Let's Go with Pancho Villa!

1936 "Through mountains and valleys ... through towns and villages ... the cry that becomes a flag is heard!"
7.6| 1h32m| NA| en| More Info
Released: 31 December 1936 Released
Producted By: Cinematografica Latino Americana S.A. (C.L.A.S.A.)
Country: Mexico
Budget: 0
Revenue: 0
Official Website:
Info

The 1910 Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by assisting in the struggle. Together, they will endure the tragedies and hardships of a civil war.

Genre

Adventure, Drama, War

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Let's Go with Pancho Villa! (1936) is currently not available on any services.

Director

Fernando de Fuentes

Production Companies

Cinematografica Latino Americana S.A. (C.L.A.S.A.)

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Let's Go with Pancho Villa! Audience Reviews

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Ava-Grace Willis Story: It's very simple but honestly that is fine.
Curt Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
morlantdk I was lucky enough to watch this film on TV and the digitally mastered and renewed version on DVD produced by the UNAM (Mexico's Autonomous National University) finishes when Tiburcio is left after he shot Becerrillo because he suffered from measles. Villa fears Tiburcio because he believes he has measles, too, and tells him to wait there, but Tiburcio walks along the railroad.Then, in the TV version I watched, after this Tiburcio returns home and goes back to his peasant life, but Villa finds him and tells him to join the army again. Tiburcio declines because he says he needs to take care of his family and that is the only thing worth in his life. Villa says nothing and enters another room where Tiburcio's wife and children are and he shoots them, believing that now Tiburcio will rejoin his ranks, but the peasant gets a gun and tries to kill Villa, but his escorts prevent that by shooting Tiburcio. After that, Villa says it is too bad that such a good warrior did not want to continue struggling and leaves that house.
MartinHafer Many folks consider this one of the very best Mexican films and I noticed that most of the reviews for the film loved it. The Mexican-based reviewers all gave it 10s or 9s on IMDb. The sole non-Mexican (before this review) was not in the least impressed by the film--giving it a 4! I think this is because the film has a very strong resonance for Mexicans--something that will likely be lost on other folks. Like the lone negative review, I don't have the emotional or cultural connection that made me love "Let's Go With Pancho Villa"-- and that may be why I was also so indifferent to the film. I didn't hate it but I obviously didn't see it in what the Mexican reviewers saw.The film is about a group of six men from a small Mexican town who call themselves "Los Leones de San Pablo" (The Lions of St. Paul). They join up with Pancho Villa's revolutionary army and through the course of the film, they die off one by one. That is, until the end when there are two left and one of them has smallpox--and the other is ordered to kill him and burn his body!!After doing his duty, the sole survivor simply walks off into the night--presumably to return home to his family. HOWEVER, the DVD also contains an alternate ending--one that seems tacked on to make the viewers understand that Villa, after a while, became a real scum-bag and a man whose army lost their ideas. While the nihilistic alternate ending does a good job of making you hate Villa, it also seems overlong and a bit silly.So why was I so indifferent to the film? The biggest reason were the battle scenes. Many (particularly earlier in the film) seemed almost like they were filmed in slow motion and there was no energy whatsoever about them. What SHOULD have been rousing scenes instead just seemed to drag on and on. So, technically speaking, this aspect of the film left a lot to be desired. I also thought the character 'Fatso' was a bit of a cheap stereotype. As for what I liked, when they weren't fighting, the acting was quite nice-- subdued but in a good way. Overall, a film that I was only mildly intrigued by at best and one that, to me, isn't even close to the best Mexico has to offer.
Andres Cardenas Vamonos con Pancho Villa is officially considered as the best movie ever made in Mexico. I personally do not agree to it but these are the facts from the Mexican Cinematography Industry Council. Revolutions, or any war for that manner are never nice happenings. Revolutions/wars imply the fact that many suffer to achieve an ultimate goal of a better life for all involved. In this movie that is exactly what goes on. A group of peasants, tired of the way they are treated by a few powerful owners of the wealth in Mexico, decide to get up in arms against them. There are 2 major leaders of this Revolution that started in 1910. Emiliano Zapata in the South, and Pancho Villa in the North. This movie tells the story, one of hundreds that have been told, about a group of peasants that join Villa's army. The crude scenes that are seen in the movie are just a pale reflection of what happened in those times. The movie, with all the technical limitations of the times(1935)is a magnificent work of art.
tarmcgator The version of "Let's Go with Pancho Villa" shown recently on cable's Turner Classic Movies lacks the ending described by Sr. Maza in his plot description. Is there a longer version of the film available? (The TCM version ran right about the 92 minutes cited in the IMDb listing.)This film contains a few impressive re-creations of battles from the Mexican Revolution, but the central story of six friends who join the revolutionary forces of Pancho Villa is rather episodic and eventually just peters out. Villa (Domingo Soler) appears in a few scenes, and he certainly is no comical caricature like the one created by Wallace Beery in "Viva Villa!" a couple of years earlier; but there is little sense of Villa's leadership or other qualities that made him such a major hero of the Revolution. The six principal characters are largely stereotypes -- the callow youth, the comic relief, the wise older man -- and only a few really emerge as individuals. As one might expect in a war film, some of the principal characters die, though some in unexpected ways. Only one survives, and he simply quits and goes home. "Fin."This film may have lacked the ending described in Sr. Maya because of budgetary reasons, but more likely because the filmmakers did not wish to offend Villa's numerous followers and admirers who were still living when the film was released (the general was assassinated in 1923, a few years after the Mexican Revolution ended). The conclusion really has a feeling of the filmmakers just grinding to a halt -- very disappointing.I can't recommend this film very highly except for those interested in historical films or Mexican film history. Despite ambitions for an epic, the makers of "Let's God With Pancho Villa" ended up with little more than a glorified buddy movie that just stops dead.