Teesri Manzil

1966
7.5| 2h55m| NA| en| More Info
Released: 28 October 1966 Released
Producted By: United Producers
Country: India
Budget: 0
Revenue: 0
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Blaming him for the suspicious death of her sister, a young woman sets out to exact revenge on a nightclub drummer. She becomes romantically involved with the charismatic young man accompanying her, unaware that he is the suspect.

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Director

Vijay Anand

Production Companies

United Producers

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Teesri Manzil Audience Reviews

ShangLuda Admirable film.
BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.
Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
gurdeepmann59 This is probably Shammi Kapoor's best performances after JUNGLEE(1961Its quiet different to see him in the role of a framed musician with an eye for the ladies He has like three bad girls who love him A young woman fell in love for Shammi and committed suicide but the girls sister thinks her sister was seduced and jilted which is why she wants revengeThe movie is a Hithcock-influenced romance with a small murder mystery thrown inThe movie has fantastic song stand outs like O Hasina Zulfonwali Jaane Jahan and Tumne Mujhe DekhaShammi Kapoor stands out in his role Asha Parekh is the spunky revenge seeking sister Premnath is convincing Helen's role is small but effective Prem Chopra is average Rashid Khan is scary with his stare the rest are okay
M . shammi kapoor is perhaps the worst actor in Indian history. he's a guy you just can't take seriously. his silly eye rolls and one-liners are cringe-worthy, ensuring that the viewer NEVER takes this guy seriously. he seems like the kind of guy you'd want to punch in the face two minutes after meeting him, he's THAT annoying....i must protest this film being called a 'thriller', since there are really no thrills on offer, rather a tired, straight-forward whodunit, masquerading as something hitchcockian, but failing miserably. by the time the mystery is revealed, you already knew the solution two hours earlier and have stuck around for reasons other than wanting to know how it ends....like many other Indian films of this era, the point was to fill it up with as many random songs and one-liners as possible to disguise its lack of plot. silly bollywood clichés abound throughout the entire thing and there's really no story here at all, other than the typical 'girl likes boy but plays hard to get' plot that is used in just about every bollywood film ever made.'teesri manzil' is an exercise in style over substance, which is the reason why it was such a big hit and so influential. it's all dressing, no substance. flashy, colourful clothes, sets and music are used, announcing India's entry into the mod scene. this movie is a showcase for that and nothing more. it simultaneously tries to be a comedy, drama, thriller, musical and romance and as a result, ends up failing at all of these... sadly, as is so common in the story of Indian film, it was popular, so its style became endlessly imitated, recycled, regurgitated and consumed again by hopelessly trend-following indians, so at least vijay anand can take credit for something with this failure....
santoshini908 A Hitchcockian thriller to be watched again and again. The suspense has been maintained well till the end of the movie.The film is basically about the murder suspect.The climax scene where the real murderer is found is very thrilling.The music of the movie is very good.One interesting aspect in this movie is the murderer is founded out accidentally at the end of the movie.The movie can be watched by all ages of people.Enjoy a three hour thrilling experience.The movie is very fast and it increases the heart beats of the people who watched this movie.This thriller is very much equivalent to thrillers made in the Hollywood.Never forget to watch this thriller and keep guessing the murderer till the end.
HeadleyLamarr Teesri manzil is above all an entertainer. The film stars Shammi Kapoor, Asha Parikh, and the evergreen Helen. A woman is thrown off a roof and killed. Her sister Sunita (Asha Parikh) is heartbroken, knows of her association with a night club singer (Shammi Kapoor - called Anil Kumar Sona "Rocky" LOL!!) and thinks he is behind the killing. The only clue is a coat button that the dead woman was clutching in her hand. Shammi Kappor is at his goofiest best, the suave drummer Rocky who is a babe magnet. His courting Asha Parikh on a train is hilarious. She does not know he is Rocky and he does his best to preserve this state of misinformation. In the meantime strange waiters, men with cigars, other sinister looking people lurk about in the hotel where Rocky performs. There is also a women's hockey team led by a rather large Manorama that is stalking Rocky. Laxmi Chayya is the best friend - this is a film from the 60s where having a best friend (or several of them) was a must! Rocky makes use of Prince Kunwer (Prem Nath) to preserve the secret of his identity so he can woo Sunita, much to the chagrin of her almost fiancée Prem Chopra. Rocky is being pursued by Ruby (Helen) and her machinations cause his identity to be revealed at a most inopportune moment. Who is the real murderer? Why is Rocky now a target? These secrets are hidden in a most ingenious way and revealed at the 11th hour.A Nasir Hussain production and story, this one was directed by Vijay Anand. The mystery was sustained well and the story engaging. Yes there were some flaws - too many characters were introduced too late in the film. Some of the cloak and dagger behavior was never explained. But the overall entertainment quotient was very high and the film enjoyable.A word about Shammi - he was handsome, goofy, vulnerable and great in the action sequences. Asha had a huge rear end, but was cute and could dance well - even in the jiggling Aaja Aaja number! Helen was a beauty, but strangely enough her dance skills were underutilized. Prem Chopra was the perfect slimy guy and Prem Nath suave.A must see film for the fun, the suspense and the outstanding music (RD Burman) - O Haseena Zulfon wali, O mere Sona re Sona re, Deewana mujh sa nahin, Aaja Aaja main hoon pyar Tera, Tumne Mujhe Dekha ho kar meherbaan and Dekhiye Sahibon.