like Spinal Tap, McDonald's film isn't afraid to make fun of these conventions and like Almost Famous, there is an authenticity to how the band is portrayed and the music they make. Forget the Miramax version and hunt down a copy of this new special edition—it's definitely worth those extra Canadian dollars.

Raleon This is a dramatic comedy, and more than any other type of dramatic comedies, it''s dark and very real. Though there are quite a few jokes, many inside jokes, it melts into the tension of the four guys like a fast gliding bird would melt into a brick wall in a cartoon. Worthy to be a classic. Hugh Dillon is a great actor and has perfect chemistry with Callum Keith Rennie.

miguelsanchez69 Really interesting film for anyone familiar with the hardcore music scene that deals with the problems and moral dilemmas of a reunited band. The problem is the movie is mismarketed as a comedy. Humor in the movie is quite present though dark and dry (though still very funny). This movie is actually quite a bit better than spinal tap. It's not mocking a bad band of a genre, but exploring the problems of the scene by looking at what's viewed to be a good one. The only similarity between this film and spinal tap is the narrative framework, which is that of a documentary, though in this film, that device becomes less obtrusive, and in all honesty could have been removed. Also, this movie has much more of a human heart than a film like spinal tap or fear of a black hat (another movie that got lumped into the "mockumentary" genre). The big problem I think is that this movie is represented as a comedy, and it's as dramatic as it is humorous. Terrific ending too. Recommended to those who enjoy dark comedies and punk rock.

lorax-1 I was taken for a 3000 mile ride that simply rocked. The band portrayed reminded me in many ways of bands I have been with in the past; they set the scene very believably and the writer deserves several pats on theback. The punk scene was captured well, as were the rigors of touring & staying together and focused on a common interest. The plot developed quite well, and the characters were simply dead-on. I liked thedocumentary aspects, the way they included the 'crew' in shots. And kudos to the twist at the very end. Brilliant picture.