The Battle of the Sexes

1960
6.6| 1h24m| NA| en| More Info
Released: 25 April 1960 Released
Producted By: Prometheus Film Productions Ltd
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Budget: 0
Revenue: 0
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Angela Barrows is a man-eating business woman sent by her American employer to investigate their export opportunities in Edinburgh. En route she meets Robert MacPherson, a businessman who asks for her help to bring his company into the 20th Century. The staff, led by Mr Martin, has other ideas—and a battle between the old and new business methods soon breaks out.

Genre

Comedy

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Director

Charles Crichton

Production Companies

Prometheus Film Productions Ltd

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The Battle of the Sexes Audience Reviews

VividSimon Simply Perfect
Marketic It's no definitive masterpiece but it's damn close.
GazerRise Fantastic!
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
rodrig58 This is not the best film of Peter Sellers! But it is not bad either. Demonstrates here also what subtle actor he was. All the "blame" is on the script which is not great, fuzzy, like those in the Pink Panther series, here we have a simple Scottish story, a little melancholy comedy. The old fox Sellers faces the American Constance Cummings and defeats her in the battle to stay in the 19th century. But, just watch it, is a little dusty but still fun in the scene when visiting her.
Spikeopath The Battle of the Sexes is directed by Charles Crichton (The Lavender Hill Mob/ The Titfield Thunderbolt) and it stars Peter Sellers, Robert Morley & Constance Cummings. It's based on the short story The Catbird Seat written by James Thurber, with the script written by Monja Danischewsky.The grand House of MacPherson in Scotland has been supplying genuine Scottish tweeds for many years. Tho Woven out in the sticks by the professionals, the tweeds are sold out of the Macpherson HQ in Edinburgh. When Old MacPherson (Ernest Thesiger) dies, his son, Young MacPherson (Morley), takes over but is hardly blessed with business acumen. Things start to get dicey when he brings in Angela Barrows (Cummings) as an efficiency expert, an American lady he met on the train. The ageing staff, led by Mr. Martin (Sellers), is horrified as she starts updating the methods of running a business. To their minds a woman is for making the tea and cleaning up, not for doing away with hundreds of years of tradition with new fangled contraptions and ideas. However, Mr. Martin hatches a plan to rid the company of this meddlesome modern tyrant.Something of an unknown British comedy featuring the great Peter Sellers, The Battle of The Sexes sees him teamed with Crichton to deliver a smart and very funny piece. The film is dealing in cultural clashes and the battle is not just of the sexes, but also a poignant conflict between the advent of time and its impact on business'. Arcane traditionalists versus the forward thinking modern capitalist: or if you like? British custom versus American progress. Both played superbly by Sellers; as the calm and unhurried Mr. Martin; and Cummings as the get up and at em quickly Angela Barrows. Danischewsky's script is very impressive given that the source was very slight, and Crichton has done wonders to not let the film descend into slapstick or out of place screwball. Much like Mr. Martin, the comedy is very sedate, unhurried or forced. There's some farce in there, with one chase sequence in Angela's apartment wonderfully constructed, but the film never gets out of control and it's all the better for it. As the two rivals try to outwit each other, this brings Morley's (great as usual) oblivious Young Mac into play. The result is a three pronged character piece deserving of a bigger audience. 8/10
Bill-350 This film represents classic British humor with wonderful actors. The story is quite modern despite the period setting. I wish the film were available on video. If you enjoy listening to a Scottish accent you will especially enjoy this movie.
foordie A delicious mix of dry comments, cultural clashes and devious expressions. Sellers is excellent as the mouse-like Mr Martin shocked to the core by the brash Miss Barrows and driven by his devotion to the family to protect tradition at all costs ! The bumbling uncertainty of the head of the Tweed empire could only be achieved by Morley whose portly figure towers over his frail employees as they await his next disastrous decision. Great examples of new not always being better (or not allowed to be !) form the key of the battle until the final hilarious showdown between the American and Scottish way of thinking. Every second is a film treat - should be on everyone's shelves !