Hellen I like the storyline of this show,it attract me so much

Solemplex To me, this movie is perfection.

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

gabriel1964 This movie was a very good movie in 1978. I saw it when it was aired as a made for TV movie back in 1978. There is nothing wrong with this moving. Whoever says that this is a racist movie just shows that you have no idea what racism is! This was a very good movie. It goes through the hardships of what older people go through every day of how they have to live. Then there is also the harassment of the gang that constantly makes their lives miserable and unbearable. When Martin Balsam's characters friend kills herself because she just can't take the harassment anymore by that gang and the police won't help, the fantastic way they hold the leaders of that gang until the cops come was brilliant!Anyone know where I can get this movie on DVD? Can't seem to find it on Amazon.com or youtube. thnx

poe426 The neighborhood I grew up in was exactly like the neighborhood depicted here: the police were ineffectual, and I saw the elderly and the poor victimized on a daily (and nightly) basis. Purse-snatchings were commonplace (I once chased a purse snatcher into a nearby housing project, but he lost me). One night, my brother and I saw an old man assaulted by a group of 15 youths. They were armed, and tackled him from behind. I grabbed a lead pipe and ran outside just as several of these punks ran past our house. By the time the police got there, the old man had regained consciousness, gotten up, and walked home. The cops brought him back so he could pick up his groceries, which had been scattered all over the street. Anyone who thinks- even for a moment- that this movie is in any way "over the top" or melodramatic simply has no clue... Martin Balsam gives one of his finest performances ever, and Dorian Harewood as the bottom feeder is brilliant. I'll never forget his response to Balsam's character when asked what he would've been, had things been different: "I would've been GREAT, man." It's a great line, delivered by an underrated performer in an underrated movie.

MartinHafer This film seems to have possibly been inspired by the earlier film, DEATH WISH. In both, we feature a big city in which decent citizens are being bullied by drug addicts and predators. While one reviewer felt this was "paranoid" and "borders on racism", I don't see HOW talking about real urban problems like this automatically qualifies as either. Yes, since it's a film it is extreme--that's what you expect from a movie. But come on, the average American IS worried about life in the big city and this is somewhat justified. I say "somewhat" because many of our big cities are actually pretty safe, but up until very recently this wasn't the case in places like New York. Paranoia isn't truly paranoia and racism isn't truly racism if there is some truth to it.This story is about a tenement filled with old people and a gang that beats and extorts the old folks almost constantly--with little help from the police. It's so bad that Martin Balsam's lady friend eventually kills herself to escape. It is then that he decides to act.All in all, it's an interesting film that is pretty entertaining. Not exactly realistic, but not so far from reality that it is unbelievable.

jwmcfad This is one of those 1970s "the world is going to hell" urban paranoia films that borders on racism. It's late 70s New York, young thugs control the streets, and inside a crumbling apartment building Henry Fancher (Martin Balsam) and his elderly Jewish neighbors cannot get the police to protect them against Simon, a menacing young black man (Dorian Harewood), and his gang. Despair turns to anger as Fancher decides to protect himself. As a last resort, he goes to a machine shop and makes a set of metal bracelets with hooks on them. When Simon breaks into his apartment, Fancher tries to fight him off to no avail. Finally he uses the bracelets to hook his arms around Simon, using his nearly-comatose body to slow Simon down until the police arrive.Despite its somewhat distasteful tone, this film's gritty realism is appealing and very much in tune with 70s cinema. The suspense builds quite nicely, and the climax is rather unique.