GamerTab That was an excellent one.

Evengyny Thanks for the memories!

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

aristonechole It was 1999 and I was passing my 12th grade exam, those were the days when it was a MAUSAM of Bollywood movies everywhere. In my neighbor a shopkeeper suggested me this movie from that time till today this movie is in my collection. OOOOO Sanjeeve Kumar I love you how he has played his role with mere perfection and outclass natural gestures. He will remain one of the best actor of Bollywood in coming future for at least 1000 years. I salute Gulzar Sahb who has produced this gem. When you watch this film you will enter into the journey of hate, love and the time which has passed away and you can not fill those gapes by providing redemption Medicare. The music, dialogue acting everything was perfect and I guess this is Sharmila's best performance in any movie. This movie is a cocktail of solid acting, strong script and nearly perfect direction from Gulzar Sahb.... From me 10/10

Peter Young Gulzar's Mausam tells the story of Dr. Amarnath Gill, who returns to Darjeeling after many years and after a while decides to look for his past love there. Just like Aandhi, Mausam is about a missed opportunity, only that here the separation is inevitable as in Aandhi the pair separated for good and only later realised what they had missed out on, and here, it was unintentional. Mausam is excellent in writing, direction, cinematography and acting. It's authentic to the core, it's beautifully shot, it's emotional and melancholic, and it just presents a moving episode of mainly three characters, while it is mainly seen through the eyes of Amarnath. Wavering between the present and the past through flashbacks, memories and confessions, the story is narrated exceedingly well. Gulzar gives the script a touch of tension and suspense, and several proceedings are completely unexpected and surprising.Gulzar shows his characters going through many trials and tribulations, and yet he never tries to victimise them or dramatise their stories when he presents the motives behind their current state. The movie in large portions works as a character drama, and is a very poetic, intense and atmospheric piece. Moreover, while the casting of one actor in two different roles has often not been justified in Hindi films, in Mausam it is very symbolic actually, showing what a cruel and ironic game destiny has played with Amarnath by taking away his love and making him meet her lookalike daughter who is a completely different person, namely a prostitute. I was very impressed by this part of the film, particularly by the portrayal of the brothel which looks most lifelike and real. You will see none of the mess or the caricature girls one is used to seeing in Hindi movies dealing with prostitution.There can be no doubt about Sanjeev Kumar's extraordinary acting talent and following Aandhi, in which he played a similar part, here too he plays his character's regret and pain with depth and ease. Sharmila Tagore got her best roles in Satyajit Ray films, and Mausam may be one of the best parts she received in Hindi cinema. She is astonishing in both roles although it's the role of Kajri, the daughter which lets her do a full emotional cycle. Not for a single moment in the film did she overdo her part, not the cute young girl, not the foul-mouthed prostitute, not the woman who lost her mental sanity. The transformation of Kajli looks very natural and due credit goes to her. She exudes a warmth and her emotional scenes towards the end, particularly the final scene of her realisation, are amazingly forceful. Among the supporting actors, Dina Pathak and Om Sivpuri play their parts excellently.The film was released after the death of its music director Madan Mohan. I liked his compositions very much and "Dil Dhoonta Hai" is my favourite. The film's ending is very touching, and it provides a great moment of relief and optimism. Mausam is another example of Gulzar's craftsmanship and of his unique storytelling. Just go and watch it.

Magic Lamp This movie is a slow-paced drama about broken hearts. The first half an hour can be entirely skipped. The movie takes off when the doctor first sets sight on Kajli. Early in his life, he had ended his love due to shame of professional failure. His lover agonizes about it all her life and dies a lonely death. Her daughter, Kajli, is the product of poverty and a dysfunctional family. She takes to being a prostitute and harbors grudges against her mom's unrequited love, the doctor's betrayal and the society in general. The movie is all about the doctor's efforts to make amends for his past by offering Kajli a family. Kajli's conflicted emotions range from her mocking his fatherly behavior to actually forgiving and accepting him. Her fatalism and near-addiction to her prostitute lifestyle is very well portrayed.The high point of the movie is the song - Dil dhoonta hai. It never fails to bring back images of lost love from bygone years.

anandkc The movie is overshadowed by its music. When you listen to Gulzar's songs, it creates an image, which is unique from every other. For this movie he has aptly chosen a Galzal of Galib "Dil dhundhta hai phir ohi phursath ke raat din". This single song steels the show. It creates an atmosphere where a lonely person is looking for his lost soul in the valley of himalay. The films main character could have been justified by none other than Sanjeev Kumar. And a brilliant music by Madan mohan, all add to the charm.Only people who can understand the subtilities of Hindi lyrics can truly enjoy this movie.