Vashirdfel Simply A Masterpiece

Salubfoto It's an amazing and heartbreaking story.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

jc-osms A vintage Hollywood movie I must admit I'd never heard of before that I was pleased to catch on very early morning terrestrial TV, helmed by a celebrated director, Lewis Milestone and boasting two top stars in Ronald Colman and Ginger Rogers. Shame it was something of a let-down.It starts nicely enough with a fortuitous meeting between Colman and Rogers after the latter has started her mundane work day by receiving a gift of an expensive coat and benefits again from a lottery tip-off from Colman's David Grant character. I hoped it would continue the theme of fortuitous events happening throughout the film but unfortunately the film goes downhill from there with Colman's somewhat mysterious beachcomber character propositioning Rogers to accompany him on a trip to Niagara, coming between her and her boorish fiancé played by Jack Carson, in the process.So the mismatched couple, booked in as brother and sister, naturally end up in adjoining rooms in a posh hotel, before the fiancé turns up to make trouble for them which eventually sees them all end up on trial in a lengthy concluding courtroom scene for various minor misdemeanours, only for true love to conquer all, as Colman is revealed to be a reclusive famous artist in hiding after an apparently infamous trial about the morality of some of his earlier work.I know screwball comedies are meant to throw together unlikely individuals, be based on threadbare plots and large coincidence and be fast-paced and full of wisecracks but the most important of these, the last, just isn't delivered here. Poor Ginger, only recently on leave from years as old Fred's girl, has to canoodle with another much older man and good-looking and suave on the face of it as he is, you can't describe Colman's character as anything other than weird and one that a single woman most probably shouldn't let be her chaperone. That said her boyfriend Carson hardly seems like a catch either, being the brusque, money-grabbing, controlling type.There are some eccentrics dotted about in the background too like the two stereotypical Italian restaurateurs in whose eaterie they first meet, an odd selection of hotel employees, a strange elderly couple who Rogers christens Peter Possum and Jenny Wren who in truth can't be that much older than Colman even as they rhapsodise about the younger duo personifying love's young dream and finally a long-winded judge at the trial, but Preston Sturges this definitely isn't. All the explanations for Colman's odd-ball behaviour are held back until the last reel and then delivered in an unconvincing hurry at the same time as we're expected to believe in the even more unlikely romance of the two leads.What more to say, well, Rogers looks lovely, especially in her evening gown although unfortunately she stops short of actually dancing even a few steps, Colman is certainly smooth if lacking warmth and director Milestone has some nice touches like a scene showing both sides of the dividing doors as the couple argue and the courtroom scene where he shows successive witnesses sat in the same seat giving their testimony, but it has to be said, it's all rather dull, with no real laughs, curiously uninvolving characters and on the whole adds up to a lot less than the sum of its parts.

nirvesh A romantic comedy along the lines of 'It Happened One Night' (1934) but Ronald Colman is the incognito one. Ginger Rogers isn't in the know but agrees to take a Platonic road trip with him even though she's engaged to someone else. This is pretty risqué material for 1940 and there's a bit at the end which could be interpreted as a jab at the Hays Code (thanks to Equinox23 for that insight). Directed by Lewis Milestone ('All Quiet on the Western Front', 'Of Mice and Men') with a story that keeps one intrigued thanks to its unpredictability, it is a perfectly delightful piece of entertainment guaranteed to leave a warm fuzzy feeling. Several other reviewers here are rather harsh on this film, citing lack of plausibility, chemistry, etc. If you want plausibility see 'Judgment at Nuremberg' but if you enjoy romantic comedy don't let the nitpickers here dissuade you from seeing this charming film.

blanche-2 Ginger Rogers and Ronald Coleman are "Lucky Partners" in this 1940 film, also starring Jack Carson and Spring Byington.Rogers plays Jean, a young woman walking down the street when she passes Dave (Coleman), whom she doesn't know, and he wishes her "good luck." She delivers a box of books (her mother owns the book shop The Book Nook) to a client. The client is in the midst of getting a divorce and doesn't want a $200 dress chosen by her soon to be ex-husband. So her mother gives it to Jean.Jean thinks back to Dave's "good luck" and wonders if he just might have something there. She goes to Nick & Nick's, a local store, and decides to buy a sweepstakes ticket with Dave, who's right across the alley. They introduce themselves to one another and after a lot of back and forth, they go in on the ticket.Jean is engaged to an insurance man (Carson) and plans on moving to Poughkeepsie with him after they're married, with no honeymoon. The condition of Dave going in on the ticket with her is that, if they win, Dave will take her on a trip, platonically of course, before she settles down. This somewhat surprises her fiancée but he agrees to it.They win, and it's one of those European sweepstakes where if you draw a horse, you either sell the ticket for $12,000, or bet that the horse will win, in which case you will win something like $150,000 American money. They gamble on the race and lose. However, Jean's fiancé, unbeknownst to her, has sold her half of the ticket for $6000. She gives Dave 3000, and he still wants to take her on the trip. She goes.Ronald Coleman...Jack Carson...now, what do you think happens? This is a slight movie enlivened by the two wonderful stars, Coleman, so dashing and charming, and Rogers, a somewhat naive young woman with a hidden sense of adventure. Rogers always did well playing opposite classy men, Fred Astaire being an excellent example.Some funny scenes, some sweet scenes. It's not earth-shattering, but I liked it.

FISHCAKE It was an article of faith among the more cynical critics during the "golden age" of Hollywood movies that most of what the industry turned out could be summed up as "boy meets girl, boy gets girl, boy loses girl but gets her back before the final fade". Well, here Lewis Milestone has directed just such a formula tale. But he, more famous for such films as ALL QUIET ON THE WESTERN FRONT, has handled the genre with such a light touch that the result is delightful. Mind you, I don't say the film is top 100 quality, but what's not to like about a Sacha Guitry romantic comedy featuring Ronald Colman and Ginger Rogers and ending with a courtroom scene, common to this type of film in the 1930's and 1940's, presided over by Henry Davenport as Judge?We start out with Colman as some sort of "mystery artist" accosted by Rogers with a hare-brained scheme to win the Irish sweepstakes, if only he will go halvers with her. He wished her "Good Luck" one morning, you see, and immediately she was given a lovely dress by a complete stranger. So naturally, she knew he was a sure token of good luck. She wants the money for her honeymoon, but Ronald has an idea of his own--he wants her to go with him on the honeymoon, strictly Platonic, of course. To make a long story a bit shorter, Ginger doesn't like the idea but Ronnie persuades her fiance, Jack Carson, that it's O.K. (Don't ask how!), so she finally agrees. They draw a horse on their ticket (if you don't know how the Irish Sweepstakes worked, there isn't room here to explain it all), but the horse doesn't win. However, Jack has sold one-half of the ticket for $6000 on the strength of the horse. He gives this to Ginger, who gives it to Ronnie, who arranges the trip and buys a car in Ginger's name. After considerable pussyfooting around it becomes clearer by the minute that Plato is going to lose this one. Ronnie gets cold feet and beats it in the car bought in Gingers's name. Naturally he is arrested for car theft, Ginger is arrested for possessing a stolen painting (I told you Ronnie as a "mystery artist"), Jack is arrested for breaking down Ginger's hotel room door (he got jealous after all), and they all end up in Henry Davenport's courtroom.Now, don't read another word if you don't already know the outcome, but if you are of the female persuasion and had the choice of Ronald Colman or Jack Carson, whom would you choose. This courtroom scene is not the best of this sort, which I mentioned was common to the period, but it does serve to sort things out. It may be corn, but it is lovely, sweet corn, and not from Iowa. Light sparkling comedy was Sacha Guitry's stock in trade.