The Front Line

2006
6.5| 1h33m| NA| en| More Info
Released: 16 July 2006 Released
Producted By: Wide Eye Films
Country:
Budget: 0
Revenue: 0
Official Website: http://www.thefrontlinemovie.com
Info

An African immigrant bank security guard turns the tables on Dublin's nastiest criminals when they force him to be the "inside man" on a bank robbery.

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Director

David Gleeson

Production Companies

Wide Eye Films

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The Front Line Audience Reviews

Micitype Pretty Good
ShangLuda Admirable film.
Sexyloutak Absolutely the worst movie.
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Tim Kidner The DVD, in photos online, tell you nothing. (I watched it late night, BBC2). Firstly, it's written/directed by Limerick born David Gleeson (this is his 2nd feature), is set in Dublin, 93mins long and stars Eriq Ebouaney and James Frain.Ebouaney plays a Congolese immigrant, who has escaped a violent past in his homeland. He's brought his wife over and they have a young girl. He's found work as a security guard at a bank but past events come back to haunt him, when Irish thug Frain and his gang kidnap his family - all he has to do is be the insider for them robbing his bank.It's a polished and modern production, with lots of moody lighting, booming bass thuds and prowling camera, so, so far, so good. As a heist movie, it's OK but that tired formula needs a bit more to get a movie standing out above the rest. Ebouaney helps this, he is both convincing as the new citizen trying to lead a good life and as a human being out of his depth. Frain has less screen presence but is suitably psychotic where he should be.The whole thing moves along pretty quickly - in just over half an hour, they're already inside the bank vaults. It's also great to see a different city and its streets to the usual as a setting.Such crime thrillers aren't my staple film diet so The Front Line will never make any of my top anything lists. However, if such are, you could do a lot worse than this one for a mid-week rental or if you can find it on Sky somewhere. At the price here, it's just not worth it, though.
lastliberal James Frain (Sunshine, Reindeer Games) plays what is probably the most vicious criminal around. He forces Eriq Ebouaney (Hitman, Crimson Rivers 2: Angels of the Apocalypse), a bank security guard, to assist him in a robbery or his family will suffer. The cops are on him almost immediately, but he can't talk.They take his wife (Fatou N'Diaye) and son as hostages, and he lets them into the bank, but they were not prepared for his next step.His past was not something they were prepared to deal with, and he used it to bring his full fury down on them and save his boy. He is assisted by some countrymen who also know what to do with a knitting needle and Viagra.His boy safe, the ghost of Father Joseph will exact retribution once again.
dfgrayb What starts off looking like a routine action thriller about a bank heist gradually becomes something much more. Eriq Ebouaney is a security guard at a bank, whose family is kidnapped to force him to assist in the robbery.The film is in many respects a revisiting of the John Wayne/John Ford classic The Searchers, in that the viewer gradually realizes that the ostensible plot (the bank robbery) is not really at the center of the film. Just as in The Searchers, where the film is really about Wayne's search to find his own humanity and not his niece who has been captured by the Comanches, so too in The Front Line, Ebouaney's pursuit to rescue his family is his search to find his own redemption as a human being. Over the course of the film, because of the fine performances and direction, we are drawn into Ebouaney's internal pain and love, and we almost want to say to him "Be at peace. Your soul is good." This is a remarkable and moving film. Successful on many levels. Ebouaney's performance is stunning. The plot, which begins as a bank robbery, becomes a story that is breathtakingly beautiful, powerful, and unforgettable.
rick_uk I've watched some films this year really expecting, and hoping, they would be good. Some met my expectations, some exceeded them and some fell short. I had not heard of this film; but it was the most unexpected joy since Everything Is Illuminated (2005).It succeeds on so many levels. As a thriller is gripped me from the first beat to the last. The characters were well-rounded, believable and performances, especially by Ebouaney, McSorley and N'Diaye were superb. Where had these actors come from? I to search IMDb to convince myself they were acting! I don't know much about Congolese politics, but the back story was completely believable and horrifying in equal measure. "Documentary" shots and montages worked well to reinforce this. And it made me want to learn more and reconsider my thoughts on the "problem" of "their" immigration. Whoever "they" may be.In response to world events, some films in recent years have rightly focused on international politics, the communication between people within and between different nations. And Crash did very well, hence Babel, both of which I enjoyed.But this film achieves more than what both of the above did and on a fraction of the budget! I'd never heard of David Gleeson, but his writing and direction was superb. I will definitely be renting the whole of his back catalogue - and buying this DVD. Please put lots of extras on it David! In summary, I was blown away by the performances of the actors, the detail and complexity of the script and the way in which the subject matter was handled. To come across such a film from left-field was a joy and a rare pleasure. I hope it reflects positively on the CV's of all involved and we see much more of them, as they deserve it.Great job David and all involved.