Tempest

1982 "Most men dream their fantasies. Phillip decided to live his."
6.4| 2h20m| PG| en| More Info
Released: 13 August 1982 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius, to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek island where he hopes to conjure meaning into his life - trying the patience of his new girlfriend and angst-ridden teenage daughter.

Genre

Drama, Comedy, Romance

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Director

Paul Mazursky

Production Companies

Columbia Pictures

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Tempest Audience Reviews

Lawbolisted Powerful
Listonixio Fresh and Exciting
Limerculer A waste of 90 minutes of my life
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Wuchak Released in 1982 and loosely based on Shakespeare's play, "Tempest" stars John Cassavetes as Phillip, a rich architect in a troubled marriage in New York City. When his wife (Gena Rowlands) decides to return to acting and things blow-up, he escapes to Greece with his daughter (Molly Ringwald), where they unite with a free-spirited singer (Susan Sarandon). Meanwhile, Phillip's wife hooks up with his former boss (Vittorio Gassman) and they come to Greece looking for the daughter. Raul Julia plays an eccentric goatherd on the island while Sam Robards appears as a teen lothario. While I'm sure the Greece cinematography would be spectacular on the big screen (it certainly is on the small screen), "Tempest" isn't a film I'd likely want to see in the theater (it flopped at the box office). Yet it works fine as a likably offbeat drama in the home.If you're a Sarandon fan you'll definitely want to check this out because she's in the prime of her life (35 years-old during filming) and is splendidly portrayed by the director, Paul Mazursky, from the get-go, typically in alluring Mediterranean apparel. Likewise, statuesque Lucianne Buchanan appears in the final act as blond Delores. This was Ringwald's debut. She was fine for the meaty role of the daughter, but I was never enthralled by her, which isn't to say I don't like her. Actually, I'm not enamored by any of these women, but they're all certainly agreeable, one way or another.There are several highlights, like Phillip coming home drunk to his wife's showbiz party where he awkwardly asks her producer (director Paul Mazursky) to dance. Needless to say, it's the epitome of an uncomfortable social situation. The best part about "Tempest," however, is that it's essentially an island flick, although the cast aren't necessarily castaways and the "island" is a little bit North of the tropics. If you're a sucker for island flicks, like me, then "Tempest" is worth checking out. It's uniquely entertaining and somehow warmhearted. I realize Phillip (Cassavetes) is the Prospero character from The Bard's play, and Prospero was a magician, but the movie never explains Phillip's seeming ability to control the elements. We're just supposed to accept it. Why sure! In any case, I presume he's projecting his mental-spiritual struggles on to the forces of nature. For those not in the know, Cassavetes and Rowlands were husband & wife for almost 36 years, which ended with the former's passing in 1989 at 59 years-of-age. He died of cirrhosis of the liver. The film runs 142 minutes was shot in New York City; Atlantic City, NJ; and, mostly, Gytheio, Greece, which isn't an island, but the southern tip of the remote Mani peninsula of the Peloponnesus of Greece. WRITERS: Leon Capetanos & Mazursky. GRADE: B-
constancejones A Masterpiece with an incredible cast, performances and images that will stay in your mind. Yes, there's mid-life crisis, and yes, there's teen-age angst. It's really about growing up at various ages or stages in life. But wait, before dismissing the film as yet another "growing pains" movie, do give it a try. It's been my favorite for many years and everyone to whom I've shown it became a fan. It's the combination of story, actors well-chosen and directed, environment, atmosphere, cinematography, and sound track, that just works in perfect harmony. It's a movie that has you enthralled from the beginning and that doesn't lose its power even after many viewings. It definitely has more than its share of beautifully orchestrated comedic moments as well. One of the rare ones that has it all.
teixeira2803 I just cannot believe the low scores for this movie. Probable reason has to do with the low number of votes meaning few people have seen it. This is simply a fantastic movie! There are so many stories inter-wined within but it's not complicated. Each character grows with the movie and we experience with them undergoing life changes. The scenery is simply amazing and the end credits are the best ever in any movie I have seen (just like a Shakespeare play). Yes, it's a little dated (filmed in 1982) but the issues the characters face are very current. It could have been filmed in 2002 without modifications to the story line. Raul Julia is amazing, best role ever in a movie - this is his signature piece. A young Molly Ringwald is excellent as she matures from girl to young woman. Susan Sarandon is perfect as a young carefree woman and John Cassavetes is the force that puts this all together. Do yourself a favor, find this movie, view it & enjoy it. Come back to IMDb and score this movie into the top 250 of all time where it really belongs.
JCBar Paul Mazursky misfires on this film. The writing, direction, casting, and acting (with the exception of Victorio Gassman) are all off the mark. I remember the reviews from 20+ years ago being mediocre, but I thought it still might be worthwhile to view. With notables such as Susan Sarandon, Raul Julia (who overacts in most of his scenes) and John Cassavetes, I understandably expected much more. The music picked for the film is jarring, the cuts between New York and Greece confusing, and the overall pace all leave much to be desired. Why Paul Mazursky felt the need to update this story, or add his touch to it is puzzling - this retelling of Prospero and his daughter takes very little of import from the play, and adds not much more. The play is not one of Shakespeare's best anyway, and to gut it even further seems not to be a good decision. Unfortunately, there is nothing to recommend in this film.