The Polar Bear

1998
6.5| 1h30m| NA| en| More Info
Released: 12 November 1998 Released
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Budget: 0
Revenue: 0
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Four characters become involved in one dramatic story: Nico has a mission to drive a car containing a live bomb to a specified destination, park the car and escape as quickly as she can. Leo has become his client's target, having carried out a "contract" that unfortunately had already been cancelled. Fabian and Reza want to enjoy themselves without any money, bringing themselves into contact sooner or later with the police. Sooner or later all four will meet up in dramatic circumstances....

Genre

Action, Thriller

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Director

Til Schweiger, Granz Henman

Production Companies

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The Polar Bear Audience Reviews

GamerTab That was an excellent one.
VividSimon Simply Perfect
Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
bedguess The film is a real light one - but I found it very funny. You get to see a bunch of well - known German actors that tell a story that is foreseeable, but the good thing of the film isn't the story, it's how it's told. The quality of the actors that take part in this movie was only possible because they are friends in real life and didn't see the movie as a commercial product in the first place. They did it for fun, and so get to see an uncomplicated movie played by actors you usually wouldn't see in such a movie - and in such a concentration.Gangsters that threaten gangsters, policeman chase all the gangsters, some want money, some want vengeance, some just want to have fun.The acting is very convincing, and the behavior of the characters is sometimes funny, sometimes tragic. Furthermore, the type of the characters is very different and sometimes quite extreme.I like the movie very much. It may not be perfect, but after all I always like to watch the film when it's shown in TV every few years.
David-Kappel I've just "Der Eisbär" and do not quite understand why so many people dislike this movie. Due to that I did not have any high expectations it is true that this movie tries a little too hard to become a cult classic and that some jokes do not really work out (as the phone ringing a couple of times when the hit-man is just about to kill some fellow) but on the other hand there are some brilliant scenes. The burger robbery for an example is one of the moments in which the movie's concept really works out. Schwaiger's performance is not over the edge but he does a good Job. Ralf Richter is brilliant as always. The story has some weaknesses but somehow one does not really care as it is not the aim of the movie to tell the backgrounds of the story. I reckon it's quite a good movie and if you don't go to see this with the expectation of watching another "Bang Boom Bang" you won't be disappointed.
9horst Til Schweiger in one of his best roles. Nearly forgotten german music gives the proper sound providing the amusing plot of the film directed by Til himself. All in all it is worth seeing it more than just one time so enjoy the atmosphere which will catch you in any case.
GMeleJr DER EISBAER is the first movie German mega-star Til Schweiger directed, and starred in. Seen when it premiered in Germany in November of '98, I accompanied all the avant premiere buzz surrounding the film and Schweiger's career moves, and even attended one of the premieres Schweiger hosted at the new Potsdamer Platz Cinemaxx. This action drama with a relationship story lived up to all the hype, and exceeded my inflated expectations. If you are a Schweiger fan or a an action drama lover, don't miss DER EISBAER when it comes out on video or if it opens outside Europe. Schweiger has come a long way since DER BEWEGTE MANN ("Maybe, Maybe Not"), and in the process has single-handedly brought German cinema back to the masses after a half century of domination by the high brow author directors (Herzog, Fassbinder, Wenders) who made German cinema synonymous with boredom, and inaccessibility with the masses. Since 1994, Schweiger starrers have broken German Box Office Records consistently. Here, though this film did not break the Box Office Records of the others (including MAENNERPENSION and KNOCKIN' ON HEAVEN'S DOORS), he shows us in more dimensions why he has been the phenomenon of popular German cinema this past decade, and probably beyond 2000. I give DER EISBAER 8 out 10 points.