Stometer Save your money for something good and enjoyable

Steineded How sad is this?

Pluskylang Great Film overall

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Asaaf00 "The Uninvited Guest" is a psychological horror about a man letting a stranger into his house to make an urgent phone call in the middle of the night. While the man of the house patiently waiting -in the kitchen- for the stranger to finish his call, the stranger suddenly disappears! but the man believes that the stranger is still in the house. Unable to differentiate between what is true and what is not, the man starts hearing strange noises and acting crazy. Did the stranger let himself out after he finished the phone call? Or is he really hiding in the house? Is the man of the house going insane? Or are these hallucinations true?It's definitely one of the best films I've seen from the last decade. The plot is intriguing, The acting is superb and the directing is brilliant. It is a very clever film and it will deceive you in almost every scene. If you like this kind of psychological horrors/thrillers, you will love this one!

chaos-rampant I like to imagine that money came in for this before the filmmaker had the chance to iron out the creases in the script and he just went ahead while the project was still hot and he could get it made.It is half-way an interesting film, a more novel take on Hitchcock than we have seen from DePalma in ages; the prowling eye of the camera; the vertigo of assumed identities and deceived points-of-view; the projections in space of an obsessive mind. But a deeply flawed film that left me with a growing sense of dissatisfaction.Our point-of-view is decidedly with a man who comes to think that someone else is hiding in his own house. The house itself is a spacious labyrinth of modern architecture so it's impossible to make sure; dark corners abound and the mind comes to cast in them its own shadows of doubt. The paranoid situation he's embroiled in becomes worse when he suspects that his ex is involved in some mysterious bargain where he is the victim. The story has been set in motion long before though. There is a woman who has suffered a crippling accident and whose husband has grown distant from her, we get to find out about this later in the film when he does.In the first house, physical space is what the mind fills in with its own chimeras. In the second house, it's what the mind fills with emotional pain, with distance as the space between hearts and affections. It's in this second house that the man seeks refuge - where he comes to fill the space left blank by the missing husband - now by going into hiding himself, and so looking at his situation from the inverse point-of-view. Now we are what we were trying to apprehend in the first half, looking to evade capture from anxious eyes. So if the first house was the setting for a thriller, what was perceived from our end as holding elusive danger, here it's us causing the thriller to happen while from our pov it is recast as this exhilarating game of hide-and-seek. It makes sense to watch this as a dance or performance art; where one partner swings out of view just seconds before the other enters it, with both locked together in a ballet of appearances.The man obsessively imagines himself as part of a relationship, and the film assumes a whimsical, light-hearted tone. This strangely underscores the fundamental creepiness of what is really going on. There are two problems in all this. One is that it never makes any sense why our man behaves the way he does. Usually what Hitchcock did was that he would supply the doubt of an unreliable eye or unstable mind; here the guy seems perfectly normal and then acts completely unhinged.The other is the ending, where the filmmaker stretches to explain for us the missing links of the story. We knew that the two houses were somehow linked, but it turns out that they were quite literally so. So instead of using mirrored space - and persons, there's two of everyone here and one woman seems to be the other's twin sister - as the means of examining abstract reflections, we're give pieces of a puzzle to put together. In doing so, whole swathes of the story collapse and what held elusive power by remaining just out of sight is made to be safely ordinary or, worst, downright stupid.

lastliberal In his first feature-length effort, writer/director Guillem Morales has a winner. I almost thought I was watching a Hitchcock thriller brought up to date.Is Felix (Andoni Gracia) crazy? Is it just some aftereffects from losing his sweetheart (Mónica López)? He is definitely hearing things; or he thinks he is, but no one else can find anyone.No problem, he gets a gun and just starts blasting away, sure that he has hit his target. he locks him in the house and breaks into the next door neighbor's house, where a woman in a wheelchair is living.He is quite comfortable using her house and she is clueless as to his presence.The he starts seeing shadows move about her house. maybe he is crazy! The shadows are not what he thinks and he resumes his place only to discover the woman's husband and his big mistake.Spooky, funny, sad, creepy, and the ending is a winner!!!!

Henry Fields Is it possible to live in somebody's house hiding all the time and avoid that the inhabitants there detect your presence? Well, that's the question this original story deals with. "El habitante incierto" keeps the audience on the alert, 'cause you don't really know what's going on. That plot remind me of Ki-Duk Kim's "Bin Jip" (but that's the only point in common between these two movies).The movie has a good script, though some dialogs are rather affected and there are a couple of characters that are not well defined. Anyway, the film as a whole really thrilling and brilliant, and the actors are quite reliable (specially Mónica López who plays two different roles).In short: a nice choice.*My rate: 7/10