Twelfth Night, or What You Will

1988
7.1| 2h45m| NA| en| More Info
Released: 30 December 1988 Released
Producted By: Thames Television
Country:
Budget: 0
Revenue: 0
Official Website:
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The tale begins when a brother and sister are separated in a shipwreck, but survive to be washed up on the shore of Illyria. The sister, Viola, disguises herself as a man and takes service with Duke Orsino, who has fallen in love with Lady Olivia. Entrusted with pleading on her master's behalf, Viola is utterly disconcerted to find that Olivia has fallen in love with her. Thus begins the confusion of this delightful comedy.

Genre

Drama, Comedy, Romance

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Director

Paul Kafno

Production Companies

Thames Television

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Twelfth Night, or What You Will Audience Reviews

Fluentiama Perfect cast and a good story
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
talsedek Containing few performances that don't hit the same painfully broad and obvious notes over and over again, this film of Branagh's staged performance clearly has learned its lines and found its beats. Especially notable is Toby's slapstick business with the sword and the development of Feste's dark underbelly, completed with the subtlety and variety found in a box of crayolas. No mo------ meant left un-mined, no witty banter unPUNCTuated. Wow, they know that play in and out, having clearly just come off of a long and successful but apparently soul-draining run. Good snow.For the sake of filling enough lines to make an acceptable entry, I shall comment on the music: fittingly saccharine and forgettable. Hey nonny.
sarastro7 Personally, I like this Branagh-directed version very much (well, this movie was directed for TV by Paul Kafno, but it's based on a Branagh staging, and this is what the actors are performing). Granted, it cannot compete with the 1996 Trevor Nunn film, which is excellently colorful and comedic, and had a much bigger production budget.The Branagh production is set in a TV studio in which has been built the ruins of a formerly rich but now dilapidated estate (Olivia's), and almost all the action takes place there, except for the scenes at Orsino's estate, which are covered in an atmospheric blue sheen that I found very effective at conveying the melancholy of the play (and Orsino's character in particular).It's true that this production isn't very funny (although I was quite amused by the bit with the Christmas tree). I think this is deliberate. Branagh does not treat this as a comedy, but prefers to delve into the melancholy depth of the text. Thus, he does not provide a folk comedy, but a study in literary profundity. This is to the benefit of those, like myself, who like a philosophically heavy Shakespeare. Note that this version is 2 hours and 35 minutes long, and actually includes all the original text (although I thought Orsino's scenes were rather few and far between), which is always a big plus in my book.I think all the actors of this production are excellent (and with great enunciation!), but it's true they lack the charisma of better-known faces like those of the Trevor Nunn movie. However, the one element that I find superior in the Branagh version compared to the Nunn version is Malvolio. Now, personally, I think, sacrilegiously, that Malvolio is generally the most boring thing about Twelfth Night. He's sort of like an artificially included comedy element which isn't that funny. I like the rest of the action much better. In Trevor Nunn's excellent movie, Malvolio is the one thing that, to my mind, does not work. Hawthorne acts the part too dramatically, and with too much self-pity. True, Malvolio does exhibit extreme self-pity in the original text, but I think this is supposed to be played for laughs and not to make audiences feel sorry for him (which, based on Hawthorne's histrionics, we never really did anyway). So I thought Richard Brier's Malvolio in the Branagh version was significantly better; still a sad and pathetic character, but in a way that gels with the rest of the mood of the play. He was more downbeat, and never distracted us from the rest of the action. So, overall, I enjoyed this production a lot, and will recommend it to those who prefer both a pensive and a complete text as basis for performance.8 out of 10.
Bill Goode I was disappointed with this production. I do prefer traditional settings with Shakespeare; but aside from that, the performances were just not strong enough. Malvolio's cross-gartering & yellow stockings simply do not lend themselves to 19th century dress as depicted in this version. Shakespeare wrote the play around 1600 and at that time yellow stockings could be much more easily displayed. But in the rest of this play, as well as the later half of the 19th century when this versions is set, men including Malvolio were wearing full-length pants. It makes the cross-gartering & yellow stockings much more of a contrivance than it would in a traditional Shakespearean setting.Part of what made this film disappointing was the weather that was displayed. It was dreary most of the time, if not snowing. This is a comedy and the setting should be light & cheery in comedies. I see that the setting was at Christmas, which is fine I guess, but the overall effect of the weather is to make the play seem more dreary than it should be.The part of Olivia was done fairly well, but there were no really standout performances here. Viola simply gave an average performance. Aguecheek here should be much more effeminate. Sir Toby Belch should appear more drunk & slovenly most of the time. He appeared to me a little too dignified. Malvolio, being the object of much of the clownery, should be more indignant than he appears here. On his release, he stands motionless in silence for some minutes. Fabian seems almost sorry for him, instead of snickering as he might be.All in all I found the performances to be fairly average. I have seen this play on stage several times and it was done significantly better every time than it was here. The acting was much more intense in the performances I have seen on stage than the acting in this version.
dev92 This has got to be the worst film that I have ever seen. It is so rubbish that I was prepared to kill myself. Luckily I didn't do that. Otherwise I wouldn't be here to write this. Some people may like it but the writers and crew have mucked up so much. They mixed up Shakespeare and Modern times. If they were clever they would have chosen one or the other. They also left electric lights on the Christmas tree. I'm ashamed. Ashamed. I recommend you do not watch it. I was forced to but don't watch it, unless being forced to. Though i did like Feste. He was acted very well. Unfortunately, it was the only thing good about this film.