The Scarlet Tunic

1998 ""

The Scarlet Tunic

5.9 | 1h30m | en | Drama

Passions erupt between a German hussar (Jean-Marc Barr) serving with King George III's personal cavalry and the only daughter of an English solicitor (Emma Fielding) in this period tearjerker adapted from a short story by Thomas Hardy. Longing to escape their own personal imprisonments -- he, his service to the king, and she, her engagement to a man she doesn't love -- they find solace in each other's arms.

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5.9 | 1h30m | en | More Info

Released: June. 12,1998 | Released Producted By: , Country: Budget: 0 Revenue: 0 Official Website:

info

Genre

Drama , History , Romance

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The Scarlet Tunic (1998) is currently not available on any services.

Cast

Jean-Marc Barr , Emma Fielding , Simon Callow , Jack Shepherd , John Sessions , Lynda Bellingham

Director

Stuart St. Paul

Producted By

The Scarlet Tunic Videos and Images

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Top Credited Cast
|
Crew

Jean-Marc Barr

as Matthaus Singer

Rivages Meurtres en dentelles The Other 300: Army of Lovers The Academy The Rebellious Anthracite Table ronde autour de Lars von Trier This Is the End The Pod Generation The Rope

Emma Fielding

as Frances Groves

Van der Valk Strike Dark Angel The Briny Arthur & George The Game Fast Girls The Great Ghost Rescue The Murder at Road Hill House The Other Man

Simon Callow

as Captain Fairfax

Étoile Eternal Return Doctor Jekyll Winnie-the-Pooh: Blood and Honey 2 The Holiday List Merchant Ivory Dame Maggie Smith - A Celebration Alec Guinness: A Class Act Dodger Special: Coronation Surprised by Oxford

Jack Shepherd

as Dr. Edward Grove

Fearless Greyhawk The Politician's Husband The Nativity Into the Storm God on Trial The Golden Compass A Dad for Christmas The Only Boy for Me All About George

John Sessions

as Humphrey Gould

Intrigo: Dear Agnes Loving Vincent: The Impossible Dream Finding Your Feet The Town That Floored the World The Loch Loving Vincent Victoria Red Top Whisky Galore Florence Foster Jenkins

Lynda Bellingham

as Emily Marlowe

Mister Eleven Bonkers The Long Bank Holiday Devil's Gate My Uncle Silas Bodywork The Romanovs: A Crowned Family At Home with the Braithwaites Don't Go Breaking My Heart The Scarlet Tunic

Stuart St. Paul

Director

The Scarlet Tunic Audience Reviews

Laikals The greatest movie ever made..!

Protraph Lack of good storyline.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

TheLittleSongbird A beautiful film that deserves to be seen more often, and it does deserve a higher rating than the 5.3 it has as of now(lack of votes perhaps?). There are a couple of moments of rushed editing and Simon Callow is in over-acting scenery-chewing mode that can feel at odds with the tone of the rest of the film. The Wessex/Dorset scenery is simply exquisite though and matches Hardy's vivid writing almost exactly, and the photography is not just lovely to look at but allows us to take in the scenery and atmosphere without feeling stolid TV movie quality. The period detail is evocatively rendered- not too clean and not too bleak either- with good make-up and no obviously anachronistic-looking hair-styles, and the lighting is careful not to be too bright or too murky. The simple tranquillity of the music score also appeals, and when the drama should resonate it does wisely take a back-seat, as do the very literate and thoughtfully adapted script that is in keeping with Hardy's prose and the simple but very charming and touchingly melancholic story. The characters don't feel like caricatures and you do genuinely believe in the two protagonists' love for one another. Jean-Marc Barr is a charming and handsome Matthaus, and Emma Fielding is English-Rose-personified. In fact the acting is very well done, though with some reservations on Callow's part. Much of the direction is slick and sympathetic too. So all in all, a very good and beautiful film that doesn't disgrace Hardy or the story in the slightest. It's not 100% perfect, but it is much better than the rating makes it out to be. 8/10 Bethany Cox

us and uk author The Scarlet Tunic strongest point is the quality of the photography particularly in the use of colour and light. The spectacular scenery of the Wessex and Dorset coast provides natural beauty but other scenes using light in a unique way are key to the film's overall effect. The setting in the army camp comes to life completely through the use of superb light and shadows. Another example is the dramatic use of the scarlet tunic itself. The scene with the bright red garment lying on the beach creates a vivid and heart rendering moment. The story is one of a tragic romance, which is made even stronger by the quality of the visuals. Some of the acting is excellent with the two lead characters strong. My only negative feeling about this film was some of the characters are over acted and tend to distract from the overall quality of the film with the most objectionable being the Army captain.

lizandjohn Being very familiar with the area in which the film was shot, we empathised immediately with the settings. Having also had military connections the period uniforms interested us and we scrutinised every detail we could!(The position of the double V ranking stripes - which were ripped off, seemed to change position on the sleeve from time to time.) Firstly we enjoyed the movie enormously, even though neither of us had heard of the novel. The big names surprised us for such a modest production. The feeling of the pace of life was perfectly conveyed along with the simplicity of love and death in those times. Timing and opportunities were snatched at and acts of passion were colourfully acted out. The housekeeper and master relationship unfolded so naturally. The relationship which bore a love child girl, resulted in a family reunion at the end of the film - a relationship which the deceased hero and heroine had contrived to create. The film was a tragedy and it was in our opinion extremely well casted, the filming locations were of course perfect and authentic, costume and hair was good and the lighting we noticed brought the audience a little closer to actually being there. (Lighting is not something we comment on usually!) Make up was good as it should not have been visible in this piece, for this period or for these country folk. The death scene was "short lived"! It all happened so fast, which was a pity - more could have been made of this scene. But it was true love I guess. Thought there wasn't enough anger in this scene by the father.Believe it was a well budgeted film, and looking at the credits used local help too. More please.

Vaughn A. Carney Even actors as talented as Emma Fielding and Simon Callow could not save this one. These actors will put this one behind them and go on to greater accomplishments. I am impressed that they chose art over commercialism in this effort, and most especially with their faith in the material. But it was clear that the direction and editing left a great deal to be desired. My sense is that the best part of this effort was probably left on the cutting-room floor. One disappointing film does not break a career.