Heavy Traffic

1973 "More Spice from the makers of Fritz the Cat!"
6.5| 1h16m| NC-17| en| More Info
Released: 08 August 1973 Released
Producted By: Steve Krantz Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

An "underground" cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his artwork.

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Director

Ralph Bakshi

Production Companies

Steve Krantz Productions

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Heavy Traffic Audience Reviews

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.
michael_the_nermal This is the second adult-oriented animated movie I've seen with "heavy" as the first word in the title and which is also chock full of gratuitous sex and violence. I prefer "Metal" to "Traffic" because it looks better animated and engages in surrealistic sci-fi and "sword-and-sorcery" fantasy sequences. The sex in "Traffic" is also a lot more graphic. This is my baptismal into the world of Ralph Bakshi. Maybe it's not for my generation, so I really don't get what he's going for here. It's extremely weird, though not in a very pleasant or entertaining way. I'd read Bakshi was lead animator for Paramount and worked for many years at Terrytoons. "Heavy Traffic" certainly seems to draw inspiration from the old Paramount toons in terms of style, though he cartoon characters are deliberately cruder. Some characters seem like non sequiturs and are irrelevant to the plot. There are live-action segments which don't seem to make a whole lot of sense. This film's nihilistic to the nth degree. It all feels like some psychedelic LSD trip that's really not all that entertaining. Again, it's not for my generation.The X-rating is well-deserved. Tons of graphic sexual imagery and weird violence. NOT for anyone under 18! If I want trippy 'toons, I'll stick with "Heavy Metal" or lighter kiddie fare, such as that weird "Raggedy Ann and Andy" movie that was shown on Disney Channel way back when.
ShootingShark Michael is an underground artist in New York City who draws strips of the people he sees around him. He hooks up with the beautiful Carol, but she loses her job in a bar and so the two go searching for the high life.Bakshi's films are hard to find, but it's more than worth the effort. Outside of Japan, he's really the only director in the world who has managed to make adult-oriented animation features, and his films are completely unique. Heavy Traffic is his most personal and probably his best too - it sucks you into the seedy seventies world of NYC and doesn't let go. On one level it's a shocking freakshow, filled with hustlers, transsexuals, down-and-outs, hookers and thugs, but only if you're a bit of a prude. It's really just a slice-of-life series of observations; some satirical, some gross, some tragic and all rendered in a wild array of visual styles - traditional cell animation, live action, multiple composites, filters and negatives, pencil-tests (the Maybellene sequence), near-subliminal stills, real movie clips (the film Michael watches in the empty cinema is Red Dust, with Clark Gable and Jean Harlow), stock shots, what have you. If nothing else, it bombards the viewer with a myriad of dazzling visual techniques. The film has many influences (Vaughn Bode, Robert Crumb, a sudden mock-up shot of Edward Hopper's Nighthawks) but Bakshi's direction is unique and his fearless experimentation with cinematic style is both admirable and rewarding. He not only plays with animation, he plays with styles within animation, like the incredible bullet-in-the-head moment, or the whole Mother Pile / Wanda The Last sequence. If the film has a weakness, it's that it's a bit episodic - crazy New York nights - but it's so overloaded with wild ideas and freaky moments that it doesn't spoil the flow, but just contributes to the freewheeling anarchy. The voice cast are cool, notably Atkinson, and there's a fabulous score by Ed Bogas and Ray Shanklin, featuring a memorable soul-fuelled cover of the traditional ballad Scarborough Fair. An acquired taste, for sure, but a must for real fans of animation, and check out any of Bakshi's other films (particularly Wizards and Cool World).
DarthBill No real plot, basically a collection of events from the life of an angry young Italian-Jewish man named Michael inter-spliced with him playing pinball in an arcade, the one bright spot in his life being a black hooker named Carole.This is one mean, nasty, disgusting little film that is so relentlessly bleak and uncompromising in telling the viewer that life is a hopeless Hell that it's unbearable, and the incredibly bad animation does not help. Did I mention that the characters are mostly unsympathetic? Some genuinely funny dark humor isn't enough to relieve the strain.While I applaud Ralph Bakshi's efforts & desire to use animation for adults and show it could be used for more than just entertaining kids, he really drops the ball with this one, allegedly his personal favorite. Hell, his Lord of the Rings and American Pop, flawed as they were, were better than this.
dave A very gritty portrayal of city life. Heavy Traffic(not to be confused with the title of the animated film Heavy Metal) is a visual journey that contains plenty of sex and violence. It obviously isn't for all tastes. This is considered by many Ralph Bakshi's(Fritz the Cat) best work. The animation may seem a bit dated,but remember the movie was made in the early 70s, and had a pretty low budget. The only problem I had with the film was that it was too short,but despite this fact there is some good character exploration(but there could have been more with some of the secondary characters). The sound of the VHS copy I viewed seemed a bit off at times, but that's hardly a matter.