Mayerling

1969 "No one woman could satisfy him...until he fell in love."
6.1| 2h20m| PG-13| en| More Info
Released: 13 February 1969 Released
Producted By: Les Films Corona
Country: United Kingdom
Budget: 0
Revenue: 0
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Crown Prince Rudolf of Austria clashes with his father, Emperor Franz Joseph I of Austria, over implementing progressive policies for their country. Rudolf soon feels he is a man born at the wrong time in a country that doesn't realize the need for social reform. The Prince of Wales, later to become Britain's King Edward VII, provides comic relief. Rudolf finds refuge from a loveless marriage with Princess Stéphanie by taking a mistress, Baroness Maria Vetsera. Their untimely demise at Mayerling, the imperial family's hunting lodge, is cloaked in mystery.

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Director

Terence Young

Production Companies

Les Films Corona

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Mayerling Audience Reviews

Pacionsbo Absolutely Fantastic
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
blanche-2 "Mayerling" purports to be the story of Crown Prince Rudolf and his lover, the Baroness Vetsera, who died in a suicide pact at the Mayerling hunting lodge in 1889. It has an amazing international cast: Omar Sharif, Catherine Denueve, James Mason, Ava Gardner, Genevieve Page, and James Robertson Justice. Which just goes to show you that an all-star cast doesn't make a great movie. You need a script and some direction for that.In the '60s, these grand period pieces were all the rage. "Mayerling" is highly fictionalized, full of events that never took place. What actually happened at Mayerling is a mystery, so we'll never know about that. The unhappy Rudolf, left out of anything political by his father, drinks and womanizes. When he meets Maria Vetsera, she falls madly in love with him and (supposedly) he with her, but he is ordered by his father to end the affair. The two enter into a suicide pact at the family hunting lodge.Rudolf, in fact, is a weak man, and it allegedly took him six hours to shoot himself after killing Maria. But no one has any idea what went on - there have been stories of murder as well, and when Maria's body was stolen, when the body was identified, it was shown that she had died from a blow to her head and no gunshot wound was found.Director Terence Young has done some marvelous work, including Wait Until Dark, but something went amiss here. The film moves very slowly and is totally lacking in anything that would help the viewer invest in any of the characters. There are glorious production values and sex but a coldness about it. Sharif and Deneuve give stilted performances, and Mason and Gardner don't have much to do. James Robertson Justice and Genevieve Page are very good.On a side note, Gardner plays Rudolph's mother, "Sisi," who to this day is the Princess Diana of Austria. She's everywhere, and a popular subject of musicals and films targeted to European audiences.
ianlouisiana As good an advert for republicanism as you're ever likely to see,"Mayerling"is an everyday story of royal folk in late nineteenth century Austria.Set during one of Europe's seemingly incessant internal turmoils it concerns itself with the Emperor Franz Joseph (Mr James Mason),his rebellious son,the Crown Prince Rudolf (Mr Omar Sharif)the Empress(Miss Ava Gardner) and various mistresses,secret policemen,spies,extravagantly-uniformed popinjays,gypsies,dancers,wives, soldiers,swans,horses and the bizarre inbred web of European royalty at the time of Franz Joseph's Austro-Hungarian Empire. Filmed in what the old movie posters used to call "A Riot of Color" it resembles nothing more than an expensively-dressed but intellectually-challenged production of "The Student Prince" .Mr James Mason,wearing a very natty little white number,utilises his all-purpose mittel-European accent whenever he remembers.I am a great admirer of his and I sincerely hope the remuneration was comensurate with the distaste he clearly felt for the character he was playing. Mr Omar Sharif,who built a career largely founded on looking directly at the camera with his big brown eyes and looking soulful,gives a stupefyingly monotonous performance as his son the Crown Prince.He is utterly unconvincing as a man who -in the movie at least-cut a swathe through the distaff side of the Austrian aristocracy.With his well-buttered locks firmly in place he preens and poses in ever more unlikely uniforms.As a rebel he talks the talk but conspicuously fails to walk the walk,leaving a bottom button undone on one of his tunics is about as far as his defiance goes.Unhappily married,he falls in love with a commoner."Forbidden Love" is one of the movie's come-ons.As she is played by the most uncommon Miss Catherine Deneuve he is scarcely pushing the envelope there.Miss Deneuve has a profile to die for and we see rather a lot of it,particularly in the sequence set at the ballet. Now I love ballet as much as the next man,but this sequence does seem to go on for an excessive amount of time,a more cynical critic might consider it to be "padding". Rudolf's mother,the Empress is played by Miss Ava Gardner.She gives the part some good old American oooomph,making her a bit like "Auntie Mame",but it's done with undeniable style.Rudolf is certainly very fond of his mother - I'll put it no more strongly than that. The only performance worth watching is that of Mr James Robertson Justice as Sir Lancelot Spratt - sorry,Edward,Prince of Wales.He is so wonderfully unconcerned about everything going on around him it's a joy to behold.I waited vainly for him to ask Rudolf the immortal question "What's the bleeding time?". I am not qualified to dispute "Mayerling" 's historical accuracy,but,in my opinion,everything else about it is risible. It is a Ruritanian Opera Buffa without the tunes to send you home from the theatre whistling.
info-2752 The dashing Omar Sharif was born to be a crown-prince, or at least look the part to perfection (is he of royal Egyptian blood?), while Catherine Deneuve takes your breath away in every scene she's in, most notably as they watch "Giselle" at the theater. An Oedipus complex is hinted at here, and I suppose not all sons (not even only sons!) kiss their mothers on the lips (or it could be an Austrian thing, who knows?). But given his lifestyle of high living, promiscuity and dalliances with radical politics, coupled by an addiction to morphine and the off-chance of insanity in the blood, I don't think the end was as bittersweet and romantic as the movie portrayed it to be. No doubt the prince was a depressed, politically-impotent man who saw no promise in a future which included a loveless marriage, a domineering father and a mother who was never there--no big deal to most, but this was an only child used to getting his way most of the time. I'm sure Maria Vetsera, practically a child in love for the first time, was only too flattered to have been chosen by the prince to die with him. All in the name of love, of course.
timmslizzie The Crown Prince Rudolph and Baroness Maria Vetsera are brilliantly played in this motion picture.i highly recommend it to anyone interested in late 19th century Austro-Hungarian history. But bear in mind that the movie, although marvellously done, was based on Anet's book, which is a novel based on the story of what actually happened, so there will be some anomalies, and scenes which did not actually take place. But it is a fantastic movie, Mason's portrayal of the Emperor Franz is particularly superb. I have been trying to locate this movie but I cannot find it available anywhere for purchase, anyone who knows how, please contact me.The tragedy of Mayerling is discovered by each new generation, and with each of those generations, the mystery of it becomes unsolved again. It continues to fascinate everyone who has delved into it, and I am no exception to this. The movie is a marvellous introduction to those discovering Mayerling, but it could be misleading for those looking into it for the first time, from a research point of view. I recommend it particularly to those who know more about the Tragedy, so they can appreciate its brilliance as a movie, and learn the exact historical facts for themselves. With compliments, elisabeth, uk.

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