Linbeymusol Wonderful character development!

Evengyny Thanks for the memories!

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Horst in Translation (filmreviews@web.de) "Des Teufels General" "The Devil's General" is a German black-and-white film that had its 60th anniversary last year and stars Curd Jürgens, mostly known for his performances as a Bond villain. Jürgens was one of the most successful German actors at this point and in this film here he shows us why that was the case. He certainly elevates the material. Unfortunately, this is not too big of a challenge as I must say the material by writer and director Helmut Käutner is not particularly good or memorable. I definitely believe Harry Harras, a man who really existed, deserved a better film made about him. If you know Graf Stauffenberg, then you will know the general direction this film is taking. It is about a very successful German military general during the days of the Nazi reign and World War II, but things take a turn for the worse for him when his loyalty to Reichsfüührer Adolf Hitler begins more and more to crumble. Catastrophe is inevitable, for the Nazis and for Harras. The films runs for almost 2 hours and I felt there were many moments when it dragged, so it should have been kept shorter I think, maybe at 100 minutes max, the runtime of most German films from around that era. As a whole, I cannot recommend the watch. Thumbs down.

RogerTheMovieManiac88 'Des Teufels General' is set in the months leading up to Hitler's declaration of war on America in December 1941. Curd Jurgens essays the titular general who observes the violent tossing of German society by the torrid and overwhelming waves of the Nazi's mortal storm.Jurgens portrays General Harry Harras, a respected senior official at the Air Ministry. His position is one of authority and he senses the way the wind is blowing. He resists attempts to coerce him into becoming a party member and, as a result, becomes a subject worthy of scrutiny. The movie conveys with searing immediacy the spiralling path of distrust, imprisonment, humiliation and ostracisation that confronts Harras. This movie is a gripping character study of a cognac-nursing general but it is more than just that. It emanates from the American-sponsored era of denazification and offers an intriguing take on German society under the National Socialists. Harras is shown to be chivalrous and a member of a military that has an appreciation of the past and a sense of tradition and camaraderie. There are echoes of 'Anna Karenina' as veteran soldiers dine and drink socially in pleasant surroundings. There is a subtle and effective contrast drawn between the boisterous but essentially civilised bonhomie of Harras and his colleagues and the dispassionate and uncivilised brutishness of the Nazi-established militias. Harras espouses the spirit of Goethe in several electrifying scenes as the degeneration of decency occurs and the thuggery of Nazism takes an iron grip on Germany, working its way into long-venerated edifices of society. While, with hindsight, it seems possible that the movie downplays the extent of committed Nazism amongst the populace, it must be remembered that Germany was undergoing seismic changes in terms of reintegration and structural and economic rebuilding under the Nazi-persecuted statesman Konrad Adenauer. America had initially wanted to identify and prosecute criminally all those who had colluded significantly with the Nazis. This soon proved to be utterly unfeasible and would, undoubtedly, have severely hampered Germany's economic reemergence. Cinematic output of the Adenauer era desperately sought to impart the virtues of dignity and heroism. In alluding to the rampant rise of Nazism, those remaining in society who were swept along are not exonerated. Rather, the terrible, all-consuming enormity of the force that ravaged Germany is acknowledged. In its depiction of Harras and his surroundings, this movie is undoubtedly the product of a deeply scarred society simply doing its level best to move on and locate a measure of hope and honour upon which it can tentatively go forth. As for the acting, special mention must go to Curd Jurgens, who turns in the performance of a lifetime here. He literally becomes General Harras. Indeed, it is hard to imagine anyone else being so effective in the role. For his masterfully nuanced interpretation, Jurgens was the joint winner (with Kenneth More) of the Volpi Cup at the 1955 Venice Film Festival. He is ably supported by the lovely Marianne Koch and the imposing Viktor de Kowa, whose character really is a repulsive individual. This is the first of Helmut Kautner's movies that I have seen and I was suitably impressed by it. His deft narrative style certainly appeals to me. His direction is concise and to-the-point and this contributes to several taut and tense scenes. The atmospheric and chilling evocation of social upheaval is realised with a sure directorial touch. From a brief skimming of his filmography 'Romanze in Moll', 'Der Apfel ist ab', 'Die letzte Brucke' and 'Der Hauptmann von Kopenick' strike me as being some of his most interesting movies. I greatly look forward to viewing more of Kautner's movies in the months and years ahead and I can but thoroughly recommend 'Des Teufels General' to those who read this.

loydmooney-1 This is a near perfect film. Very very very intelligent, flows like the Danube...to the gates of hell, with Jurgens at the helm in one of the most fantastic performances by any actor anywhere anytime. Every moment of the thing is so polished and subtle that it shames most other actors I have ever seen. The others here commenting on his performance and the movie have pretty much nailed it. However sometimes you come across a performance that is so good.......well, I rank it with that of James Cagney in White Heat, Louis Calhern in Asphalt Jungle, Claude Rains in Deception, and James Stewart's various high points in the Mann Westerns as the kind of acting that money cannot buy at any price. Just watch Jergens and behold.

2nd_Ekkard Curd Juergens, Germany´s famous actor of the fifties and sixties, here playing a part that made him a star: The Devil´s General is an airforce general with extraordinary success in building new warplanes for the luftwaffe in ww2. At the same time, he is definitely not a nazi, not a bureaucrat but a party animal and a human being with a certain sense that everybody should be treated as human beings. This makes him an enemy to the high ranks of the SS and at the same a potential partner for people of the german resistance. In the end, he pays the bill for being part of a system, he never really said "no" to. A great movie with one great actor.