Steel Toes

2007 "Rage and intolerance collide with compassion"
6.2| 1h27m| R| en| More Info
Released: 29 June 2007 Released
Producted By: Galafilm Productions
Country:
Budget: 0
Revenue: 0
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Rage and intolerance collide with compassion Academy-Award nominated David Strathairn portrays Danny Dunkleman, a Jewish liberal humanist, and the court-appointed lawyer representing Mike Downey, a Neo-Nazi Skinhead on trial for the racially motivated murder of an East Indian immigrant. Steel Toes takes us into the intense and fiery relationship that develops between these two men as they explore their emotional and intellectual differences. Steel Toes is a provocative exploration of the inescapable and insidious presence of racial and religious intolerance in our society.

Genre

Drama, Crime

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Director

Mark Adams, David Gow

Production Companies

Galafilm Productions

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Steel Toes Audience Reviews

Matialth Good concept, poorly executed.
Cooktopi The acting in this movie is really good.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Portia Hilton Blistering performances.
SnoopyStyle Mike Downey (Andrew Walker) is a white supremacist skinhead. He is arrested for beating up an immigrant as a hate crime. Liberal Jew Danny Dunkelman (David Strathairn) is assigned as his defense lawyer. Mike is a young angry man. Danny is confronted by family and friends. Both struggle to come to terms with their beliefs.This is mostly a two person play. Strathairn is a class act and his greatness is expected. Andrew Walker is equally amazing. As for the play, some parts of it is poignant while other parts feel overwrought. It's walking on a knife's edge. The movie has both types of moments. It can be powerful one moment and fake the next. It's definitely pushing its agenda very hard and it can feel preachy. Some of it feel fake and rubs me the wrong way.
yoxy87 This movie is very cleverly done, phenomenal dialogs and fantastic acting make this film a real masterpiece. It's about soul of a young man that has been lost in Nazi ideology and Jewish lawyer who will rise above the hate and try to help him. After just one viewing you will not see the true intentions of some sentences, but in the end it will all make sense...I read somewhere that this film should be shown in schools and I think that's a really good idea because it carries the message that is absolutely correct and can affect young people not to go the wrong path. Here, you will not find expensive movie effects but you will see the true human emotions...
strkrz This film I expected to be an excellent indie flick, but what I got was complete disappointment. This movie could have been summed up in 10 minutes, but instead dragged on for an hour and a half. There is at most only 2 scenes worth watching, and even they are nothing new to cinema,have already been seen and done better in other films such as American History X and Romper Stomper. I think the acting may have been OK, but the storyline was weak, and there was nowhere near enough material to make this story last. Overall, I advise that you only recommend this to someone film if you wish to play a cruel practical joke on them, in which case you tell them its a great film and to watch it.
MrGKB ...although auteur writer/director David Gow's adaptation of his own play, "Cherry Docs," most likely packed a stronger punch on the stage. In a nutshell, a dedicated Jewish liberal humanist, Danny Dunckelman (played by the always reliable David "The Bourne Ultimatum" Strathairn), is appointed by the court to defend Michael Downey (Andrew W. "Sabrina, The Teenage Witch" Walker), an ill-educated lout of a skinhead neo-Nazi who, in a drunken fit of rage, has assaulted and inadvertently killed a Pakistani immigrant. The story centers on the conflict between the two men as they seek to come to terms with each other, and each with himself, as they construct Michael's legal defense. A theme of forgiveness predominates, almost pedantically so, a fault perhaps of the identifiably theatrical dialog. Still, the film is well shot, well acted, and concludes on a reasonable note of uplift and hope. If he can get himself cast in some high-profile roles, Andrew W. Walker will be an actor to watch. Co-director, editor, and cinematographer Mark Adam also contributes a great deal to the pace and look of things, and ought to have a long, successful career. Recommended viewing for those who may need a lesson on the poisonous nature of prejudice, but equally rewarding for those who need reminding of the healing powers of forgiveness.