ThiefHott Too much of everything

Lovesusti The Worst Film Ever

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

udar55 Young scientist Harrison Harrison (Billy Morrisette) is working hard to recreate his deceased father's gene splicing experiments. Funded by his mother Helena (Elke Sommer) and her sleazy beau Dr. Hans Vaughn (Oliver Reed), Harrison spends his days in a basement lab trying to splice human DNA with that of a lizard in an effort to regrow limbs. When he conveniently loses his right arm, he injects himself with the fluid and grows a new scaly arm. Wait, isn't this the plot of THE AMAZING SPIDER- MAN? Anyway, after that things get really weird. He runs away from home and lives with some bums led by war vet Stripes (Garrett Morris) who live in the sewer system. When mom comes looking for his formula and steals it back, Harrison creates an army of severed lizard-arms to fight her. This was the third film produced by Fangoria Films (after CHILDREN OF THE NIGHT and MINDWARP) and might be the oddest of the trio. In fact, it is surprising not to see Frank Henenlotter's name on this as it is totally up his alley and the film's look even resembles that of the BASKET CASE sequels. The film is a bit too low budget to be a classic, but it does have some original ideas and good gore effects by KNB. Perhaps most surprising are the performances by Sommer and Reed. They could have totally phoned their respective roles in, but both give it their all. Originally titled ARMY (haha, get it?).

lost-in-limbo A young scientist Harry Harrison is continuing his late father's scientific research into limb regeneration with flying colours, but his interferingly dominate mother and her doctor lover want to sell off the serum. When he finds out, there is an accident involving Harry losing an arm. So, he tries out the serum and what eventuates is a genetically deranged arm that has a mind of its own.Oh we've seen this oh so many times before, but what lifts this very campy and quite rubbery shonky junk is the performance of movie icons Elke Sommer and Oliver Reed. Actually it's not a bad flick by Fangoria films; just there are better ones out there, which are similar in vein. "Servered Ties" simply lacks it own distinctive style. The oddball nature and unpleasant splatter resembled "Re-animator" and even a touch of slapstick stuck out like something from "Evil Dead 2".The comic story is truly whacked out with it's black humour, but it can get melodramatic and a bit in dry in the fun factor. Surprises do crop up, especially the flick's final outcome. Which is well accepted, as I thought it could have copped out with something more accessible. For a low-budget production the FX makeup can look rigid and very goofy, but there's some grotesque moments that will make you smile than actually cringe. Even a brush of sexual tension streamlines the story, thanks to Elke Sommer's sternly juicy performance as the mother. Oliver Reed is quite humorously deadpan in a wicked sense and he pulls it off extremely well. They were both immensely diverting as the couple you loved to hate. Billy Morrisette is delightful in a erratic performance as Harry. Director Damon Santostefano briskly paces the film and orchestrates some stylish scenes of gripping and bamboozling horror.Yeah it's juvenile and basically silly nonsense, but you got to hand it to it for some undemanding entertainment.

Paul Andrews Severed Ties starts with an opening narration by the main character who is sitting alone in a room in a wheelchair, Harrison Harrison (Billy Morrissette, yes Harrison x2 is his name!) that goes something like this "red, blood red on white, nothing else would do. I got so desperate for the visions I would look for ways to cut myself. I wasn't always in this chair, there was a time when I could run and play but Mother never let me play. She told me I wasn't like the other boys, that I was special and besides like she always said it was too, too dangerous". He then has a sketchy incomplete flashback to when his Father died in a fire. The main bulk of the film is told in flashback. Harrison is continuing his Fathers work in a laboratory in the basement of his Mothers, Helena Harrison (Elke Sommer) large mansion. Harrison is trying to develop a serum that regenerates organs and skin. He is basing his research on reptile genes as the reptile possesses the ability to regrow parts of it's body, well apparently anyway. Harrison finally succeeds in creating the serum. Helena, along with her accomplice Dr. Hans Vaughan (Oliver Reed, he must have needed beer money badly!) tries to sell the serum to a company called 'Nordkem' for a large sum of money. Harrison is against the idea as the serum should be available for everyone. In a struggle an accident occurs and Harrisons arm is severed. Harrison uses the serum on himself and his arm instantly regenerates, wonderful he thinks at first but soon realises there are strange horrifying side-effects with the serum he hadn't counted on. A homeless man know as 'Stripes' (Garrett Morris) witnesses this and befriends Harrison. Stripes takes Harrison back to where he lives in the sewers with other homeless people. Helena and Vaughan are left with no serum and decide they must find Harrison or they will lose the money. After bribing a corrupt cop they track him down and retake the serum and kidnap his new girlfriend, Eve (Denise Wallace). Together with Stipes and his mutant lizard arm he sets out to rescue Eve and take revenge. Directed by Damon Santostefano I actually quite liked this. It isn't brilliant or any sort of masterpiece but I had a decent enough time watching it. The script by Henry Dominic and John Nystrom is well paced and fairly entertaining. It's very silly but luckily never takes itself seriously. I think it was mean to be a comedy horror but the comedy doesn't quite work which I found to be advantageous as instead of slap-stick silliness I felt it came across more like dark comedy. The twisted 'unhappy' ending was good and felt an appropriate way to round things off. It's just a shame about the middle third which tends to drag a little. The photography is OK and Santostefano has a stab at some style occasionally by lighting certain scenes in a very staged theatrical way that gives the film a slightly surreal feeling. Characters are likable enough and what on Earth is Oliver Redd and Elke Sommer doing in this?! Their fun to watch I guess, I think Santostefano must have a shoe fetish or something because he has Oliver Reed down on his knees cleaning Elke Sommers stilettos on two different occasions and throughout the film in general there are an unusually high amount of feet and shoe shots. The special effects are variable, some very impressive, others less so. The living arm effects aren't the best and they end up looking silly at times. There are a few good gore sequences, a severed arm, a ripped off face and someone has their lungs pulled out! It's a pretty fun low-budget horror film overall that I quite liked but I don't think it's for everyone. Worth a watch if you can catch it on T.V. or find a copy going cheap somewhere.

unpop Take a Barker concept ("Body Politic") & mix it with a dash of latter-day Herbert West - the results would in all probability resemble this dumb gore movie. Perhaps seasoned veterans (in this case Sommer & Reed) need a trash backdrop such as this to really let loose - and do they ever! The kind of film, that if your attention wavered (or you needed to go to the toilet...) , by the time you "came back", you'd swear you're watching a collection of out-takes from SOCIETY, BRIDE OF RE-ANIMATOR & RETURN OF THE LIVING DEAD PART 3 (apologies to Brian Yuzna). What the hell; Sommer is GREAT (a performance that would make Tim Curry look like a master of understatement), Johnny Legend's voice would seem more at home in a DeathMetal outfit - even some bargain-basement Freud thrown in for those of an academic bent. Unfortunate proof that a sincere love of horror movies doesn't automatically = superior product; probably a project that should have been produced by those who actively hate the genre in order to gain a degree of perspective.