VividSimon Simply Perfect

Unlimitedia Sick Product of a Sick System

Console best movie i've ever seen.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Dave from Ottawa The only reason I rented this thing: it was the only item in the mystery section of my local video store I hadn't seen. Imagine a bunch of bananas. You choose the most appetizing looking one to begin, then the next most appetizing and so forth. When you get to the last banana, you now have in your hand the one you rejected every single time before, plus it's less fresh now. Do you even want to eat it? The movie is like the last banana. Having passed it over in favor of dozens of other choices over a period of years, I finally watched it and wished I hadn't. Ignore the ad copy. It promises suspense, cat-and-mouse intrigue, but don't all movies of this type make such claims and don't most largely fail to deliver? Well, this one delivers like Canada Post on Xmas, ie. never. There is no suspense, no character interest or visual interest whatsoever, just a shadowy murky look that a film school dropout might mistake for film noir if he wasn't paying very close attention. Uma looks great, of course, but she was 17 when she did this, her first feature, and lacked the experience necessary to light up the screen the way she did just a few years later in Henry and June and Pulp Fiction. Her character is indolent, passive and boring - a mixture of victim and victimizer but not a very rich or interesting mix. Her actions fail to shock when she commits crimes nor is she in any way sympathetic when she is herself in jeopardy. It's a thriller devoid of thrills. Recommended only for insomniacs looking for a quick cure.

franklamondue There are allot of negative posts for this film. Luckily I did not read any before seeing it. Having picked up 'Kiss Daddy' on hap-hazard whim at a movie stop, I was pleasantly surprised for several reasons.First; The characters are well thought out, and the actors do a good job making their performances honest. Secondly; Most of the film takes place at night, I liked this, because it showcases some very nice/colorful lighting. Although not all the film is well lit, I found this to give more of a realistic feel. The sore/audio also has a very gritty sense, but it works.Although the picture transfer itself is poor (early-80s TV network) this too seems to fits. Giving one the feeling of actually being in a big, dirty, down-town area.Thirdly, and most importantly are the narrative, directing, and compositional aspects of this film. The story is dark yet intriguing, seemingly simple at first. But as the characters develop and the plot unravels it becomes apparent that someone put allot of thought into developing this story and its layout.Perhaps the strongest point of this film is it's directing. Not only is it surprisingly competent film making for such a low-budget 80s flick, but there are some incredibly strong compositional elements. The editing is so tight and well paced that I found myself literally on the edge of the couch, just waiting to see what technique would be employed next. 'Kiss Daddy Goodnight' is without a doubt a low-budget, independent 80s film. But it is also a hart-felt work of love by those who made and acted in it. Reguardless of the bad packaging, low-budget, and bad transfer, one leaves with a feeling similar to that of hearing Eric Clapton belt out a beautiful tune on a Wall Mart guitar.

christopher-underwood I had very low expectations of this unusual little film and maybe that contributed to my enjoying it so much. As others have pointed out it is not a well lit film and indeed some sections are dark to the point of the action becoming almost invisible BUT this is compelling enough for one to make the effort. Low key, down beat, depressing I guess for some but the (damaged) character developments are believable and the movie seems to have a life of its own contriving to draw the viewer into a world he maybe would rather keep away from. Several meaningful moments and a real sense of warmth despite the coldness of the action and the aura of doom surrounding everyone, from the aspiring guitarist to the love torn pensioner and his rabbit. Ulma Thurman is excellent throughout and shines even in the film's dimmest sections. There is also a most effective (if again depressing) cameo from Steve Buscemi and if you make it this far you will certainly make it to the end of a very decent 'one off' of a film.

jjessexox If you're an AVID Uma fan, or have interest in the New York No Wave scene in the 80's, than this flick is..... well..... just OK. You can see why Uma became a successful actress. In this film she had nothing to really do and she still pulls out a decent performance. Steve Buscemi makes a pretty depressing appearance as a washed up musician. Paul Dillons acting was absolutely horrible. Skronk guitarist, Arto Lindsay, makes a creepy cameo as well. The soundtrack is avant Gard and makes an awkward yet fitting mood to this "film". Overall, It's just amateur film-making with known actors, bad lighting and no real flow to the story.