Lucybespro
It is a performances centric movie
Lidia Draper
Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
blanche-2
In 1789 France, a thief known as La Tulipe Noir, regaled in black, including a black mask and cape, is going through France robbing noblemen. This sounds like Zorro or Robin Hood, except that the sentence ends "stealing from noblemen." Nothing about helping the poor. La Tulipe Noir, in reality Count Guillaume de Saint Preux (Alain Delon) is interested only in getting money and enjoying his clandestine affair with Marquise Catherine de Vigogne, who is a married to Marquis de Vigogne (Akim Tamiroff).The French somehow believe in La Tulipe as a revolutionary hero. But no one knows who he is. The Chief of Police Baron La Mouche (Adolfo Marsillach) believes Guillaume is La Tulipe and runs a sword down the man's cheek during an event, figuring when he's making his robbery rounds, he'll be easy to recognize.Now unable to rob anyone, Guillaume sends for his younger lookalike brother, Julien (Alain Delon) to lure La Mouche. Julien is guileless and idealistic, not to mention romantic, so when he meets Caroline Plantin, (Verna Lisi) a revolutionary, he falls for her.Julien soon learns that Guillaume is not interested in being a revolutionary so he takes on his La Tulipe persona to support the revolutionaries. This story is loosely based on a Dumas novel - real loosely, from what I understand. I found it delightful and very tongue-in-cheek. It's not as good as the Mark of Zorro of Tyrone Power, which had humor but also exciting drama, but it was still fun. Delon himself would play Zorro about ten years after this.Delon plays both brothers beautifully, Guillaume more macho and tough, Julien sweet and innocent. His acting can be controversial because of his staggering, almost impossible good looks and a charisma that wipes everybody else off the screen. And let's face it, it's usually men who find fault with him. If you've seen "Two Men in Town," "Mr. Klein," "Notre Histoire," and many others, he's an excellent actor, the winner of two Cesars, the French equivalent of the Oscars.Akim Tamiroff and Adolfo Marsillach are fantastic in their roles, bringing a good deal of humor to them.This was a non-dubbed version with subtitles - you will certainly be let down if you see it dubbed. Very good film.
Claudio Carvalho
In 1789, in France, the outlaw The Black Tulip (Alain Delon) is a thief that steals the nobles for himself; however the poor people believes he is a revolutionary. He is indeed the womanized and dull Count Guillaume de Saint Preux, who has a love affair with the married Marquise Catherine de Vigogne (Dawn Addams). When the Chief of Police Baron La Mouche (Adolfo Marsillach) plans a scheme to arrest The Black Tulip, the bandit is marked by a scar on the face and La Mouche suspects Guillaume might be The Black Tulip. However Guillaume summons his clumsy and idealistic younger brother Julien de Saint Preux to pose as if were him to lure La Mouche. Meanwhile Julien meets the bride Caroline "Carol" Plantin (Virna Lisi), who is a revolutionary, and they fall in love with each other. When Julien learns that his brother does not have any principles or ideal, he assumes Guillaume identity and The Black Tulip to support Plantin (Francis Blanche) and his group in the revolution. Will they succeed?"La tulipe noire", a.k.a. "The Black Tulip", is an entertaining adventure of a Zorro-like anti-hero. The plot is very funny until the point when Julien is arrested. Guillaume's sacrifice is silly and the conclusion is awful and messy, with Julien celebrating the revolution with Caroline and totally forgetting his brother and his body.My vote is six.Title (Brazil): "A Tulipa Negra" ("The Black Tulip")
MARIO GAUCI
A lesser-known literary creation of Alexandre Dumas Snr. was this Zorro-type masked avenger at the time of the French Revolution who, unlike the contemporaneous The Scarlet Pimpernel, was on the side of the Revolutionaries despite being truly an aristocrat himself! I've never read the source novel myself but, in any case, I'm familiar with the character via a fondly-remembered Japanese animated series that I used to watch on Italian TV as a kid (where the titular hero was actually a girl!). Having said that, it seems that much of the narrative has also been changed for this handsomely-mounted, energetic but disappointingly bland cinematic adaptation.Alain Delon – who, ironically, would go on to portray Zorro himself in an equally medium-grade Italian production in 1975 – plays a dual role here as the jaded aristocrat who dons the black costume and as his naïve, younger brother who is forced to keep up the ruse when the latter is facially scarred during a swordfight with his nemesis (Adolfo Marsillach). No self-respecting swashbuckling hero goes by without a gushing female pining for him and, appropriately enough, we get two here in Virna Lisi and Dawn Addams – one for each Delon persona! The fomer ditches her own imminent marriage when she meets cute with the shier Delon and the latter gets it on with the older Delon practically in front of her ageing aristocrat husband, Akim Tamiroff.
Artemis-9
I would advise you to try this, despite the respect I have for another's reviewer opinion. I don't know if my viewing of an original, French spoken version on the big screen may have lost in incredibly funny innuendo, great colours, beautiful cinematography - if they are reduced to a poor VHS copy, possibly carelessly dubbed into a foreign language.At least the acting by Alain Delon, and his equal, Virna Lisi, are still outstanding, as the continuous, imaginative action scenes. The two principals prove to be fine swords, against each other, and a number of enemies, and police rascals.The Black Tulip is a Zorro type avenger, but a character more rich than its American counterpart. Without giving the plot away, I may add that American viewers will be both thrilled, and surprised, how a French action films' director is able to mix comedy, and drama so well.Besides getting one of the film's DVD editions, people should be aware that a copy of the French version exists (possibly uncut) at the Alliance Française Médiathèque, a French cultural institution, and that they allow people to see the film there, and even borrow it! Ask for conditions at mediatheque@alliance-francaise.or.th and ask for their film PAL #161... Ah, next time I'll go to France!...
