CrawlerChunky In truth, there is barely enough story here to make a film.

Jenna Walter The film may be flawed, but its message is not.

Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

SimonJack The music and cast make this movie. "If I'm Lucky," is one of the lighter musicals of the 1940s with thin or silly plots. It's in the field of musical review, with a plot just to tie together the songs, music and dance numbers. And this film has some very enjoyable entertainment. Harry James and his orchestra make it a collector's film for those who like the big bands of the swing era. Perry Como has a minor speaking role that provides his stage for some good songs. And, Vivian Blaine is good with her numbers. Some of the best stuff comes from Carmen Miranda with the entertaining choreographed dance numbers built around her songs. Phil Silvers provides some light comedy as Wally Jones. The best lines are spoken by Michelle O'Toole (Miranda) and Wally. O'Toole, "Baby, don't forget my harp, Wally." Wally, "Oh, yes. Why didn't you play a piccolo?"

jjnxn-1 Silly but pleasant little Fox B trifle. A Carmen Miranda musical in B&W is an oddity but in B&W or color she is always Technicolor and is as full as sass as ever and her headgear is as truly astounding. Perry Como sings well and is certainly attractive but he is missing that big screen charisma needed for major stardom. It is easy to see why he was a big hit on TV, he possessed a very warm and friendly presence that makes you feel right at home. Vivian Blaine is lovely and Edgar Buchanan is always a welcome addition to any movie but Phil Silvers is an acquired taste, there's no in between either you like him or not. For me he's hard to take but if you're a fan than he can be amusing. One big plus this has is that Harry James and his band provide the music and that's always a good thing.

David Kelsey If a film was described as "made by 20th Century Fox, featuring Vivian Blaine, Carmen Miranda, Phil Silvers, Harry James, and Perry Como," you might reasonably expect the sort of bright, brash, and breezy Technicolor musical of which TCF were the masters during the 1940s.If a film was described as "a black and white political satire about an upright young man duped into standing for office only to find that he was intended to front for a gang of corrupt politicos," you might reasonably expect the sort of film of which Frank Capra was master, perhaps starring James Stewart and Jean Arthur.It is unlikely that you would envisage one film to fit both descriptions, but "If I'm Lucky" does just that. Perhaps we shall never know what prompted TCF to produce this unlikely hybrid, but surprisingly it works quite well. The musical numbers are neatly integrated into the plot, Phil Silvers' usual over-exuberance is kept in check, one misses Technicolor only during Carmen Miranda's numbers, and the political shenanigans are carried mainly by Edgar Buchanan, Reed Hadley, and other supporting players, thankfully making little demand on Perry Como's acting abilities.This is not a particularly good movie, but nor is it a bad one, and it is sufficiently unusual to warrant attention.

timothymcclenaghan Vivian Blaine, looking lovely at age 25, has the lead role in this musical, which also stars Perry Como, and both of them perform their musical numbers pleasantly and competently.Phil Silvers is, of course, Phil Silvers, playing exactly the same character he played in many other films.It should have been a crime not to film Carmen Miranda in Technicolor. Her production number cries out for color.Harry James has a speaking part, portraying the band leader (what a stretch). He also performs vocally in some of the songs.Edgar Buchanan (better known to us as Uncle Joe in the TV series "Petticoat Junction") is the quintessential politician blowhard.The musical score is done by veteran songsmiths Josef Myrow (You Make Me Feel So Young) and Edgar "Eddie" De Lange (Darn That Dream, Moon Glow). While none of the tunes seems to have survived to present day, nor made the status of "standard", the songs are pleasant and typical fare for that time.Forget that this film is a remake of another. So what else wasn't new in Hollywood. It's a bit of fluff in the same vein as all of the other 20th Century Fox musicals of the 1940s. So if you like those musicals, you'll enjoy this one too. The only big flaw is lack of Technicolor.