Huievest
Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Kailansorac
Clever, believable, and super fun to watch. It totally has replay value.
Doomtomylo
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
dougdoepke
Neither the best of horror films nor the worst. Viewers expecting a traditional narrative will be disappointed. The story is told indirectly such that demands beyond the ordinary are indeed made. Instead of building the story conventionally from one scene to the next, essential plot elements are scattered throughout; at the same time, with some narrative help, it's left to the viewer to assemble them. Not surprisingly, the effort can be both puzzling as the elements unfold and rewarding as they come together. By and large, I think the technique works, though some patience is required.It's a good thing the filmmakers know they're challenging the audience. As a result, they position horror images throughout in order to keep audience interest. The girl's sudden appearance before the speeding car, the sword-wielding horseman, the dripping "blood" on the kissing couple—are arresting and well done. They should be, because in my book, at least, way too much time is spent on Strother Martin's satanic mumbo-jumbo. These are static scenes bordering on parody and padding. Then too, the grisly morgue cadavers are neither well done nor necessary. Imagination can sometimes fill in the blanks more powerfully, as the great Val Lewton well understood, e.g. Cat People (1942).WARNING spoiler ahead: The ending hasn't been commented on, but it's a surprising one, given movie conventions, especially from the earlier studio era. The "rescuers" unexpectedly arrive too late. Transmigration of souls from the old to the young has already occurred. The fade-out is abrupt. But I think it's safe to infer that the angelic-looking youngsters now possess satanic souls, and the relieved adults won't suspect. In my book, it's a really sinister and disturbing upshot. With a little more work, this little indie could have qualified as a genuine sleeper.
wes-connors
"The Brotherhood of Satan" is a stupefying combination of conventional horror elements mixed with some imaginative characterization and direction (Bernard McEveety). It all starts out with father Charles Bateman (as Ben) driving out west with his pretty blondes: luscious Ahna Capri (as Nicky), and daughter Geri Reischl (as K.T.). Things get weirder and weirder for the trio, as they approach the town of Hillsboro, which is being gripped by a Satanic cult! When the dullish travelers hit Hillsboro, the "action" switches to the film's more interesting assemblage of characters: townies L.Q. Jones (as Pete, the sheriff), Strother Martin (as Doc), Charles Robinson (as Jack, the priest), and Alvy Moore (as Tobey). Their interplay is sometimes fun. Soon enough, it all gets very silly, and predictable. Mr. Martin is the stand-out (as you might expect); he considers the possibility of a Satanic cult to be a "cock-and-bull story", but is (of course) their leader. The "Come in, Children" ending is puzzling; unless, perhaps, it was the film's original title. *** The Brotherhood of Satan (8/6/71) Bernard McEveety ~ Strother Martin, L.Q. Jones, Charles Bateman, Ahna Capri
imbluzclooby
Diabolic forces wreak havoc in a small New Mexico town. A young widower and his pretty new bride and eight year old daughter travel through and unwittingly get drawn into this convoluted world of fear. They cannot escape it's lair and all the towns people are equally weird and possessed by some dark spirit. This is definitely budget horror from the early 1970's. Characters are from a rural background and are played with backward and vapid mentalities. Weird things happen in these small towns and Hollywood understood that long before it became common knowledge. I grew up near the Mojave Desert where there have been numerous accounts of Satanic worshippers practicing their rituals in the Lucerne valley. Oh yes, these things are not always fiction, they exist.This is a good, creepy little gem that will scare you into submission.Watch and enjoy.
Juha Hämäläinen
One of the best lesser known occult oriented horror movies of the seventies. It's gritty, exciting, scary, surrealistic here and there and at moments even very smart, which can't be said about many of the movies this kind. I can't help seeing some stinging symbolic and metaphoric points at the seventies society and generation stuff of the time this movie was done. The scriptwriter has obviously been cooking while delivering also some good old "from the crypt" kind of scenes. With a job well done from a creative director the result is entertaining and thought provoking. The simple, yet effective ending specially shows how these things are treated right by those who can.The excellent cast were mostly unknown to me, except L. Q. Jones as the moody but funny sheriff and Strother Martin as the town doctor. Martin, not surprisingly, always ends up stealing the movie. With that voice and skill he is one of the greatest loonies in movies, for me anyway. What an actor!So, it is a little bit of mystery to me why this movie has not gathered far greater recognition. I think it would deserve almost equal place in the occult horror canon alongside Rosemary's Baby and The Exorcist. One helluva movie!
