Redwarmin This movie is the proof that the world is becoming a sick and dumb place

Jeanskynebu the audience applauded

Actuakers One of my all time favorites.

Lucybespro It is a performances centric movie

dspearma I saw the Midnight Man one very late night when I couldn't sleep. Burt is very compelling and this is a terrific murder mystery type story. To this day, I cannot understand why it hasn't gotten more play. The cast was brilliant, in particular Susan Clark. Lancaster plays a sort of down on his luck security guard who finds himself wrapped up in a murder. At one time he was a prominent officer who fell on hard times and is relegated to a security guard at a local college. Of course, this means they don't pay as much attention to him as they should and he is forced to go solo on his hunches as he goes thru this story. It is a good human story as well. I would love to see it again but it just doesn't come on TV anymore for some reason. If you ever see it listed on your local channel wherever you live, Circle this one and watch it!!

Robert J. Maxwell This could easily have been a script leftover in some shoebox from an unmade 1949 noir. It's a complicated story of blackmail and betrayal. Burt Lancaster is an ex-cop just released from prison, given a job by an old friend (Cameron Mitchell) as night watchman at a college, who falls in love with his parole officer (Susan Clark). A murder takes place. Several murders take place. And some of the signs seem to point to the innocent Burt. There's a blackmail plot with lots of money involved. Well, now, Burt may have just gotten out of the slams but he hasn't unlearned the investigative skills he picked up while on the job in Chicago. Fighting against the local cops every inch of the way, he cracks the case, but not to his satisfaction. He's been used and betrayed by everyone he was close to.No one looks out of place. Susan Clark actually looks pretty darned smokin', with her slender figure and queer beauty, a little goofy, like Nancy Travis'. The local cops are villainous. There is a trio of redneck heavies that -- well, they shouldn't look out of place but they do. This was shot in South Carolina, but it's winter, and it doesn't look like the South, whereas these three unkempt miscreants (including Ed Sauter with his working-class New York accent) look like they're straight out of some Southern Gothic slasher movie -- I EAT YOUR HEAD AND SPIT DOWN YOUR NECK CAVITY!!! One is fat, one is scrawny, all are dumb drunks who tote shotguns and pitchforks and allow themselves to be run over by tractors. They even have one of those mean mothers in Bibb overalls and boots who sneers at captive Burt and says, "Wait'll Lem gets back. He'll take care of you proper-like," or something.There isn't a touch of anything original in the direction, the script, the performances, or anything else. Dave Grusin's score is loud and conventional -- lots of electric guitars and harmonicas and nerve-jangling percussion.Nobody seems to have put any effort into it, which is a little surprising, given Burt Lancaster's tendency to see to it that some social message informs his story, or at least that there is the occasional arty touch. But not here. Everything is functional. No tag lines worth remembering. Instead of Burt Lancaster it might as well have been Charles Bronson.Yet I like the thing and I look forward to seeing it on those infrequent occasions when it shows up on TV. I don't know why. I guess the location shooting captures a particular time and place rather well, though for a college in session it looks really underpopulated. I like Burt as a nobody watchman instead of an important muck-a-muck in the justice system. He looks so terribly humble in that shabby uniform. And I kind of like its lack of pretension. Better a crime thriller that knows its limits than a failed attempt at significance.

teuthis-2 I find this film a great pleasure to watch. The cast is superb, and the plot develops in a deliberate and leisurely manner; with emphasis on the characters and suspense. As always, Burt Lancaster is wonderful to watch. But then so is everyone else in this film including Burt's son, and a young Catherine Bach, in cameo roles. Midnight Man is a film to watch when you really want to settle and get involved for an evening of suspense and great acting. Its even better if someone is there to share it. Burt is an ex-homicide investigator, just paroled from prison for shooting his unfaithful wife and her lover. He is tragic in a sense, but also strong-willed. He takes a job as a night guard at a college and becomes obsessed with solving a murder that occurs there. He is pitted against resistance from local law enforcement, and some mysterious forces who throw constant dangers and obstacles in his path. But a skilled determination enables him to piece together a complex puzzle of deceit and collusion that makes for an exciting and revealing climax. I heartily recommend this classic Burt Lancaster drama!

humpty After seeing Burt Lancaster in films like THE SWIMMER and SORRY WRONG NUMBER, he is certainly a let down in THE MIDNIGHT MAN. So is the movie. It's two and a half hours long and is a who-dun-it that leaves this viewer thinking, "I don't care who- dun-it. Burt looks tired, as though he'd rather be doing anything but working on this picture. At no point does he manage even a spark of that old vibrant Lancaster attitude. The plot is confusing at best. Burt is a security guard on a college campus where a series of murders take place. He also manages to get a woman 30 years his junior to fall for him. The kissing scenes would make Woody Allen cringe. And the fight scene where Burt beats up two young guys is laughable. Later in his career Burt is cast in some parts that fit the dignity of an older man. He makes a poor imitation of Harry Callahan in this one.This film's only value is as a time capsule for 1974. It has the flavor and atmosphere of a 2 1/2 hour episode of Hawaii Five-O, except not as exiting. Avoid this one my friends. Humpty