Platicsco
Good story, Not enough for a whole film
Phonearl
Good start, but then it gets ruined
Curt
Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.
Prismark10
When Inspector Fernack (Jonathan Hale) is framed, Simon Templar comes to America to help out not before meeting a beautiful damsel on the ship who is being cheated in a game of cards but their paths will cross again soon.Fernack cannot explain how thousands and thousands of dollars were found in his safe. The Saint reckons a group of mobsters involved a race fixing ring are involved. However more bodies show up and they all point to Fernack as the murderer.This is a more enjoyable B film simply because there is a nicer and more involved plot, a few red herrings and a milk drinking character called Pearly Gates who decides to turn his back on the mobsters and join up with the Saint.
Michael_Elliott
Saint Takes Over, The (1940) ** 1/2 (out of 4)Fifth film in RKO's series has George Sanders once again returning as The Saint. This time out his buddy is accused of a crime he didn't commit and disgraced so The Saint comes back to America to clear his name. While all of this is going on, we have a female going around seeking vengeance for the death of her brother but that's not all because mobsters are tied into a robbery. I must admit upfront that I haven't been overly impressed with any of the films from the series that Sanders has appeared in. I think the original film in the series was good but the three sequels were all fair at best. I'd call this one of the best of the Sanders films but it really starts off quite boring as the film spends way too much time trying to set up its story instead of delivering the goods. The second half of the film really picks up and leads to a nice ending and I really wish the first half had moved as well as the second. The highlight of the film is a scene where The Saint and a couple other men are trying to scare a confession out of a man but of course things don't go as planned. Sanders also delivers the best performance I've seen from him in the series and it's backed by a good music score.
rsternesq
This nifty little movie demonstrates the rock-solid virtues of a time, place and kind of masculine strength that we no longer have or even aspire to have. The Saint is a paladin with only the best motives, to say nothing of a polished vocabulary and diction. No need to turn up the volume or read the dialog. George Sanders is so charming and, yes, low-key that all that talent, smarts, physical presence and above all, masculinity, seem, well, almost normal. Some normal! George Clooney can not begin to master the scene as Mr. Sanders does (and does without Mr. Clooney's mugging).He could play a sniveler (witness The Ghost and Mrs. Muir and Rebecca) but when he was good, he was very, very good. Truly, a man for all reasons and seasons.
GManfred
This is a better-than-average entry in the Saint series - It holds your interest and, as mysteries should, keeps you guessing until the end and has several suspects to choose from.Many films from the Golden Age are not for all tastes, especially younger viewers. They date themselves by clothing, cars, settings, etc. Who nowadays asks for a highball? Or wears a suit and tie everywhere? And the legal process was so much simpler - must have been a dearth of lawyers back then. Frankly, much of value is missing from those days.In any case, go with it and enjoy. It's good - in an old-fashioned sense.
