Mirzya

2016 "Dare to Love"
4.6| 2h9m| NA| en| More Info
Released: 07 October 2016 Released
Producted By: Rakeysh Omprakash Mehra Films
Country: India
Budget: 0
Revenue: 0
Official Website:
Info

Two star-crossed lovers must battle the forces which try to keep them apart at different timelines and at different world's.

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Director

Rakeysh Omprakash Mehra

Production Companies

Rakeysh Omprakash Mehra Films

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Mirzya Audience Reviews

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Portia Hilton Blistering performances.
Janis One of the most extraordinary films you will see this year. Take that as you want.
suvadipraj This is not a well researched and well made movie. Background score and songs are only backbone. Not sure why Mr Mehra made this movie, I would have given -ve score if IMDb allowed to do so. Dialogues are poor, when kid Monish shoots his teacher, in background its been told "Aksar pyaar main aisa hota hai".. Seriously?? This movie is not made with director's full seriousness. Its a bad movie
manalibakshi This would have a great movie only if the story would have been as better as the screenplay! Such a poor story line was definitely not what is expected from Rakesh OmPrakash Mehra. It is really hard to believe that it was him who churned out beauties like that of Rang De Basanti and Bhag Milkha Bhag. The teasers in itself were not that immersive, but still I had thought that it might be a good once since it was none other than Rakesh OmPrakash Mehra!!! But I was wrong...weak story line, no synchronization and bad acting are some of the reasons that makes this film clumsy. The story makes no sense, be it the childhood story or the one in the present. And the actors are so poor in terms of their acting skills. I really don't understand if they were selected on the basis of their skills or their filmy background!!! But, yes the songs, lyrics and the cinematic effect of the movie is what is quite good. You can definitely give a thumbs up for that. And if you ask me if I am going to recommend this movie to anybody, it is definitely a no.
Abhilash Agrawal This movie has a grip & a feel which couldn't be felt or experienced by everyone. One of the best movies you'll see this year. So much soul & emotions... Cinematic journey. A must watch film. Skip the reviews. Watch this movie.. it'll freshen you up. The cinematography is top notch. And the transitions in the movie will make you skip your heart beat. There are this movies which isn't understood by everyone but it still holds value. This is that kind of movie. If you've been in love with love stories this is the movie which will make you believe in love even more. Music is superb it keeps you engaged. The shots and compositions are so beautiful. Each frame has it's beauty and meaning. Please for your own sake and the sake of cinema don't miss this movie..
dineshprakash Director Mr. Rakesh Omprakash Mehara work as a technician is good but as a creative person notably bad. It is hard to believe that he was the brain behind my two most favorite films "Rang De Basanti' and "Bhag Milkha Bhag'. Not a single shot gives any glimpse of that magic in this film. Screenplay is obsolete and confusing. Writer thought that everyone is well versed with the 'Sahiba-Miraza' story, so he didn't feel a bit of requirement to at least describe the key points of that legend story. Film goes into flashback from present frequently, whenever an emotional scene comes, an intense song but difficult to understand the lyrics takes over with some good visuals. Lyrics do not justify the two different time periods at all. Lead characters childhood scenes are too lame. First of all they don't look cute. Girl looks older than the boy. They seem of age 7 to 8 years but in pre climax it got revealed by boy that he was twelve year old that time. Boy getting late to feed girl 'Til Laddo', teacher show causes him for being late then asks for home work's copy, girl passes her copy to him but teacher sniffs this and then asks girl for her home work copy, eventually leading girl canned. All class give expression as if it was most unusual incident when teacher already cleared that it is well known punishment. Boy keeps mum that time then decide to retaliate in some idiotic way by shooting the teacher!!! It gives first hint that you are going to witness some crap. It is love story but you can't find a faint glimpse of love throughout. Film starts with some high octane action with support of VFX but you don't feel anything because it was not cleared that what is happening and why, actually it was just for the sake of introducing the male lead. Girl went abroad and returns back, her childhood friend is working in her Prince fiancé stable. Again some lame hide and seek identity scene. When girl recognizes the boy is so bad that I strongly felt urge to laugh but controls it with subsided smile, but then after few scenes audience started to evoke controlled giggle and then I joined them shamelessly. Surprisingly there is some weird sense of humor in most of the emotionally intense scenes, which at least save you from getting headache. Boy's Polo playing with his master then flashback of horse riding of past time. Girl wants to learn horse riding, boy trains her and all that blah blah. A key scene of tiger attacking in full moon light looks so fake and crude in the time of so advanced technology. Again thrill lost in making. In climax marriage scene, sneaking out in veil is so old fashioned scene and why that old person supported her is not clear and why that girl commits suicide is also. It was just to add drama but sorry to say it looked absurd and film is full of such type of scenes. Pre climax and climax is unbearable but yes laughter is there for sure. Performance wise all bad actors are stuffed in one film. Harshvardhan Kapoor's looks is good but he speaks stone flat. Even good actress Anjali Patil gone wasted as Zeenat. Nothing to say about rest of the cast. Musically and lyrically 'Ye Wadiyan Dhoodhiyan Kohre Ki' is good.