Acensbart
Excellent but underrated film
Comwayon
A Disappointing Continuation
Curapedi
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Rosie Searle
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
jrcasani
As a long time fan of Louis Prima and someone who went to Las Vegas to the Lounge just to watch the show, this movis brought back really fine memories. The movie itself was definitely class B, not much of a plot and not very good acting, but the music was the greatest. I could watch it a dozen times, especially if I can fast foward over the non music parts.
John Seal
Okay, the plot is paperthin, but who cares when you're watching one of the most unique performers in the history of pop music, Louis Prima. Was there another band of the time that could hold a candle to Sam Butera and the Witnesses? Maybe the Famous Flames. Sam's version of Fever is gone, dad, gone. WAY out. Anyone who loves rock n roll, jazz, or 50s pop needs to see this movie.
BobLib
While the hackneyed plot of this film is no great shakes, by any means, it's a first class vehicle for its two stars, Louis Prima and Keely Smith, as performers. True originals at a time when there wasn't too much of that in the music biz, Prima and Smith were at the height of their popularity (and marriage) when they made this, their only film together. Prima's bouncy antics counterbalanced by Smith's "What am I doing here?" attitude can still entertain 42 years later. So, taken at that level, "Hey Boy! Hey Girl!" is definitely worth seeing once. For me, though, Prima and Smith's finest cinematic hours as individuals, anyhow, were in Disney's 1967 "The Jungle Book" and "Thunder Road," respectively.
Cari-8
Although highly entertaining, Hey Boy! Hey Girl! is not exactly Oscar material...but it doesn't need to be. The music of "The Wildest" Louis Prima is loosely tied together with just enough story to bring Keely into the picture. Now, this isn't the true story of Louis and Keely, but a kindly tale of a bandleader (who just happens to be named Louis Prima) who falls for a sweet homespun Catholic girl named Dorothy Spencer (Keely's full name is Dorothy Keely Smith) who is raising her young brother alone, is a wonderful cook and housekeeper, loves all children and coincidentally has a voice to soothe both crying babies and nightclub audiences. What self-respecting musical frontman could resist? Listen also for Keely's native Tidewater Virginia accent...unmistakable.The film features some of the signature Prima music and Sam Butera and Witnesses are whooping it up as always. There's some pretty interesting lip-synching going on here, but actually it's surprisingly well done considering Louis never did a song the same way twice. This is a fair Prima primer, but the plot, well...put it this way---at least you always know who to cheer for.Audiophiles will find that there are now some excellent CD's out there...try "Capitol Collectors Series: Louis Prima". A great opportunity to hear the ultimate version of "Just a Gigolo/I Ain't Got Nobody"...
