House Calls

1978 "A funny love story."
6.6| 1h38m| PG| en| More Info
Released: 15 March 1978 Released
Producted By: Universal Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age, who immediately and unexpectedly captures his heart.

Genre

Comedy, Romance

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Director

Howard Zieff

Production Companies

Universal Pictures

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House Calls Audience Reviews

Scanialara You won't be disappointed!
Platicsco Good story, Not enough for a whole film
Acensbart Excellent but underrated film
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
dweb823-498-264982 Every avid movie fan has a few films that are their "secret gems" - movies that not everyone knows about but ones you will recommend they see with great enthusiasm...."You really have to see this...you will love it. House Calls is just such a film and the reasons are two- fold...Walter Matthau and Glenda Jackson.This is one of two films the pair made together....the other is a second of my 'secret gems," called Hopscotch and again, it clicks because of the chemistry between the two, coupled with wonderful supporting casts and great dialogue.The tragedy is that there weren't more movies involving these two. It is hard to imagine, on paper, a romantic comedy that matches Matthau and Jackson. Matthau has the looks of a basset hound, but incredible comedic flair. Jackson has played so many roles but romantic comedy doesn't come immediately to mind when her name is mentioned....until people see these films.Like so many here, I can watch either of these movies over and over and still love them both deeply. You really HAVE to see both. You won't be disappointed.
Ed Uyeshima I remember seeing this 1978 comedy at one of the bargain matinees I took in when I was looking for a study break from my college courses. Walter Matthau and Glenda Jackson do some effective Tracy-Hepburn-style thrusting-and-parrying in this featherweight romp directed by the reliable Howard Zieff (he did "Private Benjamin") about a newly widowed doctor's aggressive re-entry into the dating game. It all breezes by quickly primarily thanks to the clever script by veteran screenwriter Julius J. Epstein ("Casablanca") along with Alan Mandel, Max Shulman and future director Charles Shyer.Dr. Charley Nichols has just come back from Hawaii after his wife's death. Upon his return, he becomes aware that he is instant catnip to any and all the single women in LA. He works in a hospital run by an increasingly senile chief-of-staff, Amos Willoughby, whom Charley has to pacify to keep his residency. Enter Ann Atkinson, a transplanted Englishwoman who bakes cheesecakes for a living and has certain concrete opinions about the medical profession, which she expresses freely on a PBS talk show. Of course, Charley is on the show's discussion panel, and sparks, as they say, fly. This leads to the standard complications about how serious Charley is willing to become about Ann. At the same time, the hospital has to deal with a potential wrongful death lawsuit from the widow of a rich baseball team owner who died at the hospital under Willoughby's careless supervision.It's just refreshing to see such a mature yet bracing love story between two characters inhabited by actors who deliver lines with the scalpel-wielding skill of surgeons. Matthau is his usual 1970's curmudgeonly swinger and quite a sight waddling with his gangly arms held akimbo in his power walk. Away from her heavy, award-winning Elizabethan roles, Jackson is crisply sardonic and charmingly vulnerable as the feisty Ann, who thinks all doctors should aspire to be Albert Schweitzer. Art Carney plays Willoughby with predictable bluster, while Richard Benjamin provides amiable support as Charley's colleague, Dr. Solomon. It's all very compact with a few nice jabs at the greed within the medical profession. There are no extras on the 2005 DVD.
ijonesiii HOUSE CALLS was an amusing 1978 comedy about a widowed doctor (Walter Matthau) who now wants to play the field but can't help but be drawn to a patient of his (Glenda Jackson) who refuses to be just another notch on his bedpost. Matthau likes the woman but does not really want to make the commitment that she insists upon so he agrees to date her exclusively for two weeks and then make a decision as to whether or not he wants to commit; however, other complications make it difficult for Matthau to make a decision when the two weeks are up, even though he is clearly in love with the woman. Matthau and Jackson have surprisingly effective chemistry as a screen couple and are given strong support from Richard Benjamin, Candice Azzara, Dick O'Neill, and especially Art Carney as the inept and senile Chief of Staff at the hospital where Matthau is employed. Matthau even has a brief scene with his real-life son, Charlie, who appears as Jackson's son. This engaging comedy still holds up pretty well after all these years. If you've never seen it, it's worth the rental.
Boyo-2 There is not much of a plot to this movie. There is a wealthy baseball team owner who dies and whose wife is going to sue the hospital for neglience. Not much more than that, but .... IT DOES NOT MATTER!It does not matter because you have some real actors giving their dialogue life, and because of the cast you have yourself some hysterically funny scenes and even if you're not cracking up laughing, you have a smile on your face. Matthau plays Charley, whose wife recently passed away, and who finds himself the object of desire of several women at the hospital. He is delighted to taste everything on the menu available to him. Then he meets Anne Atkinson (Glenda Jackson) who, at first, is a patient in the hospital (their first scene together is very funny) and then they meet up again on a television panel discussion show, where they disagree on nearly every topic that is discussed. Charley begins to like Anne, and vice-versa, except that she is very big on monogamy in the men in her life (her husband was a cheater) and they decide to give it a shot - two weeks of faithfulness. I will not give away anything else, but I want to mention the chemistry that Matthau and Jackson have on screen. She is usually not the first person anyone would think of for a romantic, middle-aged comedy, but her touch with comedy is very light and agreeable. She is matched every step of the way by Matthau, who is more charming than ever. He does not have to play Mr. Sensitive or Mr. Macho to get the girl, he just has to be himself. Art Carney is a riot all by himself as a practically senile doctor. The scene where the baseball team owner's ashes are buried at home plate is priceless. He also has a very funny scene in a parking lot with Richard Benjamin. Richard does not have much to do in this movie and more often than not is just the straight man to Carney and Matthau; the role does not tax his considerable talents, but he had to have had a good time making this comedy. Very much recommended...8/10PS. FYI -- Matthau presented Jackson with her first Best Actress Oscar, and Jackson presented Best Actor to Art Carney for his role in 'Harry & Tonto'..