Salmonberries

1991 ""You are the most important thing in the world to me.""
6.1| 1h35m| NA| en| More Info
Released: 31 October 1991 Released
Producted By: Pelemele Film
Country: Germany
Budget: 0
Revenue: 0
Official Website:
Info

A young orphaned woman, named Kotzebue, is trying to find out who her parents are in the icy landscapes of Alaska. Kotzebue is helped by an east-german librarian, whose husband was killed while fleeing from the GDR. Although both women could not be more different from each other, a fragile relationship forms.

Genre

Drama

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Director

Percy Adlon

Production Companies

Pelemele Film

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Salmonberries Audience Reviews

Jeanskynebu the audience applauded
Stevecorp Don't listen to the negative reviews
Beanbioca As Good As It Gets
Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.
Jo Grant Salmonberries is a beautiful film that is set in one of the harshest environments on Earth, in Kotzebue, Alaska. The story reveals many deep layers that overlap and entwine, and discovering those layers is powerfully insightful. I know I will never forget the characters of this film: Butch, Roswitha and Kotz. Getting by in such an environment would be incredibly difficult – the wind and the cold being the main factors. People are forced to live closely side-by-side simply for survival. Bingo Chuck represents all that could be wrong or unpleasant in such an environment. Butch represents that all obstacles and unpleasantness can be risen above to find one's own Nirvana, and he does so stunningly. One of the most beautiful films I have ever seen and I am so thankful to the Adlon family for their touching and honest perceptions, their tender ability to see the beautiful and the destructive and to offer it as Salmonberries. And many thanks to Conrad Gonzales.
runamokprods A sort of mix of 'Bagdad Café' and 'Three Women' set in Alaska. k.d. lang plays an androgynous miner who falls in love with a straight, private, local German librarian. They both have muddy, tragic pasts that slowly emerge. There are some deeply moving moments, and some wonderful slightly magical realist touches. The cinematography is very good. But while lang does a decent job, I can't help thinking a stronger, more experienced actress could have brought out even more in this amazing role. That said, I did enjoy this much more on a second viewing. While it bothered me that it felt at times like Adlon was trying to re-create the magic of 'Bagdad Café' (odd, surreal setting, quirky out of place characters, cinematography that uses color in exaggerated ways for effect, etc.) overall I found myself more able to just let go and accept this tale on its own merits. And doing that, it made me smile.
Jugu Abraham The story of the film is not something to write home about; but its direction and editing makes you take note of the mastery of techniques in both the fields.Take the example of the character of Roswitha's German brother: we are told he is deaf. Yet he speaks; literally and more with his nervous hands, his mournful attentive stance, they all speak volumes. It is not acting you spot but the deft, confident direction. k d lang's theme song "Barefoot" is haunting and the more you hear it, it grows on you. But her performance did not evoke much response in me. I do not consider her performance to be great by any standards.However Rosel Zech as Roswitha is pleasure to watch as she blooms from a cold person to a warm personality in the course of the film. Zech and Adlon have contributed much to the film as did Conrad Gonzales' editing. Gonzales and Adlon together have made electricity come alive on celluloid--electricity goes off during crucial scenes, electric neon lights buzz, electric surges in voltages create capture enigmatic scenes as still life...Adlon's exteriors are predictably white; his interiors are dark, both in Alaska and in Germany. But there are brief moments when the dark interiors become white like a ritual, in a baptism of sorts.Adlon's choice of actors intrigued me including the casting of Chuck Connors and k d lang. Why did he choose to make this film? What was the basis of the "salmonberries" storyline? Was it a book? It reminded me of Kurosawa making "Derzu Uzala" in old USSR. Both movies asked questions about roots of characters. Only Kurosawa was much better of the two. This is my first Adlon film but he has made me take note of a very distinct style of direction that cannot be ignored. Hollywood could learn a thing or two from this film which is so close to pristine European cinema.
Meredith P. (Etoile) I'll watch anything with k.d. lang in it, but this movie is remarkable for much more than its star. Every part of the movie is exquisite -- the cinematography is incredible, the acting is intense, the music is powerful, and so on. Each character is beautifully developed as far as necessary for the story. I can't even find further words for this movie. I have seen a lot of movies, and to date there are only two I really believe in. This is one of them.