The Big Shakedown

1934 "A New Type of Racket Exposed! In This Thrilling Underworld Drama"
6.2| 1h1m| NR| en| More Info
Released: 06 January 1934 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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Info

Former bootlegger Dutch Barnes pressures neighborhood druggist Jimmy Morrell into making cut-rate knockoff toiletry, cosmetic, and pharmaceutical products.

Genre

Drama, Crime

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Director

John Francis Dillon

Production Companies

Warner Bros. Pictures

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The Big Shakedown Audience Reviews

Stevecorp Don't listen to the negative reviews
Limerculer A waste of 90 minutes of my life
Humbersi The first must-see film of the year.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
MikeMagi Back in the days when stardom meant signing a seven-year contract, Bette Davis didn't have much choice but to play the wife of a struggling pharmacist, who gets mixed up with the mob, in this mellerdrama. Hubby Charles Farrell is conscripted by gangster Ricardo Cortez to make counterfeit products like tooth paste and face powder. But when Cortez demands cheap knock-offs of high-priced medication, lives are in danger...Bette's included. She plays the ingénue role surprisingly well without the tics and mannerisms which would mark (and sometimes mar) her later career. Tall, handsome Charles Farrell, on the other hand, couldn't act. To say that he had two expressions is putting it generously. Fortunately, Cortez as the suave hood behind the counterfeiting scheme takes up the slack and Glenda Farrell drops seductively by as a gun moll who knows too much. A pretty entertaining B movie made moreso by the youthful Bette Davis.
Michael_Elliott Big Shakedown, The (1934) ** 1/2 (out of 4) Here's yet another Warner crime picture but this one here is about as far-fetched as you can get. A young pharmacist (Charles Farrell) isn't making too much cash in his store, which means he can't marry the girl (Bette Davis) he loves. At the same time a gangster (Ricardo Cortez) realizes there's no market for beer so he gets the bright idea of making fake toothpaste, female products and eventually medicine and hires to pharmacist to make it for him. Before long the gangster has the pharmacies by the neck and soon a tragedy happens. This film runs a very quick 62-minutes and if you're a fan of "B" movies then there's quite a bit to enjoy here. Yes, the story itself is rather silly at times and the final "message" included in a three paragraph newspaper report that we're forced to read is even sillier. I think fans of Warner and the terrific cast are going to enjoy what's on display here as long as they don't go in expecting THE PUBLIC ENEMY or anything of that quality. Farrell is pretty good in his role, although I'm sure many would argue that he's a bit too laid back in part. I thought this actually helped because his character really wouldn't be the type to do anything else than what he goes through here. By this time in his career Cortez was already a master at playing low-level hoods and he's fun to watch as usual. The supporting cast includes Glenda Farrell playing the gangster's mole and we get Allen Jenkins in for a few laughs. Davis isn't the Davis that is now a legend but I always enjoy seeing her in these early movies where she's yet to really hit her stride. Her performance is just fine so fans will have fun here. The director at least keeps the film moving at a fast pace and thankfully it doesn't go on too long because there's really not enough story here for much more. THE BIG SHAKEDOWN is a "B" movie all the way but as long as you don't expect too much it's not too hard to not have fun with the cast.
overseer-3 I am sure it was not just Miss Bette Davis who was appalled at having to try and breathe life into poor screenplays like this, for the appropriately titled "The Big Shakedown" (1934). Here with her were two major stars of the silent era, Charles Farrell and Ricardo Cortez, who had some of the most successful silent film credits to their names, and they were forced by the studio to endure mediocre, uninspiring roles in talkies like these, with implausible plots which border on the ludicrous. Perhaps this film might have had more bite to it if it had been a precode, perhaps not. However it isn't fair to blame the actors for a bad script. It's just horrible, folks. If Einstein were an actor even he couldn't have figured out how to breathe life into this one.They all try to do the best they can under the circumstances. Bette brings some sympathy to her good girl role; Charles Farrell is still unbelievably handsome, but his character makes some bad decisions out of greed for quick wealth, therefore his position is tenuous at best, and Ricardo Cortez tries to bring some taut dimension to a thankless role of yet another gangster type. I'm used to seeing him die at the end of talkies, however this ending takes the cake: he's shot AND falls into a tub of acid. Sizzle, sizzle, sizzle! Watch Ricardo fry! Creepy!Silent film fans and Bette fans should give it a wink, just don't be surprised if your winks turn into a complete shut-eye. Snore...........5 out of 10.
Bucs1960 It was films like this that caused Bette Davis to flee to England in an attempt to break her Hollywood contract. During the early '30s, she was forced into quickies with weak stories, bland co-stars and mediocre directors and was never given much chance to utilize her talents as a superb actress. She is co-starred here with Charles Farrell, who was a superstar of the silents but didn't seem to click in talkies. (He went on the gain fame on television in "My Little Margie" and personal fame as the mayor of Palm Springs). Ricardo Cortez plays his usual role as a gangster, this time utilizing Farrell's training as a pharmacists to black market bogus drugs. They start with toothpaste!!!!.....but soon move on to more dangerous territory. Frankly, I found the premise just a bit ridiculous and the acting even more so. Miss Davis looks like she would rather be somewhere else and has little to do. Cortez really overdoes it and Farrell is just downright bad. If you like Bette Davis, then you might want to see this film if for no other reason than to get a glimpse of what low grade junk assignments she had to put up with early in her career. Otherwise, it's not worth it.