Reptileenbu Did you people see the same film I saw?

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

HelloCruelWorld Some people want to know about the music. Some people want to know about the tragedy.I'm glad that this take on the Elliot Smith story will have some reach for the generations to come who discover him.Sometimes, it's best to be remembered for what you gave to society with the talent that you had, and how it impacted thousands of people long after you were gone, than to focus on the drama, the tabloid fodder and the allegations of your personal life for strangers to obsess over.I'm glad this film focused on the music. After all, what were you doing going to see an Elliot Smith film if it wasn't about the music in the first place?

mdroel20 It happened to be the 20th anniversary of Elliott Smith's self- titled that I watched Nickolas Dylan Rossi's portrait of the beloved singer-songwriter whose talents were taken far too soon from this earth. Elliott Smith was one of the finest lyricist and delivered his gut wrenching lyrics in a quivering, whispery fashion. Unfortunately, his career was tragically cut short at the age of 34, but Nickolas Dylan Rossi has kept his legacy alive in his new film, Heaven Adores You. Rossi's directorial debut, funded by Kickstarter, is an Elliott Smith fan's dream, as it is a celebration of the singer's career, full of unreleased material and insights into Smith's world.The film itself is beautifully painful. Visually, Rossi accentuates Smith's journey from his emergence in the Portland music scene to his brush with super-stardom in New York and Los Angeles with magnificent images of the surrounding landscapes. Interviews with Smith helped delve into his almost reluctant popularity, as at one point he stated, he did interviews and played concerts merely to continue to write and record music, his passion. The interviews with colleagues and friends, on the other hand, served more as catharsis for them, as they were semi-insightful, but overall mostly unremarkable. The pain is there though, 12 years removed from Smith's demise, his presence is felt, again evoked from Rossi's images, specifically of the tributes around the famous Figure 8 wall. Though it may have been sexy and appealing to show, the film's strength is the exclusion of the imprecise details that surround Smith's apparent suicide. The film serves as a tribute and introspection of Smith's talents and rise, rather than his flaws and fall.Photographer, Autumn De Wilde, couldn't have concluded the film in a more excellent fashion by stating, Smith used "the words we couldn't find when we were sad." He was the voice of common misery and made even the most desperate, disparaging of times seem so beautiful.

Dragonfly777 I did learn that Elliott grew up in Dallas, but apart from that, I learned very little. It was as if everybody involved in making this were committed to being intentionally vague and uninformative.Is there any explanation for why or how he left Dallas for Portland as a kid? No, nothing apart from his sister saying he didn't get along with his dad. His Portland girlfriend says that she thought the song he wrote for her was sweet, but follows with a statement suggesting its delivery was hurtful, but no explanation as to how or why. Off to New York. All is going great. The Oscar nomination. XO. Then without any explanation as to why, it's revealed that he was making distressing phone calls at night from the road, and an email hinting at suicidal thinking, leading to an "intervention" by friends and handlers... with zero explanation as to what was going on. Then off to LA. Figure 8. Big on the scene. A couple of people mention drugs becoming a problem, then that he knew when to stop. His manager quit, saying he'd gotten too mean. The guy who'd shot videos for Elliott for years says he suddenly realized that the person everyone loved wasn't there anymore. No explanations, no details, only vague nondescript hints at a darkness. No mention of his relationships in LA.It's as if there is a gag order placed on everyone involved in this film, preventing anyone from revealing what was going on in Elliott's life that would make a scratch below the surface. There are many problems and stories hinted at throughout the duration of the doc, raising questions that are then dodged, left unanswered. This doc stumbles along in this way with far too many stretches of pseudo-artistic shots of building, trains, Portland neighborhoods, houses, bridges and over-passes, and lazy views from inside a moving car. The music that accompanies these interludes is good. Still, as a doc, there is very little actual substantive content, and there seems to be no interest in providing any insight into either Elliot's life or music that isn't already obvious. I watched the doc in its entirety twice in one day, and I know very little more about the life and music of Elliott Smith now than I did before watching it.This doc looks like a home movie, shot for only a small company of friends and associates, with restraints on anything that might be considered personal or negative. Sadly it lacks the restraints imposed by the old 8mm film once used for home movies. This camera can run and run and never run out of film, chewing up a great deal of repetitive scenery.I hope a real documentary is made, one that answers the questions this one only hints at and skirts by, one that isn't afraid to dig in and get real, like Smith did with his music. I don't see the point in only stating the obvious, Elliott Smith was someone special and wasn't always sad or biographical, and only touching his story like a stone skipping across deep waters, hinting at much more but revealing very little. This attempt to NOT be like a VH1 expose went too far in the other direction, and ends up being nothing more than a tight-lipped tribute to Elliott's talents, and to Portland. The subject was and is ripe for something outstanding and illuminating. This was only a wisp of smoke.

Christopher James Prowse I saw the international premiere in Toronto during Canadian Music Week and can't wait to see it again.By showing the overall history of Elliott's career, it's both easy for new fans to learn about his career, while older fans will hopefully discover something they didn't already know.The film contains plenty of music I hadn't heard, which was just one of many reasons to see the film.I honestly feel that Elliott deserves as much attention as possible, so detailed films like this one should make it easier for new fans to discover his music, either with his early bands or solo career.