Lovesusti The Worst Film Ever

Hottoceame The Age of Commercialism

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Balcanmaster Very good Israeli film. Simply told story based on a good script, good cast selection, good directing, good cinematography, good music, and last but not least - good actors.As if Israeli cinema professionally is already mature enough, it is time some Israeli filmmaker to get Oscar. As if slightly Academy ignores Israeli cinema, or at least movies like this left such an impression.It does not need a film to be a unique masterpiece to delight the viewer. A well-told story by means of professional good cinema will do the job, as in this case.

taylor9885 This film is another in a wave of films from Israel that show the gritty reality of life there. Kippur showed us just how bloody and fruitless the 1973 war with the Arabs was (the scene of three medics trying to move one wounded soldier over a muddy field sticks in my mind as a symbol of futility), Late Marriage showed how hard it is for the children of immigrants to find their way in a secular society--Zaza, the central character is falling apart under the pressure of compliance with traditional precepts governing courtship, marriage and divorce.The character of Rabbi Meltzer seems to be based on Meir Kahane, the dangerously charismatic and violent leader. People are just pawns in a chess game for this man, and if his family doesn't comply with his wishes he'll find others who will. It's fascinating to see Michal, his daughter, start to assert her individuality after a lifetime of conformity with her father's wishes. The first indication of rebellion takes place on a mountainside overlooking the kibbutz where she grew up; she tells a bitter story of neglect and indifference to human needs that is very touching. Tinkerbell and Aki Avni are very good; Assi Dayan as the Rabbi is outstanding in his deviousness cloaked in moral fervor.

Jan Lisa Huttner We saw this film on Friday night @ one of Chgo's premiere "art" theaters (the Landmark @ Century Center). There were maybe a dozen people in the audience besides us. Too bad. With all the horrible things going on this weekend (Easter Weekend 2002 with Arafat surrounded by Israeli troops in Ramallah is retaliation for the terrorist murder of Passover celebrants in Netanya) few films could be more relevant!But I think if you see a "love triangle" in this film, you are really missing the point.SPOILER ALERT!!! (Stop reading now if you don't want to know critical plot points!!!)Pini does not "love" Michal; Pini loves her father Rabbi Meltzer & he desperately wants the Rabbi's approval. Rabbi Meltzer intends to give Michal to Pini as a prize, signifying that Pini is his best student & probable successor. For Michal, this is just further proof that her father has no interest in her as a "person." He will easily sacrifice her to his own needs, just as he sacrificed her mother. When Michal rejects Pini, he feels humiliated in the eyes of the Rabbi & the community, & therefore he does something desperate to prove himself to the Rabbi. The model here is THE ILIAD. Achilles does not "love" Briceas (sp?) -- she is his war booty, his prize. When she is taken from him, his warrior pride is offended. It is "the wrath of Achilles" that destroys the city of Troy & Pini is filled with the same wrath.Why is this important? Because right now we all desperately need to understand the psychology of suicide bombers. In almost every case, suicide bombers are young men who need to prove themselves to their fanatical male mentors. They don't live in societies in which women & the love of women are valued. A glorious death is more important than an ordinary human life (his own included). When Itamar freezes & wants to reach out for his wife, Pini is scornful & disgusted with him.Menachem loves Michal & because he loves her, he is able to renounce the zealot's life, exchange it for the life of a mench (in Yiddish, a "real" >whole human being). She opens his eyes to what is actually being asked of him by Rabbi Meltzer -- Rabbi Meltzer doesn't just want Menachem to give up Michal, he wants Menachem to give up his humanity, to give his life to "the will of God" (as interpreted by Rabbi Meltzer, of course).Bottomline: Because Menachem sees Michal AS A PERSON, he retains his humanity. Because Pini sees Michal AS AN OBJECT, he becomes an instrument of destruction.Bye now, Jan @ Films for Two

havana-2 Joseph Cedar's directing debut garnered the Israeli Academy Award and early Academy Foriegn Film recognition for a good reason. It is a good film. Unlike recent Israeli exports, Haesder or Time of Favor as it is titled in English is technically superb and fluid in how it delivers its story line. The very talented Aki Avni plays Menachem, a religious soldier. He is a disciple of his local rabbi who believes in settling areas in Jerusalem that are in conflict. The rabbi is played by Israeli actor/director and son of war hero Moshe Dayan- Asi Dayan. The rabbi promises his daughter to another of his disciples and a friend of Menachem's- a religious scholar named Pini. Meanwhile a love triangle develops. Inrtigue and action come into play and the end culminates with brilliant rhythmn and suspense. The film is shot superbly considering its relative low budget and the production value is high. Many of the military sequencesand scenes are reminiscent of THREE KINGS, and the score is Yanni-esque and adds a middle eastern flavor to this politically significant and turbulent movie. I reccomend this movie highly without reservations. It should be seen, I saw it in a large movie theatre and was moved as was the rest of the audience.