Alicia I love this movie so much

SpuffyWeb Sadly Over-hyped

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

bellino-angelo2014 In the period from the 1940s to the 1960s there was on Hollywood the craze of making biblical epics, and while some they are lavish (like David and Bathsheba or Samson and Delilah), others, like this, are humble but pleasant to watch! And this one in particular is faithful to the Bible.The movie is based on the Biblical book of Ruth, and it's divided in three parts. In her youth Ruth is portrayed as a pagan idolatress that believes in the blood-thirsty God Kemosh, but she meets Mahlon, a young artisan, and his family, and soon she becomes doubtful of her religion and begins to believe in a God of peace. When the high Priest discovers it, arrests Ruth, Mahlon, and his family. While Mahlon is forced to work at the quarries, Ruth tries to make him free, but he is killed by a guard. So she goes to Bethlehem with Naomi (Mahlon's mother) and falls in love with Boaz, an handsome landowner that let her work in his wheat fields. But soon Boaz's brother tries to capture Ruth's heart, and after some discussions, she finally declares her feelings for Boaz and marries him.I loved this movie so much, and I explain the reasons: the scenery is wonderful, the soundtrack by Alfred Newman is majestic. And the actors, although not great ones, gave great performances here; Stuart Whitman is excellent as Boaz, and it's one of his best leading man roles; Tom Tryon is also convincing as Mahlon, the Judean that converts Ruth to a better religion and monotheism, and Peggy Wood is great as Naomi, Mahlon's mother that is also a spiritual guide for Ruth.This is maybe one of the best bible-based movies ever made in Hollywood! A must-see and I give this 8 out of 10!

Neil Doyle There's no question that THE STORY OF RUTH would have been a lot more different if it emerged as a Cecil B. DeMille production at the hight of DeMiller's spectacular career at Paramount. I'm sure he would have made certain that the writers expanded on the story to bring as much spectacle and battle scenes as possible in order to bring it up to his usual "sand and sandals" requirements.But Henry Koster has taken a simple story, retained the simplistic values of the plot and made it a moving story of a young woman from a pagan culture who gradually amends her sinful ways and comes to worship only one invisible God. Koster has had wonderful success with his two very rugged looking male stars--TOM TRYON (whose role occupies the first half of the lengthy film, as a Hebrew) and STUART WHITMAN as the man Ruth comes to love. JEFF MORROW is also stalwart and appealing as the man who tries to win her love but fails miserably.Alas, we now come to the real drawback of the film--ELANA EDEN, the unknown actress who plays the all important title role--Ruth, and her acting is, to put it kindly, "limited". In fact, it is only one notch above the kind of grade school emoting we had from Maria Montez during the height of her adventures with Jon Hall and Sabu. Furthermore, while undeniably beautiful in an exotic way, her accent makes much of her dialog in need of the caption feature. Her wooden performance is perhaps the reason for her very brief screen career in what should have been a star-making role.Surprisingly, despite this main drawback, THE STORY OF RUTH has an intelligent script, sensible direction and a warm performance by PEGGY WOOD as Ruth's mother-in-law, Naomi. Miss Wood makes up for the lack of animation in Elana Eden's role.Summing up: Handsomely produced, it's an interesting tale told smoothly without a lot of pomp and circumstance that usually accompanies these sort of Biblical tales. And Franz Waxman's music is stirring.

ma-cortes This 20th Century Fox Biblical epic inspired by the scriptural tale deals with the beautiful Ruth (Elana Eden , this character was intended for Susan Strasberg , who was tested for the part, but the studio decided to go for an unknown), she is a Moabitess priestess under orders of hight religious hierarchy (Viveca Lindfors) , as their cruel religion makes sacrifices children to God Moloch in a pagan civilization . Later on , Ruth is drawn both to a Judean man and to his talk of a forgiving God . As she is enamored by a young Jewish (Tom Tryon) and decides to renounce his former gods . Then tragedy strikes, she begins a new life in Bethlehem . As arriving in Israel along with her mother-in-law (Peggy Wood), where she discovers true faith and works as an ear-woman . Although she is excluded by the Jewish community ; however , getting various suitors such as Boaz (Stuart Whitman) and Tob (Jeff Morrow).This Biblical retelling film results to be an enjoyable story with all the spectacle of heathen idolatry , human sacrifice , pagan revels , romance , drama , a love story and fascinating scenarios . It's a known epic story of Ruth whose descendant will be King David , dealing with all the beauty of one of the Bible's timeless love stories . Elana Eden as Ruth is marvelous, however she barely acted after this realization , the veteran Peggy Wood is magnificent and Stuart Whitman as the tough Boaz makes an agreeable interpretation . Colorful and spectacular cinematography in CinemaScope by Arthur Arling , being stunningly reflected on the sensational outdoors . The luxurious costumes by the usual designer Nino Novarese . Sensitive and evocative musical score by the classic Franz Waxman . The film well well directed with big budget by Henry Koster . The picture will appeal to religious genre fans and Biblical history buffs . Rating : Good and nice , it's worthwhile seeing. I would recommend to see it wholeheartedly.

HONEYWALL1 I first saw this movie in October, 1960, when I was thirteen and a half. Like many others of my generation, I had purchased the wonderfully made Dell Movie Classic comic book adaptation of the film, with its impressive color photo cover...obviously designed as pre-release publicity to make you want to go to see the film when it arrived in town. I was very impressed with the film and it became one of my all time favorite movies. I watched the great Biblical love story come alive and unfold itself across the CinemaScope screen and I found certain parts of it very moving...especially the death of Mahlon (Tom Tryon) in that cave. As Ruth, twenty years old Elana Eden is superb. As she realises that Mahlon has just died in front of her, she falls to her knees, buries her face in her hands and sobs bitterly (very much in the mold of Jennifer Jones in that final scene of LOVE IS A MANY-SPLENDORED THING) and I found the scene so moving that, as Elana Eden sobbed, so I began to sob, also. It was so well done, I became totally involved in it for two hours and twelve minutes of screen time. Because this is one of the quieter Bible stories, and contains no chariot races or battle scenes, it has been somewhat overlooked by most of today's movie historians and has only been shown on UK television once...in December, 1972, when it was already twelve years old...and not shown since. So, a couple of generations have come into the world since its original release who have never had the opportunity to see it. But it's certainly worth seeing and I give it ten out of ten. Thankfully, it's available on video in the USA and I was able to send to amazon.com for a copy last year. As to what became of Elana Eden, I'd like very much to know. According to the British November, 1960, edition of Photoplay, she signed a long term contract with 20th Century-Fox in 1960, presumably on the strength of her superb debut performance in this movie. Yet, as far as I know, she never acted again. Does anyone out there know why and whatever became of her? She was so very, very beautiful. I fell in love with her from the first time I saw her on the cover of that Movie Classic comic. A wonderful movie with an unmistakable air of sincerity about the whole production, THE STORY OF RUTH is something quite removed from most of Fox's output of the period.