Neram

2013
7.5| 1h56m| NA| en| More Info
Released: 10 May 2013 Released
Producted By: Winner Bulls Films
Country: India
Budget: 0
Revenue: 0
Official Website:
Info

Mathew is a graduate in software engineering, but is now jobless. He is waiting for his good time to get a good job. Mathew has borrowed some money as loan. Now he cannot give it back as he has no job. Mathew's childhood friend Jeena Johnykkutty is ready to help him as she could. She has a job. Her father Johnykkutty does not like Mathew and he always tries to trouble Mathew whenever he gets a chance. At this time Mathew's good time arrives; but along with it many problems too. The gripping events that follow plot the rest of 'Neram'.

Genre

Drama, Action, Comedy

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Director

Alphonse Puthren

Production Companies

Winner Bulls Films

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Neram Audience Reviews

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
Raymond Sierra The film may be flawed, but its message is not.
Cristal The movie really just wants to entertain people.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
sesht A good friend of mine, with whom I discuss most of the good Tamil and Malayalam movies (contemporary) I'd heard of or watched, recommended this one to me. I bought the DVD, but by this time, I'd always watched Nivin & Nazriya in the spectacular 'Ohm Shanthi Ohshaana' last year. Having heard that this was their debut, along with knowing that it dabbled in the pulp crime genre, and that Jigarthanda's Simha had a prominent role, I'd been piqued to watch this as soon as time permitted.Finally got to do that a few days back.Unfortunately, it did not make the grade to be considered a good movie, though one of the tracks is now, justifiably, a cult classic. The movie apparently had some good box office too, and I think that's always a nice thing, since it IS offbeat, but more offbeat for effect, not necessarily an organic thing.The plot seems to be kept simple intentionally, and that's a good thing, in addition to controlling runtime, which is a slim under 2 hours.There are quite a few visual tics, designed to make the movie more stylistic, panning shots, slow-mo, that are also used for effect rather than propel the plot forward. They stand out more for being inappropriate and for calling attention to themselves, rather than anything else, and that is something that is a syndrome of bad commercial cinema, and something that does not belong here.What stood out for me?The main lead's characterization, who's almost like a supporting character in his own story, given that he does nothing to propel the plot forward, or make a difference to his fate, where he's almost in a predicament of his own making, due to his own stupidity, and who's such a hypocrite that he calls it out when the same thing happens to someone else, but take succor when it 'befalls' him. Typical MCP, quite unapologetic about it too, and it's refreshing to have a real character like that leading the tale, rather than have a false hero with old town values. The fact that the makers embrace this aspect has to be appreciated.The runtime of 1 hour 47 minutes.Pistha, whenever it occurs, even in the end-title among racist subtitles for few characters.The dark humor interspersed throughout, especially in the sequences with the pickpocket gang, the cops, Naaser and Thambi Raamaiah (Saravanar, not Saravanan - apparently). Some of the explanatory flashbacks. Though the style is borrowed, it is relevant to the storyline, and thus, apt. What did not work?Using the heroine just as a prop. Nazim's talent (watch 'Ohm Shanthi Ohshaana') wasted completely.The simple/easy denouement. Complete tyre puncture of the plot, that seemed to be leading someplace.Waste of Charlie's acting talents.Very, very lightweight.All in all, perhaps worth one watch on the small screen.
Tejas Nair Neram has lots of factors borrowed from Quentin Tarantino's movies. Mainly the cinematography, direction & slow-mo pause-resume style adoption during chase scenes. It works.Starting off with funny credits, Neram talks about how a luckless lad is waiting for his time to get right. His life capsizes & resurfaces in a single day. All the commotion in between with some genuine characters is a treat to the viewers. Humor is limited but has credibility & punch. The unfolding of the straightforward plot keeps the viewers in their toes and with the background music so relevant, it pulls off. Fantastic camera work and even better dialogs.Nivin Pauly charms while Nazriya suits along. Newcomers have done very well in portraying their characters. Every single character has a humorous side & that is what makes the movie very watchable. A very fine approach, although with stolen (read borrowed) elements. Another best part being when all the elements reveal they were co-related, it brings a shower of wonder.BOTTOM LINE: A must-watch thriller which can make a pessimist laugh mostly because it relates an ordinary man. Highly recommended!Can be watched with a typical Indian family? YESProfanity: No | Vulgarity: very Mild | Sex/Foreplay: No | Violence: very Strong | Gore: No | Alcohol/Smoking/Drugs: Mild
sabithpocker The movie was a good experience as I saw it, but I left the theatre without carrying any emotions with me. I am addicted to the emotional drugs that movie makers induce in me as I engage in their movies, I am no movie critic. When I think in terms of the photography, sound, cuts and other things I feel it was perfect enough to prevent any distractions, I say this because I don't know to evaluate in any other way. As I watch a movie I could see only one graph as a result, my emotional graph which represents how I am feeling. Through out the movie the graph had discreet but good plots, It was great if it was continuous. The emotions and graph just stopped with the movie's END. I usually hate that and want the graph end slowly and I should carry a bunch of emotions as I leave.
sambath kumaar Though there is no spoiler in this review, if there are people (like me) who think a review could spoil the way they see the movie with their own opinions and perception, do not proceed further..:)One of the most brilliant movies I have seen in Tamil Cinema. Well made, well pictured, well performed and finally really well EDITED movie. Was able to see the transformation of Tamil cinema (Vazhakku En, Vishwaroopam, Pizza, NDPK, Soothu Kavvum etc). This classy movie joins this list and also stands apart.Was impressed in the first frame of the movie when they sport this "I copy from every movie ever made -Quentin Tarantino - I Agree to this - Alphonse Putharaen(Director)". Expectations rose when the director himself was the editor too. But unlike my recent disappointments, this movie continued to thrill, excite and humor me throughout its path. First of all the movie is completely a real life story with only a little bit of cinema in it. Ever other scene in the film can easily happen to anyone of us here and it is completely genuine. Be it the narration, performance by actors, the romance between the couple, an understanding and practical girlfriend and many more... Highlights: Brilliant camera, editing, acting, screenplay, BG music(awesome) and overall direction. Cons: If thought of deeply, certain scenes could be avoided.Every other character plays a very important role in the movie and finally floods in to the really suspense climax. No wonder the director Alphonse Putharaen is a fan of World Cinema!!This is just another movie without stupid duets and irritating fight scenes. Such movies becoming hit will keep at bay commercial movies that tarnishes the fame on Indian Cinema. Tamil cinema is not that far away from creating a masterpieces like Zindegi Na Milegi Dobara, Rang De Basanti etc... Happy that I watched it in theater.