State of the Union

1948 "How's the State of the Union? It's GREAT!"
7.2| 2h4m| NR| en| More Info
Released: 30 April 1948 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

An industrialist is urged to run for President, but this requires uncomfortable compromises on both political and marital levels.

Genre

Drama, Comedy

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Director

Frank Capra

Production Companies

Metro-Goldwyn-Mayer

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State of the Union Audience Reviews

Mjeteconer Just perfect...
Acensbart Excellent but underrated film
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
HotToastyRag When State of the Union started, I was at the edge of my seat. Angela Lansbury, newspaper tycoon, has handpicked the next Republican candidate for president, and she sells the idea to Adolphe Menjou, a top political adviser, and Van Johnson, a campaign manager. The man she wants has no political background. He's a successful businessman and a millionaire, and he connects with the common man because he's not a typical politician. Sound familiar? Here's the even better part: It turns out Angela is having an affair with the candidate, and when his wife shows up to squelch infidelity rumors and promote a good family image, Angela sneaks into their bedroom and places her reading glasses on the nightstand, knowing the wife will find and question them. Exciting, isn't it? Well, that's as exciting as it gets. The rest of the film tries to show the dirtiness of politics, but to anyone who's ever paid attention to the political realm, it doesn't even scratch the surface. Spencer Tracy is cast as the likable, honest politician, but he comes across as neither. He seems angry and stupid, even though that's not how his character is written. Fredric March would have been a better casting choice, in my opinion. He pontificates and gets in his own way—and on the audience's nerves—while his wife, Katharine Hepburn pretends to argue but really always goes along with whatever the politicians tell her to do. Normally, she's a fantastic actress, but in this film, she rushes her lines and says them without much feeling. It felt like a rehearsal the actors didn't know was being filmed. She does say one funny line, though: "No woman could ever run for President. She'd have to admit to being over thirty-five!" Boring and corny to the very end, this is a movie to skip unless you're a die-hard Tracy-Hepburn fan. As for me, whenever I see them on screen together, I can't help but remember how mistreated Kate was. I don't think they're movie-magic, and I don't see sparks flying off the screen. I see an angry, arrogant man and his abused partner.DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, there's a scene in this movie that will not be your friend. When Spencer Tracy pilots his airplane, the camera swirls excessively and it will make you sick. In other words, "Don't Look, Mom!"
DKosty123 Capra did others including Mr Smith Went To Washington, but are they better than this one? Spencer Tracy is great in the role of the candidate for the Republican's in 1948 (the year the film is set in). Katherine Hepburn is solid as his wife (with 2 children). Angela Lansbury is great as the other woman Tracy has been kind of courted by as his marriage with Hepburn has had some tension as of late.Watch for Margaret Hamilton (Wicked Witch of the West) making eyes at Van Johnson in this movie. The script is fantastic as Tracy comes off as an independent Airplane Manufacturer who wants to help this country. He is an independent mind running and being crushed by establishment Republican Politicos in much the same way as the Democrats have crushed Independent Candidates in elections since 2000. Democrats and Republicans have both been Conservative since the Reagan era. This film paints them as the same party, and yes, they still are.Thing to watch is Tracys speech at the end, reminds me very much of speeches done by Bernie Sanders with an Idealistic view. This is a very good movie, well worth the viewing.
blanche-2 It never ceases to amaze me how one can see a film about politics made in the '30s, '40s, '50s - doesn't matter when it was made, it always seems like it was made yesterday. "State of the Union," a 1941 Frank Capra film, is another political film that comes off as very fresh. A plain speaking, likable man, Grant Matthews (Spencer Tracy) is convinced to run for President by the publisher of a newspaper, Kay Thorndyke (Angela Lansbury) who is also his mistress, and before he knows it, his words and intentions are no longer his own. Because he wants to win, he compromises and lies down with the dogs. When he stands up, he's got fleas.Katharine Hepburn costars as Grant's wife Mary in a role intended for Claudette Colbert, and she's excellent. She got the part by sheer happenstance - she was with Tracy when Capra called to say that Colbert was out. Colbert wanted to be filmed from the left only and didn't want to work after 5. Because the studio wanted the film out before the actual 1948 Presidential election, there wasn't the time or budget to accommodate her.All the performances in this film are marvelous. Van Johnson is very funny and charming as a newspaperman who becomes Grant's campaign manager. Adolphe Menjou is perfect as Kaye's mouthpiece who wants to go after the money people and court big business and the union heads. Lansbury is fantastic as the ambitious, cutthroat Kaye, who took over the paper from her father and knows how to use and abuse power.By today's standards, "State of the Union" is probably too talky - Capra often has big monologues in his films, but they're always delivered powerfully. Here is no exception. A rousing film about the breakdown of idealism before political realities.
theowinthrop This is probably (except for WITHOUT LOVE ?) the most forgotten of the Tracy - Hepburn film parings. As has been pointed out it has not been revived that frequently, and as a result people barely remember it. But it has a terrific cast (the two leads, Angela Lansbury, Van Johnson, Adolphe Menjou, Charles Dingle, Raymond Walburn, Irving Bacon, even Carl "Alfafa" Switzer), and for all the dated references to politics in 1947 - 48, it still has amazing relevance. Therefore, if it is not up to the best Capra films of the late 1930s to IT'S A WONDERFUL LIFE, it does help lead the second tier with POCKETFUL OF MIRACLES and A HOLE IN THE HEAD.Tracy's character (as pointed out by another poster on this thread) is suggested by Wendell Wilkie. Wilkie is another figure who once loomed largely in America, but who is now as faded as old wall paper. He headed the largest privately owned utilities company in the U.S., which had to be broken up after the New Deal got underway. This was really ironic, because Wilkie was a life-long Democrat. Coming out of Indiana he had gone a long way (F.D.R.'s acid tongued Interior Secretary, Harold Ickes, referred to him - with a look towards an old poem by John Greenleaf Whittier - as "The barefoot boy from Wall Street."). Wilkie got involved in politics in the late 1930s, with respect to his suspicions about where the New Deal was headed. He turned Republican, and in 1940 surprised the nation by beating out Thomas Dewey and Senator Robert Taft for the Republican nomination for President at Philadephia. It has been pointed out that in the movie, I MARRIED A WITCH, the slogan "Win With Wilkie" is used as a reference for gubernatorial candidate Wooley (Frederic March) as "Win With Wooley". A Bugs Bunny cartoon about "gremlins" (little mechanical problems in war machines) has the "gremlin" shout that he isn't Wendell Wilkie. F.D.R. won, but his sizable victories in 1932 and 1936 were not repeated. Wilkie actually demonstrated that the Republican Party was far from dead.Unfortunately Wilkie never repeated this success politically. An independent, most of the party leaders felt he wasn't Republican enough. He took a trip around the globe to visit the battlefronts, and wrote an account ONE WORLD, which became a best seller - and helped prepare the American people for the successful creation of a United Nations. In 1944 FDR was approached by some advisers to consider Wilkie as his running mate for Vice President. Roosevelt was less than happy with the idea. In the end it did not matter - Wilkie died.Keeping that in mind, Tracy's character Grant Matthews makes sense. He is a wealthy independent person. He is married but he has extra-marital affairs (as did Wilkie, which was one of the reasons his campaign did not use FDR's affair with Lucy Mercer against him). If you recall, Tracy tells a stunned Adolphe Menjou his idea of bringing democracy to the world through a United States of the world (like Wilkie's "One World"). Tracy's relationship with Hepburn is that of a good man who has fallen into a trough in his home-life. Apparently at one point they shared a great deal, but Tracy's ego takes off when manipulated by Lansbury, as opposed to Hepburn who is more down-to-earth. It is only when she bitterly throws her own opinions aside and makes a hated speech for his campaign that he realizes how much she compromised her ideals for him, and how much he's compromised - and for what? His Presidency would owe a lot to the likes of Walburn, Dingle, and Florence Auer: a questionable Southern Republican, a crooked labor leader (who thinks John L. Lewis and William Green are anathema), and a woman's whose power base is due to prejudice against certain foreign groups. He'd also owe Menjou (more about him later) and Lansbury would expect free access to the Oval Office.The most interesting of the group is actually Menjou. One of American's best political managers he is bitter. His Connover is not a bad man (actually he is quite tolerable), but he has been shunned because of a connection he could not avoid with the "Ohio Gang" that put Warren Harding in the White House in 1920, and then stole millions (Connover didn't). He'd like to get the Chairmanship of the Republican Party to get back at his foes - not a nice thing but it is understandable. In the end he does not get too upset when plans go awry. He's kept on the payroll as a political editor for Lansbury. Actually one feels good for him.Similarly one feels good for Van Johnson. A cynic, like Lionel Stander in MR. DEEDS GOES TO TOWN, he regains his ideals observing Hepburn's reactions to the political crap, and is involved in finally turning Tracy around. Lansbury is aware of this, and fires him. He smiles with happiness to be well out of the job for her.The best moment to me in the film is a nice moment when Tracy is contemplating the run for the White House offered by Lansbury and Menjou. He stands in front of the White House next to an actor named Maurice Cass, who is only in this scene in the movie. Cass is rhapsodizing about how wonderful it is that every President since John Adams has lived in the White House. Tracy says it needs a paint job. Cass takes him to task for only seeing that. Tracy sticks to his guns about the paint job, but he lists all of the great figures who fought for freedom (including Crispus Attucks, by the way) and how the White House is their monument. At the end he and Cass go off for a drink together. A simple moment - pure Capra-corn, but really worth it.