There Goes the Bride

1932
6.7| 1h19m| NA| en| More Info
Released: 25 October 1932 Released
Producted By: British Lion Films
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Budget: 0
Revenue: 0
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A businessman's daughter runs away from an arranged marriage, only to find herself penniless and suspected of theft after she becomes the victim of a bag thief in the train. When she refuses to tell him who she really is, her accuser decides to take her home where he can keep an eye on her until 12 o'clock the next day, the time at which she has calculated that it will be safe to tell the truth! But when his fiancée arrives unexpectedly and then his 'guest' is mistaken for her, it all gets rather embarrassing...

Genre

Comedy, Music, Romance

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Director

Albert de Courville

Production Companies

British Lion Films

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There Goes the Bride Audience Reviews

Plantiana Yawn. Poorly Filmed Snooze Fest.
Grimerlana Plenty to Like, Plenty to Dislike
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.
HotToastyRag There Goes the Bride is a story about a rich, young woman who runs away from her father and her fiancé; then when she's on a train, she gets robbed and is forced to seek refuge with a perfect stranger, with whom she bickers and subsequently falls in love. Does that sound familiar? Too bad for Henry Koster, Wolfgang Wilhelm, and W.P. Lipscomb, because their movie went completely unnoticed, and two years later, It Happened One Night swept the Academy Awards!It's a very similar movie, except this one has British actors in it and a side plot involving a misidentify instead of a hitchhiking scene. Jessie Matthews is the adorable lead, and she sings the song "I'll Stay with You", whose theme is repeated throughout the film, making it a delightful old movie to watch. I happen to think It Happened One Night is overrated, as there were dozens of romantic comedies at that time which were just as cute if not cuter. I only came across this forgotten film because it was David Niven's first movie, and it's become a bit of a challenge to watch his early films and try to spot him among the extras. I wasn't successful, since the movie's loaded with crowd scenes. Still, I'm glad I watched it, and if you like watching obscure very old movies, you might want to give this one a try, too.
spj-4 Another enjoyable Jessie Matthews' movie! I didn't know she was in it till I started to watch it. I don't share the view she was over-acting.She's just got an impish effervescence about her contributions in light-hearted musicals & comic situations of farce & misunderstandings, near-misses & genuine harmless fun that she excelled herself in! I simply don't understand why she was not a more famous & more sought after talent! Probably it's because her movies were made in the 1930s & in black & white. This doesn't detract from quality cinema! All of her movies I've seen are enjoyable. This is no exception!
Igenlode Wordsmith "There goes the Bride" is essentially and simply a farce (albeit one set -- for no very clear reason -- in France). As such, the plot makes about as much sense as in any other of the many films in which the heroine proves herself irresistible by making the leading man's life a complete misery; and it contrives to be considerably less irritating than most of them.As the pert and wilful Annette, Jessie Matthews is all big eyes and eloquent reaction; it is interesting to note that she has already established the character without any real dialogue to speak of until after the first few scenes. In fact, for an early sound film this shows a notable willingness to tell its story through visuals in addition to the laughs obtained by an often genuinely funny script; there were moments when the audience were literally shouting with laughter.It has to be said that Miss Matthews, in her first leading screen role, sometimes overacts. If she were not already in possession of top billing one might assume that she is doing her best here to steal the show! However, it is hard to say where the actress's cinematic inexperience begins and the impudent Annette's 'putting on an act' ends; certainly her charm is more than enough to excuse any exaggeration. Conversely, Owen Nares has been criticised for lack of charisma, although I couldn't see it -- I did notice one or two flat line readings on his part that sounded as if they should have gone for a retake.All in all I found this surprisingly good entertainment: undemanding fluff in a polished production that manages to be witty without being annoying, ridiculous without stupidity, and sneaks in a good deal of conscious naughtiness into the bargain. I'm frankly amazed that this apparently rated a 'U' rather than an 'A' ('Adult') certificate on release, as I'd have thought parts of it were quite risqué!
malcolmgsw This is Jessie Matthews second sound film.Whilst she exhibits much gusto and enthusiasm she rather overacts at time and her technique is lacking.I was fortunate enough to see her give a lecture with Michael Balcon at the NFT some 40 years ago.She explained that it was Victor Saville who had helped to give her the confidence to appear in front of the cameras.Anyway having said that she is rather oddly matched with a rather stuffy Owen Nares who was 17 years her senior at the time.Nares was a popular leading man of the 20s and 30s and who was by this time heading into the twilight of his screen career.There are some enjoyable,if unmemorable musical numbers.There is only one brief dance from Jessie.This film was issued as part of the "British Classics Collection" some years ago,and is still to be purchased second hand.If you are a fan of Jessie Matthews or of 30s films it is worth seeing,if only to observe a talent in embryo