The Beatniks

1959 "The wild, weird world of the Beatniks!...Sullen rebels, defiant chicks...searching for a life of their own! The pads...the jazz...the dives...those frantic "way-out" parties...beyond belief!"
2.5| 1h18m| NA| en| More Info
Released: 05 June 1959 Released
Producted By: Glenville
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A young singer's chance at fame is threatened by his hoodlum pals.

Genre

Drama, Crime

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Director

Paul Frees

Production Companies

Glenville

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The Beatniks Audience Reviews

Alicia I love this movie so much
WasAnnon Slow pace in the most part of the movie.
Phonearl Good start, but then it gets ruined
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Lechuguilla A youthful gang of punks includes one guy named Eddy (Tony Travis), who has singing talent and is discovered by a talent agent in a restaurant. Which makes his gang members jealous. As the gang tries to sway Eddy away from a singing career, he makes some mistakes in judgment. The result is an off-screen murder event wherein Eddy is a witness.This puts Eddy is something of a predicament. At one point, one of the gang members, played by Peter Breck, reminds Eddy: "You're in it (the murder) just as much as I am; we're all in it, together ... you're one of us ... you hip?" "The Beatniks" is mostly a character study of one juvenile delinquent's dilemma in being loyal to his gang vs. pursuing a promising singing career.The underlying premise is fine. But the script is below average with corny dialogue; too much talk; and the inclusion of Tony Travis' singing, which stops the plot flow. You get the feeling that the film is nothing but a singing vehicle for Travis.Some of the acting, especially from Peter Breck, is really hammy. Casting is poor in that most of the actors look like they're closer to the age of thirty. B&W lighting is acceptable, if conventional. Background music is nondescript jazz, which is the only element that remotely conveys a "beatnik" theme.The film's title is deceptive. Despite that, and other major problems, it's not a terrible movie, just not as good as comparable films from that era. Thankfully, the short runtime makes viewing less painful.
Angel Meiru This has to be one of my favorite MST3K episodes of all time. And a reason why Paul Frees has stuck to animation and cartoon voice overs, since this was his first and last live action feature film he has ever done.Though the movie is suppose to be a serious musical/crime drama, I sure laughed my head off over it, especially with Joel and the bots there to save it. It deals with an Elvis clone named Eddy Crane whom hits the top when a music agent and a sexy blond woman discovers his so-called "talents". However, his so-called "beatnik" friends want him to come back to him and stop singing, especially a nutcase named Mooney, whoms immortal lines were "One word outta you and I am gonna moon ya!" "MOON, YOU!". That part right there cracks me up.And another thing, why did Paul Frees decided to call this movie "Beatniks"? It is a gang of juvenile deliquents (perhaps special ed rejects?) whom like to get into trouble. What was Paul Frees on when doing this?Oh well, at least Frees learned his lesson here, while there are some much worse so-called "talents" whom have not.
InzyWimzy That is one song that never fails to crack me up.Beatniks anyone? See any? There are none to be found here. Tony Travis plays Eddy Crane; rebel and small-time hood, but also sings like a pansy femme?? This definitely ruins any credibility since you really can't straddle the fence. Either tell Iris to shut up, or sing "With a Look"; you can't do BOTH! That audition scene is hilarious getting to see hardcore, tough Eddy crooning sentimentality. HA HA HA HA!!!Who else shamed themselves? Peter Breck as Mooney. Ham anyone? He takes the manic psycho character to probably the only entertainment in this flop. It's tough to be scared of someone who threatens you with "I'm gonna MOON you!!". His soliloquy regarding the barkeep is also priceless scene followed by on odd whiny fit. Then there's annoying broad Iris who's dancing can scar even those unprepared for random corkscrew gyrations. Mr. Morrissey taught me that to succeed as a talent agent, get in an auto accident, call for a tow, and listen to the guy near the jukebox!! Then there's a dive called Charlie's run by a guy named Gus(?). Despite this corny premise, maybe the makers of Beatniks were trying to make a statement about life; it's not all wavy gravy and the man always square forcing the minds of our best generation to conform to antiquated norms while suppressing self expression. Rail against the establishment!! Whoops, slipped into Beatnik mode there. Well, someone had to because this film sure doesn't!!"I KILLED THAT FAT BARKEEP!"It's true...it's not what you say, but how you say it.
wbhickok First let me begin by saying that Paul Frees is one of my favorite voice over actors. In fact, he is second only to Mel Blanc. His work on Rocky and Bullwinkle helped greatly make that show what it is. So anybody who has seen this utterly worthless drivel can imagine how disappointed I was. Do not watch this movie under any circumstances. It is terrible. Not as bad as 'Manos', but damn close.