Roy Colt and Winchester Jack

1970
4.7| 1h25m| NA| en| More Info
Released: 01 December 1975 Released
Producted By: Produzioni Atlas Consorziate
Country:
Budget: 0
Revenue: 0
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Two outlaws compete with each other over a treasure map that will lead them to buried gold while one of them is in league with a sadistic priest-turned-crime lord, while a young Native American girl helps both outlaws and plays both sides against each other.

Genre

Action, Western

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Director

Mario Bava

Production Companies

Produzioni Atlas Consorziate

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Roy Colt and Winchester Jack Audience Reviews

SpuffyWeb Sadly Over-hyped
ChanBot i must have seen a different film!!
Executscan Expected more
Mandeep Tyson The acting in this movie is really good.
MartinHafer Hmmm...a spaghetti western that comes on DVD without English dubbing and only captions! Now that's something you just don't see every day! And, after seeing many dubbed films (some of which were terribly done), it was nice to see this captioned film. Could the reason this one not be dubbed be because it wasn't shown in the States or was perhaps seen as not worthy of dubbing? Who knows.Unfortunately, my excitement at seeing a dubbed film was short-lived. At the four minute mark, there was a shootout that was, I suppose, done for laughs. But, since it was really, really stupid, it didn't make me laugh...just groan in disbelief. I think the Banana Splits or Paul Rubens would have done this scene more subtly! In the next scene, two bounty hunters are killed by our anti-hero, Winchester, and he releases their prisoner--an Indian woman. Sadly, she really doesn't look like an American-Indian--more like some Italian lady with light brown-green eyes--and they didn't do much to pull off this character other give her buckskins to wear! In that case, I'm going wrap myself up in aluminum foil tomorrow in the hopes I get to play an alien in an Italian sci-fi epic! Soon after this, Winchester meets up with Roy and the fun begins. Well, okay, the fun NEVER begins...but at least the story starts to move...a bit. Aside from some very sloppy slapstick, the film is about Roy and Winchester both looking for treasure--only one of them has apparently gone straight in the meantime. But frankly, considering how bad the film is and how disappointed I was that the famous Mario Bava could make such a rotten film, I totally lost interest. And, unless you have suffered a serious brain trauma, you, too, will find little to entertain you in this film that looks as if no one cared in the least if it resembled the old west in any way at all! By the way, if you care, the money that the American-Indian prostitute is paid is very clearly the type made from 1928 until very recently--not even close to the sort of money they actually used in the old west. Also, the 'American-Indian' lady clearly is wearing modern band-aids on her nipples--a common practice when the film will NOT show explicit nudity (allowing a tiny measure of modesty for the actress). Apparently, someone forgot to tell the cameraman, as it appears in the film and makes the viewer think "...huh?!?!".
The_Void The great Mario Bava will always be best known for his Gothic horror and Giallo films, but he was a very versatile director (like most Italian directors around the time) that made many films in genres outside of horror, and Roy Colt and Winchester Jack is his attempt at making a film within Italy's popular Spaghetti Western genre. This film is not widely liked amongst Mario Bava's fans and it's not hard to see why - the film really doesn't feel like a Bava film at all as it features none of his trademarks and the plot also has a lot of problems and elements that don't work. The film takes obvious influence from the greatest of all the Spaghetti Westerns; The Good, The Bad and The Ugly and focuses on the race to claim some buried gold. The main characters are a pair of outlaws named Roy Colt and Winchester Jack. They were once in a gang together, but Roy left to find honest work and ends up becoming sheriff of a small town. A bank owner there has some gold buried and after Jack and his gang steal the map, Roy heads out on their tail. A corrupt reverend and a devious Indian girl also join the party...The film is obviously not meant to be taken seriously and Bava packs it with comedy. It has to be said that a lot of it completely misses the mark and isn't funny - but there are some laughs, and scenes such as the one that takes place inside a Brothel in "Wimpy City" work simply because it's so surreal. As the title suggests, this is a character driven western and the leads are both well designed and well acted by American actors Brett Halsey and Charles Southwood. Their relationship is one of the key elements of the film and the way they interact with each other is generally entertaining. The biggest highlight of the film for me was undoubtedly the beautiful and seductive Marilù Tolo who plays the Indian girl and steals every scene she's in - I would even go as far as to say that this film would not have worked without her in it. The only character that doesn't work too well is The Reverend, who is more irritating than amusing. There's some good fighting in the film - plenty of gunfights and fistfights and at eighty five minutes, there isn't really time for the plot to get boring. Overall, on the grand scheme of things; this is not a particularly good western or a particularly good Bava film - but it's entertaining enough and I did enjoy it.
Lee Eisenberg Knowing that Mario Bava spent most of his career directing horror flicks, it may come as a surprise that he also directed a western. Well, not only did he direct one, it came out quite cool. Portraying a pair of outlaws splitting up and meeting again after one of them has gone straight, "Roy Colt & Winchester Jack" plays everything for all that it's worth. As can be expected, there's plenty of gunfights (I suspect that the Old West was like that). But what I notice was different about this movie that wasn't true about any other spaghetti westerns - at least the ones that I've seen - was the whole brothel scene; it was probably fun to film all that! Leave it to the Italians to stick something like that in a western.Anyway, this is one movie that makes no pretense about being anything other than pure, unadulterated fun. Some of the characters - particularly the Reverend - seemed a little annoying. But the movie's quick pace makes up for any problems. I liked the movie. And not just because Manila was really hot! PS: Brett Halsey, who played Roy Colt, had earlier co-starred with Vincent Price in "Son of the Fly" and "Twice-Told Tales".
bensonmum2 Reading various comments on the internet about Roy Colt and Winchester Jack, you would think that it was the worst movie ever made. I've now seen most of Mario Bava's films (23, to be exact) and I've seen my fair share of Spaghetti Westerns. While Roy Colt and Winchester Jack isn't a very good example of either, it's hardly the worst film Bava made (see Dr. Goldfoot and the Girl Bombs) or the worst Spaghetti Western I've watched (see God's Gun). In fact, there are moments and certain set-pieces in the movie that I really enjoyed. The best example that comes to mind is the film's finale. Without giving it away, I'll just say that it's a nice twist that worked for me. The film's soundtrack is interesting. I wouldn't call it a traditional Spaghetti Western, but it's enjoyable enough anyway. Brett Halsey and Charles Southwood are okay in the title roles, but Marilu Tolo stands out in the role of Manila. More of Tolo would have been a good thing. Finally, while some of the more eccentric characters in the movie don't work, the gunfighter in the opening scenes with Tourettes Syndrome is a real hoot.I actually would have enjoyed Roy Colt and Winchester Jack more and rated it higher if it weren't for two things. First, the movie hardly feels like a Bava film. There are none of the great director's flourishes of color or unique camera tricks I look forward to seeing. It's all rather flat and dull looking. Second, and my biggest complaint with the movie, is the character called The Reverend. A more annoying character I can't think of at the moment. He's not funny, he's not threatening, and his idiosyncrasies are downright painful to watch. Similar to what I wrote about Tolo, less of The Reverend would have been a good thing.