Wordiezett So much average

Tedfoldol everything you have heard about this movie is true.

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Art Vandelay Starts with a good premise and Martin Landau in the first scene. Pretty soon Eli Wallach shows up. Bit later Robert DeNiro. Things are rolling along nicely when I realize Robert Wuhl, who irritates me at the best of times, was shouting his way through the movie. And then Laurie Metcalf shows up. Is she really this bad an actor or is it just a bad director working with no budget? It's all downhill from there. I just didn't care anymore. Didn't care about Wuhl's character. And why would I care about Christopher Walken's ''Warren'' character? And who is the kid's dad supposed to be? Elmore Leonard? Yelling, yelling, yelling. So tiresome. I bet this movie didn't gross a thousand bucks when it was released.

esbarnard This film has a few good moments. The story line about the director as an artist unable to overcome the devastating end of his first try to film his masterpiece is convincing and moving. The rest of the plot about the producers and all their girlfriends is silly. But, as you work through this dichotomy, you realize what is happening - somewhat in the manner of "Adaptation," the journey of the script in question is echoed by the journey of the characters to produce the script. However, this film has none of the wit and pace of Adaptation. The characters are fairly one dimensional. Al Pacino does a shrill and annoying job of playing a shrill and annoying character.

George Carr Bob Wuhl, never acclaimed because he has little range, actually turns in an excellent performance as a screenwriter who pulls out all the stops to get his script filmed. Martin Landau is his producer, and the money men they find, one of whom is Robert DeNiro in a wonderful role, all want him to cast their mistresses in the film. Although the film is slow at times, excellents performances all around make this worth seeing.

Jeannot A sophisticated dark Hollywood comedy, IMHO superior to THE PLAYER. The cast is a powerhouse, but Martin Landau is outstanding, as is the black girl who plays Beverly, DeNiro's mistress. I've seen it three times and laughed harder each time. Basically, it's about the woes of a director/scriptwriter (Wuhl)who, upon wannabe producer Landau's urging, tries to pitch his script to three money guys (Wallach, Aiello, DeNiro). He fights unsuccessfully to preserve the integrity of his artistic vision.