Strapless

1989 "Two sisters are about to meet the man of every woman's dreams. He's wealthy, sexy and incredibly romantic. Something's got to be wrong."
5.7| 1h39m| NA| en| More Info
Released: 18 May 1990 Released
Producted By: Granada Productions
Country:
Budget: 0
Revenue: 0
Official Website:
Info

An expatriate American doctor in London allows herself to lighten up when her freewheeling younger sister and a mysterious man enter her life. Her inhibitions released, the beautiful doctor learns that freedom has its own price.

Genre

Drama, Romance

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Strapless (1989) is currently not available on any services.

Director

David Hare

Production Companies

Granada Productions

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Strapless Audience Reviews

SnoReptilePlenty Memorable, crazy movie
Sexyloutak Absolutely the worst movie.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
bruce-129 Looking here ...http://www.imdb.com/title/tt0098394/ratingswe can see that females 30-44 gave this movie a rating of 8.1 .... way over any other group. Not only acceptable but notable.I thought this movie was irritating, frustrating, slow, stereotypical ... I could go on. I did watch it all the way through though, so I had to give it over a 1 which I reserve for the unwatchable.I obviously missed something and I would like to know what it was.Two American expatriate sisters living in Britain live their different lives, one a model and one a doctor.The doctor looks down on the model until the doctor does something decidedly un-doctorly and humiliates herself and near ruins her life with this buffoon of a man.What I don't get beside my obvious distaste for all the characters is ... what is the cup half full side that I missed ... I just do not get it.Miss this one ... at least until there is a good answer to my review in the message section! ;-)
Robert J. Maxwell I don't get this movie, not even after two viewings. What was Hare trying to do? What was he aiming at? It's as if a committee of mixed gender had sat around a table and put together a list of the things that they believe women want to see in a man who becomes their lover. Let's see. Continental accent, of course, with no clearly focussed origin, kind of like a "continental" menu. That goes without saying. Elegance in dress and grooming. No fur balls allowed here. Smooth, yes, to the point of manipulativeness. Polite. Soft spoken, not a bit brash. Loving, caring, sensitive (whatever that is). Mysterious too. That's an important ingredient. (Why is mystery appealing?) Maybe a bit dangerous, but not towards Blair Brown, and only a bit, rather like a spirited horse is dangerous. A tender and attentive lover, although we have to guess at that. But we already know that guys with continental accents are good lovers. Bountifully rich, of course. Brown: "I'll get the check." "Ganz: "There is no check. They know me here." Blair Brown, who has a beautiful used face in this film, responds by holding Bruno Ganz at bay through most of the movie because she doesn't want to be involved again, while one imagines all the women in the audience silently screaming at her -- "GET that guy!!!!"The performances are decent, although Ganz never smiles for fear of losing his mystery I guess. Bridget Fonda is sexy, sleazy, and not very well grounded in reality. But the plot cannot be overcome. That stereotypical male lover is a terrible insult to men and women alike. Perform a thought experiment in which the genders are exchanged and a female is the pursuer and a man the pursued. Then have the woman with an overblown body, a more than robust bosom and a big can, who drenches herself in perfume, wears tons of make up, has a penchant for dressing in black teddies and hose, wearing stiletto heels, prancing about with her tongue hanging out, and assuming postures around her target that suggests she is in a constant state of estrus. Isn't that the sort of image that Katherine MacKinnon has been calling pornographic? Shouldn't there be a corresponding pornographic image for men? If so, wouldn't this guy be in the running?
bros If a director wanted to make a movie using the popular conception that what men want is sex, all that would be needed would be an attractive actress and a little bit of a story line. But what if the director wants to turn the tables and make a movie out of the popular conception that what women want is romance? David Hare did and produced the gem Strapless. An ordinary women on vacation meets a handsome, cultivated man who turns out to be attentive, generous and is well versed in the fine art of the pursuit. He is wealthy, has titled friends, is loving, devoted and kind and is surrounded by an aura of mystery with just a hint of danger. In short, the average women realizes the answer to any woman's yearnings, the perfect romantic partner. After meticulously creating the fantasy, Hare shows us the outcome. Blair Brown projects a sense of wonderment that this could be happening to her while Bridget Fonda, early in her career, deftly provides the dose of reality needed to support the romanticism. Bruno Ganz is, in the words of his on-screen foster mother, that rare man that loves women. Carefully scripted and well acted throughout, Strapless is a keeper.
angela-33 The film mesmerized me in the same way that the male lead tantalizes the female lead. There is something so focused about the silence in this film: penetrating looks, thoughtful glances, wonderment. Author David Hare uses the actors' eyes to reveal a woman's inner cravings and a man's use of silence as a manipulative tool. The title "Strapless" suggests the vulnerability of the characters. It is a romance done with mystery and charm.