VeteranLight I don't have all the words right now but this film is a work of art.

FrogGlace In other words,this film is a surreal ride.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

bob the moo When not studying Tai Chi under the tutelage of Old Yeung, Ku Ding works as part of a crew building roads. When he and his colleagues are cheated out of half their money by corrupt foreman Tang Hoi Hay (acting on behalf of his boss Master Jin), Wu Bing Lien protests on behalf of the group, only to get a beating for his troubles. Ku Ding intervenes and takes the beating instead, which is in line with the teachings of Tai Chi that it is not for fighting others, even though it can be – and that tolerance is key. This is not something that even Yeung's daughter Ah Jen accepts and she thinks Ku Ding's action (or lack of action) was foolish and it doesn't help with his money problems. Due to such worries, Ku Ding's girlfriend (Ah Bao) seeks out a job as a servant in the house of Dai Sing – son of Master Jin. At the same time Dai Sing, something of an martial artist, learns of Yeung's Tai Chi and looks for a contest, and when he is rebuffed he orders his father's men to kill the old master. While in the mood, he also approves supervisor Tang to get rid of rabble-rouser Wu and even has energy yet to give his servant Ah Bao some attention, whether she wants it or not. All of these cruel acts put great pressure on Ku Ding to seek revenge but, as this is not in keeping with his teaching of tolerance, he is unsure even when Ah Jen demands it. Can he reconcile the principle of his Tai Chi with the nature of the cruel reality in which he lives?The pre-title sequence informs us that this will be a film focusing on the art of Tai Chi – a style which is known to many but mostly for being practiced by older people in the park rather than being a martial art. I was not exactly thrilled by this but was interested to see how it set about showing me another side to it – the side demonstrated by the master in the opening. The earliest action scene in the film is essentially Ku Ding taking a beating and not fighting back – which is something his master then praises even if his own daughter thinks it was stupid. I have to say at this point I am agreeing with Ah Jen. The majority of the film is essentially this same scene played out in different ways because the plot is that Ku Ding takes more and more beatings but commits himself to pacifism and tolerance until he eventually goes for it and gives us a boss fight using his Tai Chi.The nature of the "beatings" he takes vary as they involve the death of those close to him by different means, which is not a lot of fun to watch because it is all one-way traffic with limited action. It feels a little unpleasant as well, which is not helped by the tasteless rape scene, where the camera zooms in and out on parts of Ah Bao in a way that suggests it is trying to titillate. It feels wrong – to spend that much time on it but not make it repel the viewer at the same time. This lack of tone also affects the main story. Considering so much of the film is about the peaceful flow to Tai Chi, I expected it to have something to say on that particularly since so much of the film is lacking action. Instead it focuses on the action it can get (the cruel acts) and leaves any soul-searching till the very last line (at which point it doesn't make sense or have time to do anything). It is an odd film in this way because it does little with the themes but instead plays out an action story but with one side of the story not willing to take part – with no content to hold the attention and very little action to fill the gap, it feels like an awkward waiting game.This hurts Chen Wo-fu's performance as he seems held back from doing anything other than showing bottled up anger. The villains have more fun with typically "evil laugh" turns from Frankie Wei and Yeung Chak-Lam. In the female roles I enjoyed Shih Szu as she had a bit of spirit in her character and good moves, but Chan Mei Hua gets little thanks for her performance and has that badly handled rape sequence to get through. The final fight is good but to be honest by this point I was tired of what the film was or wasn't doing and the final throwback to the struggle between peace and conflict just annoyed me by reminding me that it hadn't done this at all well. Perhaps it is worth a look but I personally found it very dull with lots of words and story that wasn't delivered well, and very little in the way of action to distract from it.

poe426 Ku Ding (Chen Wo-fu) takes the sign on the wall of his tai chi instructor to heart: "Tolerate." In fact, he takes the admonition to an absurd extreme. When his road-building co-workers are cheated out of their rightful earnings and start an uprising, the boss's thugs start breaking some heads. Ku steps up and allows the thugs to take it all out on HIM. His teacher, Old Yeung, instructs him to "use minimum force to deflect maximum power." Translation: Let them beat on you until they collapse from exhaustion. Or so it seems. (The "Repulse Monkey" move was one that I used to use to great effect...)Yeung's beautiful daughter, Ah Jen (Shih Szu), fancies Ku but can't bring herself to tell him. Wu, a kind-hearted sort, tells his co-workers that, though they're poor, they shouldn't appear pitiful. But their neighborhood is like the one that I grew up in: the doctor won't even visit there. (Ambulance drivers wouldn't go into a nearby housing project where I lived because they got shot at. The denizens of the project were told that, if they got shot, they had to make it to the entrance to be picked up...) Meanwhile, Ku's sister, Ah Bao, is hired to work for the Boss, Jin (Frankie Wei). Jin likes beating up his lackeys and raping the hired help. (Says one worker: "If we were literate, we wouldn't be on this job!") (The Republican mantra here in the U$, by the way.) In rapid succession, Ah Bao is raped and drowns herself in the river; old Yeung is knifed in an alley by a gang of Jin's henchmen; and Wu is beaten to death in a graveyard. Like most heroes in these movies, Ku allows himself to be pushed over the edge before he snaps and kills everything in his way. There's one WTF? moment in THE SHADOW BOXER: when he's taking a beating, Ku is stretched out on the floor. One of Jin's minions runs up to the second floor and, in slow motion, drops down on Ku's stomach. It's a single, unedited shot and it's excruciating to watch: that's the kind of thing that ruptures organs.

David Austin Chen Wo-fu plays that "pacifist who finally gets p***ed enough to kick the bad guy's butt" character that we've seen a million times. Of course, this time they have to kill his master, two of his friends, and rape his girlfriend before he gets off his high horse and does something. The "twist" is that he fights using Tai Chi. The fighting is set up to look like it's going to be interesting in the beginning, but trust me, it's not. The baddies and supporting characters are completely uninteresting, with the minor exceptions of Shih Szu as his sifu's impetuous daughter, and his drunk fighting buddy. Not actually a bad movie, but very standard mediocre stuff, and lacking the flashes of brilliance or creativity that might at least make a scene or two memorable.