Switch

2013
2.2| 2h2m| NA| en| More Info
Released: 09 June 2013 Released
Producted By: Media Asia Film
Country: Hong Kong
Budget: 0
Revenue: 0
Official Website:
Info

To recover and ancient scroll, a Chinese agent battles the Japanese yakuza and British mercenaries.

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Director

Jay Sun

Production Companies

Media Asia Film

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Switch Audience Reviews

Linkshoch Wonderful Movie
Stevecorp Don't listen to the negative reviews
Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
Portia Hilton Blistering performances.
Derek Childs (totalovrdose) Unfortunately, Switch really is as awful as many critics claim. With technological gadgetry including face marks and a UAV that can shoot lasers and emit an EMP, you couldn't be blamed if you initially felt you stumbled into a James Bond film by mistake, Switch stealing ideas from this franchise, and Mission Impossible, though the handling of each is unanimously poor. The best aspects of the feature however, are the visuals, Andy Lau's English, and the gorgeous Chinese women. In fact, I spent half the movie drooling all over myself, while the other half was spent wondering why I paid twenty something dollars on a film a five year old could have written. If you enjoy movies that include gangsters with mummy issues, unnecessarily over the top action scenarios, singers who perform strange socially backward songs, women who pointlessly cut off their fingers, Asian assassins in wedding dresses and ravishing babes in roller skates, then the film might actually impress you.The cinematography and settings are very beautiful, and the camera angles used to establish these locations assist the audience in recognizing their physical magnificence. However, the decision to incorporate slow-motion, although equally well executed, appears to be an unnecessary requirement, while at the same time, the quick changes of scenery happen so suddenly they could potentially cause seizures. In one instance, over the course of a couple minutes, the film switches (pun intended) from Dubai, to Tokyo, to Dubai again - this is a film, unsure of where it wants to be.Though there is some good humor to occasionally be had in the conversations, which are sometimes marred by the Caucasian actors, who are not only as wooden as seventeenth century ships, but whose dialogue is as entertaining as a flatulent ant, the flirtation and innuendo that impacts half the feature lacks the subtly of other Hong Kong films, and only heightens the sexist, misogynistic climate. From referring to women as 'toys', to emphasizing 'talkative women are unattractive', I had difficulty swallowing the script, which contained an excess of testosterone, and not enough equilibrium, and though seeing groups of Asian women in skimpy dresses is a dream come true for me, morally, it is repugnant. This, coupled with character Lin (Zhang Jinchu) admitting 'I don't care how you treat me' to her former husband, clearly emphasizes the total lack of respect the film bestows upon the fairer sex.Moving on, the original fight scenes appear awkwardly slow, and the need for characters to occasionally cosplay during these segments is beyond any scope of understanding, although towards the end, the handling of the fight sequences becomes significantly more adept. The musical score that accompanies these scenes is very effective, and the songs further what was supposed to be an adrenaline pumping mood, though the occasionally unnecessary sound effects (like Mr. Lau's need to continuously cock his pistol), alongside the effects, that sometimes appear unnaturally fake, noticeably take away from the appeal.Story-wise, Mr. Lau is Xiao, an agent with an undisclosed company, who spends half his life staring at holographic terminals in his man cave. Despite appearing as though he enjoys his time in the role, Mr. Lau appears awkward in the script's depiction of an immature agent, some of his dialogue being potentially better said by a younger actor. This is not helped by the addendum that Mr. Lau is beginning to look his age, and though his talent and charisma is undeniable, even he is unable to save a plot that can only be described as having been lobotomized.When a series of international criminals fight to obtain the two halves of the Dwelling in the Fuchun Mountains, an impressive piece of artwork, Xiao is tasked to reacquire it. Without warning, explanation or back-story, we are thrust into a plot, lacking in depth, characterization and comprehensive storytelling, where characters are deceased, then alive, then on one side, then another, neither of which is ever thoroughly explored. Unbeknownst to Xiao, his ex-wife, Lin, who left due to the secretive nature of his work, is an agent with an equally untitled agency, tasked to secure the painting. When his family is put on the line, professionalism and personal judgement begin to chaotically merge as Xiao is forced to choose between the woman he once loved, and Lisa (the illustriously beautiful Lin Chiling), the woman who has recently entered his heart.Although romance appears to be a paramount theme, it is obvious the creators have no idea what true love really is. Despite Xiao's claim 'love for (him) is not a choice', he chooses to be an unapologetic womanizer and a shameless flirt, with limited connection to his family, while the theme of greed and hubris overshadows the entirety of the feature, the word of the day apparently been 'mine'.Towards the end, the film finds some semblance of stability, but even this is marred by irreconcilable qualms, concerning realism and narrative, the most obvious of which being: how does Xiao know where the antagonists are located? Although incapable of emotionally moving its audience, and with an ending that is as shallow as it is vastly interpretative, Switch will potentially provoke viewers into booking a flight to China, so they might stare longingly at the unfathomable number of gorgeous women the film promotes resides there. As beautiful as Asian women are however, Switch, much like my mother's meatloaf, is best avoided at all costs.
Aulina Chan There is nothing worth to say about this movie, except, don't waste your precious time, not even when you could do it with a fast forward button. Our movie channel just put it on the shelf for on-demand playing, and after hearing so much bad comments about it when it was on the big screen, I made it a challenge for myself to try to sit through it.EPIC FAIL.To the extent that you want to find a way to unsee it, but then you simply can't, because the visuals throughout were so colourful, or even rich, BUT WITHOUT A POINT.I really wanted to give it -10.
lotsoflaughs There is literally no point to this movie! It's just product placement after product placement. I am not exaggerating. There's no cohesive story that I can see other than there is a coveted painting, the script is laughable, amateur, and melodramatic and the characters are caricatures. I started to wonder if it was based off manga, and when a kid started laughing maniacally in front of a fire, I knew this movie was ****, and it's not a case of not understanding the movie because it's too deep either. It really is just about the aesthetics, and if this movie has any stars, that's why. This was really disappointing! Andy Lau, you've sunk low!
moviexclusive Originally scheduled to be released last October but delayed due to problems with heavy post-production work, not to mention countless editing by the director, the end result is at best a patchy piece of work passing off as a Chinese version of Mission Impossible: Ghost Protocol.Directed and written by newcomer Jay Sun, Switch is a high octane action espionage thriller filled with globe-trotting locations, an array of gizmos mostly in the form of Nokia smartphones, flashy Audi cars and a star studded cast including HK superstar Andy Lau, Taiwan's top model Lin Chiling (Red Cliff) and Chinese actors Zhang Jingchu (Protégé) and Tong Dawei (Treasure Inn).You might think this is going to an exciting, jaw-dropping action extravaganza for the next 112 minutes but like me, your jaw is going to drop for the wrong reasons.After a clumsy prologue which establishes the value of the famous Yuan Dynasty scroll Dwelling in the Fuchun Mountains, we are introduced to several characters - namely our hero, Xiao Jinhan (Andy Lau), a secret agent who is married to an insurance project director Lin Yuyan (Zhang Jingchu; while the villains include the generically named Yamamoto (Tong Dawei), an ambiguous agent, Lisa (Lin Chiling), a weird underworld leader, Empress (Siqin Gaowa) and a bunch of Caucasian thugs. What is supposedly an easy-to-follow, good versus evil action thriller becomes a hot mess under the hands of Jay Sun.Obviously, Sun has no idea how to shoot an intense action scene or at least keep you on the edge of your seat. He prefers to jump from one scene to another without much coherence thrown in. Agent Xiao just propels from the ceiling all of a sudden. And why is Yamamoto so mesmerised by the painting? Oh we are supposed to believe Lisa is also carrying a torch for Agent Xiao. This is no music video mind you and it becomes increasingly frustrating to watch the characters as they spout their lines without much emotion and continuity. There's so much on the screen but everything just seems jarringly off. To his credit, Sun doeshave an eye for visuals; the production design is so rich and colourful, you are better off admiring the artistic touches instead of following the story.This is an absolutely embarrassing gig for Andy Lau - just when you thought the charismatic idol finally has a chance to showcase his acting in productions liked A Simple Life and Detective Dee, Switch only makes him looks nothing more than a walking, fighting mannequin. Tong Dawei equally suffers as the tortured, psychotic villain with a laughingly bad white hairdo while Lin Chiling received the worst treatment of all, she ends up as a irritable moaning, seductive character.Our palms turned sweaty when we watch Tom Cruise hanging off the skyscraper in Dubai; though we never really feel a thing for Agent Xiao when he fight off a few thugs and crashed his car in the grand Atlantis in Dubai as well. Sun tries to imitate even to a certain extent by engaging Hollywood stunt choreographer and 3D experts for this movie. Everything that worked in the Cruise vehicle fails in epic proportions for Switch however. It never picks up from the get-go and simply splutters all the way to the credits.www.moviexclusive.com