Lord Edgware Dies

1934
6| 1h22m| NA| en| More Info
Released: 31 July 1934 Released
Producted By: Twickenham Film Studios
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Budget: 0
Revenue: 0
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A talented American actress enlists the help of the famed Belgian detective, Hercule Poirot, to negotiate a divorce from her husband, Lord Edgware, only to find him the next day stabbed to death in his library. Who would want him dead?

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Director

Henry Edwards

Production Companies

Twickenham Film Studios

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Lord Edgware Dies Audience Reviews

Lancoor A very feeble attempt at affirmatie action
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
TheLittleSongbird Even on its own terms as well. I love the book, Agatha Christie and Poirot so they are good reasons for having your expectations high. But Lord Edgware Dies is a real disappointment all round. I will go as far to say that it is one of the worst Agatha Christie adaptations, and with the Geraldine McEwan versions of At Bertram's Hotel and Sittaford Mystery there are some bad ones. Most of them though are pretty good to outstanding. There are too many things wrong, but a good place to start is the acting. Jane Carr comes off best but even she is disallowed to do much with the role of Lady Edgware, who is more cardboard cut-out than enigmatic and stylish as I imagine her to be. The others are bland and are given nothing to do. But it is the Poirot of Austin Trevor that really lets the side down, considering that he is the central character you rely him to carry any adaptation he's in. Trevor is so bad that he makes you wince, he makes no attempt to look, sound and act like Poirot and he is also very annoying. The undeveloped and cardboard characters, stilted dialogue that has none of the intelligence of Christie's writing, sluggish pacing and storytelling that is completely lacking in suspense and involvement in the mystery also don't help matters whatsoever. Overall, disappointing and a real mess as an adaptation and on its own(the latter of which I always try to base my opinion of an adaptation on). Watch the David Suchet and Peter Ustinov versions instead. 1/10 Bethany Cox
peacham Not only are the performances consistently cardboard but Trevor does not look or even sound like Poirot! tall and clean shaved and not a hint of belgian ! what were the producers thinking?!