The Time, The Place and The Girl

1946 "Those Hilarious "GUYS FROM MILWAUKEE""
5.9| 1h45m| NR| en| More Info
Released: 28 December 1946 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

The stuffy manager of lovely opera singer Vicki Cassel and her uncle, a classical conductor, is determined to close down the noisy nightclub next door to the Cassels' home. The club's owners--Steve, a handsome ladies' man, and Jeff, his clownish sidekick--hatch a plan to keep the club open. Steve arranges to meet--and woo--Vicki and then invite her and her uncle to the club. When Vicki's snobbish aunt and the manager discover that Vicki now favors popular music over the classics, they arrange to get the club closed. But that doesn't keep Steve and Jeff down. Instead, they decide to put on a Broadway show if they can get a backer. They find their "angel" in Vicki's uncle who agrees to finance the show only if Vicki is the leading lady. But again, Vicki's aunt and manager may be the spoiler in everyone's plans.

Genre

Comedy, Music, Romance

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Director

David Butler

Production Companies

Warner Bros. Pictures

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The Time, The Place and The Girl Audience Reviews

Actuakers One of my all time favorites.
Listonixio Fresh and Exciting
Console best movie i've ever seen.
Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
dougdoepke Pleasant musical, colorfully produced, but with more plot and talk than necessary for a musical. The plot's well worn—the guys and gals want to put on a musical in spite of a couple of killjoys (Bates & Woods). Seems the money needed for the show keeps getting passed around between good guys and not-so-good guys. Anyway, count on Morgan and Carson to get things right. The musical numbers are eye-catching, especially the rope-twirling "Calico", along with tap-dancing whirlwinds the Condo Brothers. I expect one reason for the talk is the large number of featured players, from Morgan to Bates. Each name player has to get enough dialogue to maintain status and pay-rate.This is still early in the Morgan-Carson pairing, so fans may be disappointed they don't get more shtick. Nonetheless, their chemistry shows promise. And, of course, there's Cuddles Sakall doing his ain't-I-adorable bit, which of course he is. But the real surprise, to me at least, is noir vamp Martha Vickers. None of that here; instead, she shines in a sparkly role I would never have suspected. Too bad she never rose to the level her talent clearly warranted. For those fans of 40's women's big hats, catch Paige's menacing flower combo early on. I'm surprised the actress kept her head.Anyway, it's an eye-catching 100-minutes, and if not memorable, at least entertaining.
calvinnme I watched this because it had a middling rating on IMDb and yet was nominated for at least one Oscar because it was on Turner Classic Movies' 31 Days of Oscar. I always watch these and then look afterwards at what nominations the film got to see if I correctly guessed. This time I came up empty.It's a good film to watch if you are recovering from a nervous breakdown because there is little to no real conflict of consequence going on. Dennis Morgan and Jack Carson - the Hope and Crosby of Warner Brothers - are going to open up a club next door to the home of opera singer Victoria Cassel and symphonic conductor Ladislaus Cassel, granddaughter and grandfather, played by Martha Vickers and S.Z. Sakall, respectively. I guess we can talk about the bizarre zoning that would allow a nightclub next to a mansion another time. Their manager (Donald Woods sporting a ridiculous looking mustache) tells Morgan and Carson that he will have them shut down because they are hindering his clients' ability to practice their kind of music in peace.So Morgan and Carson invite Victoria and her grandfather over to listen to "their kind of music" and they admit there is nothing wrong with it. The real instigators of the trouble are the manager and the grandfather's wife, an ex opera singer herself, so the club is still shut down over the ignored protests of grandfather and Victoria.The rest of the film is about Morgan and Carson attempting to "put on a show" instead of opening their club. Of course there are complications. Vicki and Morgan's character begin a romance of sorts, but Morgan tells her he is not the marrying kind. That issue is never settled by the way. There is a gold digging woman who is the image of Scarlet Johansson who is either helping or hindering the show financially depending on whether or not she thinks Morgan's character is sweet on her versus her desire take a Texas oilman (Alan Hale) for all he is worth. The eternal struggle of muscles versus money. So the main issues are will the show ever get enough financial backing to open and how will that happen, and will the trouble-making manager, who seems to be doubly threatened since he seems to have a thing for Vicki, thwart Vicki's involvement in the show and her involvement with Morgan. One weird thing about the music - it turns out the film was nominated for best song for a very forgettable number. In fact, all of the numbers are pretty forgettable with the exception of the very hummable "Rainy Night in Rio". Also, all through this film, there is supposed to be a running argument about swing/jazz music versus symphonic music, with the swing music being what the show is supposed to be about and why the original nightclub was closed in the first place. The "show" that is the creation of Carson's and Morgan's characters consists of what I would call pseudo-symphonic music and production numbers tame enough for any garden variety MGM musical at the time.Summarizing - I wasn't at all impressed by the music, although Dennis Morgan's voice is always pleasant to listen to. So it's both Morgan and Carson doing their usual comic schtick with Morgan being the smooth one and Carson being the cruder and more forward of the two that is the draw along with the well intentioned S.Z. Sakall also being pretty amusing.
Dunham16 A two hour technicolor musical featuring romantic comedy storyboard cultural preferences the dialogue and storyline seem among the weaker of those surviving. Cuddles Szakall and the less known today Florence Bates play their familiar comic shtick of the busybody older gent and his controlling wife with perfect coming timing, one of the best aspects of the film. Dennis Morgan who often poses and croons and Jack Carson, who often gets into trouble and clowns around play familiar roles when co-cast though this time in one of the weaker plots. The formula puttin' on a show plot of the era does not work as smoothly as it does in other films with the three female leads none today remembered each playing stock characters in the formula plot. Well technically crafted in technicolor it lacks the direction or interest maintaining format of its competitors.
steveareno This movie is excellent.The cast was wonderful..Dennis Morgan, Jack Carson,Janis Paige,Martha Vickers,S.Z. Sakall and more... WOW!!I especially noticed that Dennis Morgan looked very relaxed in this film.It seemed like he was having lots of fun!He always is excellent in movies with Jack Carson.They performed easily with each other because they were such good friends.It shows!! Janis Paige and Martha Vickers are very lovely and great actresses.My favorite parts in this film are the romantic scenes with Dennis and Martha and when Janis accidentally sprays Jack in the face with a bottle of seltzer.Dennis couldn't help but giggle in that scene!This movie is full of songs and very highly enjoyable!