Steelyard Blues

1973 "If you can't beat 'em ... drive 'em crazy!"
5.3| 1h33m| NA| en| More Info
Released: 31 January 1973 Released
Producted By: Warner Bros. Pictures
Country:
Budget: 0
Revenue: 0
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A group of misfits decide to leave for a place that they can all be free. There mode of transportation is a PBY flying boat. The only problem is that the PBY needs a lot of work and they will need jobs to pay for the parts. When they find that they have only 10 days before the PBY is sold for scrap, they decide on borrowing the parts for their trip

Genre

Drama, Comedy, Crime

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Director

Alan Myerson

Production Companies

Warner Bros. Pictures

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Steelyard Blues Audience Reviews

ThiefHott Too much of everything
Solemplex To me, this movie is perfection.
Kailansorac Clever, believable, and super fun to watch. It totally has replay value.
Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Jay Raskin Given the people involved, it is hard to see why this movie should be so messed up and dull. The writer, David Ward, wrote the amazing caper film "The Sting" two years later, Jane Fonda had just won an Academy Award for Klute, and Donald Sutherland had just done excellent work in films like "Klute," "Start the Revolution Without Me," and "Kelly's Heroes." Plotwise, the movie is a caper tale, with a small gang of bumbling misfits planning a big heist. At the same time the movie wants to be hip satire, a series of comedy sketches of the type that the NBC television show "Saturday Night" would do so well two years later. The bad result is that the plot makes the comedy bits seem awkward and forced and the disconnected comedy bits destroy any kind of suspense that the heist might have. It is quite literally a movie that keeps smashing into itself, just as the cars in the cars in the demolition scenes run into each other.The only real interest for me was watching Jane Fonda. Her "Iris Caine" is supposed to be a light hearted version of her dramatic Bree Daniels prostitute character in "Klute" Yet, one doesn't believe her for a moment. It is always Jane Fonda pretending to be a prostitute that we are watching. It is as terrible a performance as her performance in "Klute" was terrific. It would be a good lesson for acting teachers to run the two films together to show how the same actress in the same type of role can be great or pathetic. It suggests that actors are only as good as their writers and directors.
curtanddeb This is one of my favorite movies from the '70's. Peter Boyle steals the show, he is just over-the-top hilarious. Sutherland shows signs that he is becoming a famous actor, even though he doesn't seem to be trying very hard, but then that's Donald. Fonda seems like she is still trying to learn how to act. Then again, maybe it was just because they all may have been stoned during the entire film (although that subject does not come up in this movie). The scene at the demolition derby is one of my favorite scenes ever, even though I'm a car guy and it kills me to see the '50 Stude destroyed. This is probably more of a guy film even though Fonda brings out the "new woman".
CryMeARiver722 I recall seeing the movie in '73 and enjoying it. I was about 24 then, and it seemed like a "normal" film with "normal" people doing "normal" things, at the time! lol.What I've been trying to figure out for decades now, is if this is the Sutherland/Fonda film where he rolls the black super ball (which he refers to as a "marble") from the back of the empty bus down the aisle, past Fonda, the only other passenger, as she sat up front ignoring the ball, which was clearly, a message from him. Without turning to acknowledge him, she hurriedly gets off the bus, trying to slip away into the night. He gets off the bus, catches up with her and asks: "Why didn't you answer my marble?" Somebody! Please! Tell me if this is the film that the line came from! I'm desperate to "get closure" on this one! lol. Been using the line all these years thinking it was from "Klute", but that's wrong! Nobody I've ever known seems to recall what I would term "THE classic line" from the film.Thanks! CMAR
none-102 A film that holds up much better than its original reviews would let on. Although Fonda looks a bit disoriented at moments, there are a couple of scenes between her and Sutherland where the two simply radiate the star power that made them famous. Overall the film has a charm and warmth to it that, despite a little clumsyness at times, still makes it very much worthwhile and displays an interesting idiosyncratic type of humor and counterculture charm we haven't seen much of in recent years.Not a must-see on a saturday night, but a precious gem for the connoisseur.