PlatinumRead Just so...so bad

Dotsthavesp I wanted to but couldn't!

Comwayon A Disappointing Continuation

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

mark.waltz Certainly in the 1930's, there were enough lady doctors, lawyers and businessmen, even film directors, and when the women go beyond being housewives, secretaries and chorus girls, the tides of the battle of the sexes certainly turn. Madeline Carroll is the vice president of a fashion company with her own independent ideas of about what a woman with a career should be like. She gets her fortune told, and tempting fate, takes that turn down the street she normally wouldn't go down, changing her life forever. Encountering macho Fred MacMurray in a ship shop (looking ship shape), she begins to learn a thing or two about what the average man really wants, and it isn't some hard-boiled career woman who works until 2:00 in the morning getting the advertising campaign right. Surrounded by like people hasn't moved her away from this way of thinking, so MacMurray's masculine attitudes are surprisingly refreshing to her."A woman carries around two things with her", old pal Helen Broderick says, adding "A first aide kit and a knife". Certainly, the acerbic Broderick knows her sex, being an old maid author who once looked for love but has ended up playing solitaire. When Carroll insults her single life at a dinner party attended by MacMurray and crooner Allan Jones, Broderick is truly hurt, storming out. But as comfortable as an old slipper, you know Broderick will be back, and apologies will be accepted. In the meantime, it is up to Carroll to learn about what she really wants, and this being pre-wartime Hollywood, it's pretty obvious that the macho man will win and the little wifey to be will give up her career and put on that apron before heading to where a woman of this era belongs: into the kitchen.Starting off like many of the screwball comedies of this time, this moves slowly into a dramatic second half which truly changes the structure of the film and the impact it makes. MacMurray's character lives in Bali and pops up in New York every so often for thrills and a change of pace. He encounters an old admirer (Osa Massen), takes in a little girl (Carolyn Lee) and makes it clear that he's determined to bring Carroll down to earth. But it's not without struggles between both of them, with Jones willing to kow-tow to Carroll's whims to marry but live alone, and Massen making it clear that she's determined to land MacMurray any way it takes.Massen's character becomes instantly unlikable, almost like her obnoxious, smug vixen from "A Woman's Face", showing a delight in her cruelty. As for Lee, perhaps it is her youth and inexperienced acting, but a lot of her dialog is very difficult to understand. By the time of the film "Virginia" (with almost the same cast) two years later, she was much more skilled and certainly less cloying. Her most touching moment here is when Carroll teaches her how to pray and is greatly touched by what Lee asks God for.The two stars do their best to make the split personality structure work, but they are only fairly successful in doing so. Allan Jones gets to sing a few songs, showing a singing telegram delivery boy how to do it, and Akim Tamiroff is very funny in his opening and closing sequence as a window washer working in both rain and snow storms peaking in on the luscious Carroll. However, it is Helen Broderick who wins acting honors here, being both funny and human, and reminding the audience that she was dropping quips long before Eve Arden came along to steal her territory. For some reason, the film was re-titled "My Love For Yours" for a re-issue which is listed on T.V. and DVD prints, the original title card presumably lost.

SimonJack From early on, Hollywood has made movies about the wealthy and powerful missing out on life and love. Most such films have been about men who have climbed to the top in the business world only to fail in love and family life. So, it's most unusual to find such an early film with a woman as the object. There were occasional early films about women becoming independent or striking out on their own to achieve success. "Honeymoon in Bali" is a pleasant comedy-romance with a message. It's light on the comedy and more about love and finding real meaning in life. Fred MacMurray and Madeleine Carroll have wonderful chemistry as Bill Burnett and Gail Allen. The film has a nice supporting cast as well. Allan Jones plays a Metropolitan Opera singer, Eric Sinclair. We have a couple of nice samples of his singing in the film. Helen Broderick plays a very good cousin of Allen, "Smitty," who passed up her chance for marital bliss. Akim Tamiroff has an interesting little part as Tony, an interloper window washer. And, five-year-old Carolyn Copp captures our hearts as Rosie. She had quite a number of lines for such a young actress. This is one of a few films that MacMurray and Carroll made together. Carroll is little known today, but she was a leading actress in the 1930s and 40s. The English-born actress became a U.S. citizen in 1943. She lost a sister who was killed during the WWII bombing of London. She became very active in the war efforts, especially helping orphaned children. Her charity work increased as her movie career waned. Carroll was in 40 plus films, two dozen of which are very well regarded. She was good in drama, comedy and mystery-action films. When "Honeymoon in Bali," premiered Sept. 29, 1939, World War II was underway. Britain and France had declared war on Germany after it invaded Poland on Sept 1. It would be two years before the U.S. went to war, but the signs and soundings of world war had been apparent in the news around the world since the mid-1930s. Films like this may have helped provide some relief from the tension and worry that many people no doubt felt. This interesting movie is suitable for the whole family. Here are some lines from the movie, humorous and serious, to whet one's appetite. Smitty, "He sounds interesting." Gail, "Not particularly. He's lazy, he's not very good looking, he makes $50 a week, and he ruins my disposition. I'm as cross as a bear when I'm around him." Smitty, "Then, why are you around him?" Gail, "Well, I said I didn't know, didn't I?"French priest on Bali, "Who was it? Amiel. (Henri Frederic Amiel) He said, "In every union there is a mystery – a certain invisible bond which must not be disturbed.""Mama don't want no peas, no rice, no coconut oil …" – in three-part harmony at the end. Watch the movie for many smiles.

skiddoo Can't you see them on Bali when the war in the Pacific heats up? Does our hero join the US military and leave, or stay on Bali to help in the defense? Do his wife and little girl flee successfully or get captured? There would be the big reunion scene where he is injured but still the same fellow no matter what the war has done to him externally. I can hardly watch a Pacific island movie in that era without picturing gunships and islands soon to be overrun by soldiers.I liked the little girl. Her not being able to sing the ditty right was a cute answer to Shirley Temple's extreme acumen. But kids in movies are a matter of taste.The part about a woman without a husband and child being like someone missing an arm was grim and insulting to her friend who was single and childless. What the priest and the window washer said, though, was quite good. In the Forties the message would be much more in favor of strong independent women, but during the war, movies didn't want to discourage Rosie the Riveter from performing her duties.On the whole I'd have to say some of it was good, some awful, and all of it predictable. The French woman and the window washer were the only characters I found interesting. What a plot device! Laying the movie out in the first few minutes with a psychic reading. Talk about a spoiler! And the little girl was just sort of thrown into the storyline without any preparation or foundation for her being there except as a way to show that a real woman is emotional and motherly. Of course women and men actually come in many variations. I think the movie tried to engage in a discussion of male and female roles in society and failed miserably because it was the same old story of a bossy repressed woman dominated by a strong unrepressed man who takes her from her career and turns her into a wife and mother, which is her happy ending. It makes me long for His Gal Friday, out the next year in 1940.

Patricia Hammond What an enjoyable piece of fluff. Though I'd say it was a bit more than a piece of fluff, really, as there is subtlety galore, and philosophy, and irreverence and some macabre/screwball humour when the love rival for Fred MacMurray says in an offhand way that she'd attempted suicide but then got married, but then found it hard to be sad when her husband was killed playing polo... That kind of humour would raise eyebrows even today! Alan Jones sings his manly heart out while wearing a pencil moustache, and Madeleine Carroll says some very clever and deep things about the nature of female independence. You can tell that the actress really thought these lines were quite wise and put a lot of feeling into them, even though the film is at pains to prove the opposite view. Likewise subtle is the fact that MacMurray is a bit of a cad, not a straightforward hero. I actually hated him for a good few minutes. The small roles are played with great skill and elan, particularly the fortune teller with her blithe, witty delivery and of course Window-cleaner philosopher Akim Tamiroff, whom I ended up applauding out loud for his sheer verve, and the comedy and character he packs into each gesture. The fly in the ointment, to this cow-poke anyway, is the truly cringeworthy little girl. Ugh! You can just see her pushy mother urging her on to become the next Shirley Temple. Sorry dear, that requires talent, not just a shrill voice and a pudgy face.