SpuffyWeb Sadly Over-hyped

ShangLuda Admirable film.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Red-Barracuda This D. W. Griffith film is an early effort by the director and shows his developing skill on the lead up to epics such as Intolerance. It's about a young man who falls in love with a girl. This love drives a wedge between him and his uncle who has set a path for him that does not allow for such frivolous distractions. This situation drives the man to murder his overbearing uncle. This event leads to madness and psychological breakdown.The story is based on Edgar Allan Poe's 'The Tell-Tale Heart' with elements of 'Annabel Lee' and 'The Black Cat' thrown in for good measure. It's a rare horror outing for Griffiths. Indeed it is one of the very first fully form horror films at all. As such it is of interest. It contains several eerie and macabre details like the ghostly spectre of the uncle back from the dead and thoughts of murder represented by a spider on web and ants attacking a larger insect en mass. It's very primitive stuff overall but that is to be expected considering its age. Worth a look if you are interested in the genesis of the horror film though.

tavm Just watched this interesting suspenseful D. W. Grifith film that he made before his epic The Birth of a Nation on YouTube. In this one, Henry B. Walthall plays the grown nephew of his only living relative who disapproves of his relationship with common girl Blanche Sweet (who like me was born in Chicago, Illinois). So this nephew resolves to kill him which results in his search by police. Turns out, however, it was all a dream...There's other stuff that happens here but I'll just say that with the nearly hour running time, this was a very interesting movie to watch from the silent era with some of the then experimental shots that happen here. So while The Avenging Conscience was primitive by today's standards, it's still worth a look.

MARIO GAUCI Poe's psychological story "The Tell-Tale Heart" uneasily receives Griffith's trademark Victorian approach – turning the madman anti-hero of the original into a frustrated love-struck milquetoast! The broad gestures typical of Silent-film acting render the proceedings unintentionally comical now, especially where the ghostly apparition of the murdered relative is concerned – who, by the way, is fitted with an eye-patch throughout and, yet, no reference whatsoever is made to his all-important "vulture eye"!! Still, the various hallucinations at the climax – crude though they may be – are reasonably effective. Incidentally, the stilted presentation and moralistic overtones evident here also marked the other Griffith horror effort that I've watched – THE SORROWS OF Satan (1926); all I can say is that, in spite of the solid reputation THE AVENGING CONSCIENCE enjoys within the director's canon, personally I was underwhelmed by the film on a preliminary viewing.Other cinematic adaptations of the classic tale I've checked out – all of them relatively recently – are the interesting 1928 short (viewed on the very same day as the Griffith title), the so-so 1936 British feature-length version and a pretty good animated rendition of it from 1953.

psteier Inspired and vaguely based on Poe's The Telltale Heart and with the words of Poe's Annabel Lee on some of the titles.Some interesting shots of mad visions and of fiends from hell.For dance historians a short 'Greek/Roman' dance at a garden party.