Triumph of the Spirit

1989 "From the Academy Award Winning Producer of "Platoon""
6.8| 2h0m| R| en| More Info
Released: 08 December 1989 Released
Producted By: Nova International Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

During World War II, Salamo Arouch, a passionate boxer, is arrested and sent to a concentration camp. Soon, he is forced to box against his fellow prisoners for the sake of entertainment.

Genre

Drama, War

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Director

Robert M. Young

Production Companies

Nova International Films

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Triumph of the Spirit Audience Reviews

Alicia I love this movie so much
Pluskylang Great Film overall
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
sddavis63 Somehow, in thinking of the horrors of the Holocaust, thoughts of Greece do not spring readily to mind. And yet, obviously there were Jews in Greece, and many were interned after the Nazis occupied Greece in 1941. "Triumph Of The Spirit" follows the story of Salamo Arouch, a Greek champion boxer who is among those sent to Auschwitz.Arouch's story is interesting. He uses boxing as a way of staying alive - fighting other prisoners for the entertainment of Nazi officers and officials, knowing full well that those he defeats are destined almost certainly for execution - and that the same fate awaited him if he were to lose. The movie is rife with reflection on collaboration. The Sonderkommandos (Jews who actively worked with the Nazis in exchange for privileges which included perhaps a few extra months of life) are front and centre in this, and we see various internees doing various things to placate the Nazis, to earn favour with them - and, in the circumstances, who can blame them. They were uprooted from often comfortable lives and placed almost literally into hell. Defiance might have been the more noble choice, but some form of collaboration was more practical. But the choice was never easy, and consciences were surely wounded as those decisions were made. Arouch was played by Willem Defoe - not my favourite actor, but he handled the part quite well. Some license was taken with his story, as is almost always the case when a story "based on fact" is portrayed, but basically from what I've been able to learn the broad sweep of Arouch's story is told. Really, though, Arouch fades into the background in this - or, at least, he did for me.It was the sheer brutality of Auschwitz and of Nazism that was the engine driving this movie forward. It's a realistic and gripping portrayal of the conditions in the camp - all under the slogan "Arbeit Macht Frei" - "work makes free" - the slogan that appeared over the gates entering Auschwitz. It makes what happened inside the camp sound almost noble, but there was nothing noble about the type of work done in Auschwitz, and it had nothing to do with freedom. That was made very clear throughout this film. It was, perhaps, the closest thing to hell that any of the inmates could have possibly imagined. Many died, and those who survived were scarred for life, left empty by the experience. The last scene, I thought, portrayed this quite hauntingly, as Arouch - who survived - wanders lost and aimless away from the camp after liberation, not knowing where he was going or what he would find. His story has a "happy" ending filled with marriage and children and grandchildren, but how happy could it have really been, all things considered.This isn't the best movie about the Holocaust ever made, but it is one that stays with the viewer, and it's one that provides a gripping portrayal of life inside perhaps the most notorious of the Nazi concentration camps. (8/10)
TBJCSKCNRRQTreviews When Greece was invaded, its Jews were sent to Auschwitz. Among them was boxing champ Salamo(Dafoe, determined) and his family. When it is discovered that he can fight, he is put in the ring for the entertainment of the SS officers. This doesn't mean that they're safe, not even with him making a contact with a gypsy(Olmos) who is also granted a temporary "tolerance". Based on a true story.This is among the most detailed, authentic and gripping pictures about its subject that I know of. The sheer volume of awful events, ways to be singled out and murdered and lies told by Nazis to avoid panic is impressive for being fit into the 1 hour 51 and a half minute running time. Production values are high. Acting is great for all concerned, with numerous subtle performances.Going to great lengths to avoid being exploitative, this has few on-screen deaths, piles of dead and little naked skin. And yet, so much is communicated. Some recurring images convey far more than gore ever could. A reaction shot of conveys the horror inside the crematorium. And we know exactly what it means when we see the smoke from its chimney, or a train pulling in to, as my father solemnly put it as we watched it together, "the end of the line".There is a lot of disturbing, and some bloody, content in this. I wholeheartedly recommend this to everyone old enough to handle the material. 7/10
Agniv Sen Let us face it, holocaust surrounding second world war and the Nazi torture of Jews have become a thoroughly over-explored topic. Done to death, yes, but this movie came out in 1989! There was no Schindler's List, no Sorstalanság, no Boy in Striped Pyjama or Life is Beautiful... hell, even Europa Europa or the Last Butterfly released after this movie!So, Triumph of the Spirit could easily have been a reference material for many a modern classic on holocaust. Even when seen as a standalone movie without the predecessors or successors, this is a good movie. The story is based on true incidents, hence it is quite interesting; historically - almost accurate and direction wise - at par with the best. Most of the characters had been explored richly and the cause- effect relationship behind every sub-plot is quite pronounced. The movie never borders on obscurity, yet ends it with a depth that is so often lacking in movies based on real life. Performance wise Willem Dafoe and Robert Loggia stands out magnificently. Everyone else does their bit to perfection... no hiccups in acting. Sometimes, a bit of production value is missing that we are so used to these days. (Like in the air-raid scene towards the end, any typical Hollywood movie these days would have wonderful SFX showing allied aircrafts and what not... but here it was just the sound Foley and a bit of pyrotechnic... quite old school but very effective).If you are a true movie buff and looking forward to relive the 80s style of movie production, go for it. You won't be disappointed.
Koustubh Bhattacharya This is an exceptional tale of an extremely talented and gifted sportsman surviving an immoral, insane, racist, despotic ideology through the one thing he knows best, boxing. It's an ode to a man refusing to accept the obvious fate and fighting to stay alive in spite of the total degeneration and breakdown of all humanity around him. In a way I compare this movie to 'The Pianist' and unlike many other holocaust movies, this movie depicts the protagonist fighting back his tormentors and even bettering them as they hate him for winning every time. All this time he is like a Gladiator, fighting other men who are in same position as his, just to entertain ruthless Nazi officials while he is constantly aware that if he loose he would surely die. The movie is aptly named after Salamo's undying perseverance for life where his soul was been trampled. The death camp scenes sure hint that movies like Schindler's list and life is beautiful borrow heavily in visual style from this movie. Though the violence in the movie is more of suggestive and less graphic than its successors yet it proves quite moving due to a very convincing performance of William Dafoe (I am sure he did work hard to get in shape and develop such agility for a boxer), and to the fact that all this happened in reality. Also the soundtrack was successful in carrying the heaviness of the movie. Sure it is a seriously made movie on one of the most shameful happenings of modern human history. But at one point it can also be seen as a great boxing movie. It is like capturing the psychology of a tormented and tortured warrior, and the movie does that well.